[Photo by JehN.W.A.]
“…pensive songs for bruised souls seeking catharsis.” – Decibel Magazine
Stream EN MINOR’s When The Cold Truth Has Worn Its Miserable Welcome Out HERE.
When The Cold Truth Has Worn Its Miserable Welcome Out, the long-awaited debut full-length from EN MINOR, is out NOW and streaming via Housecore Records!
An experimental and eclectic Southern Gothic tinged project that finds founding frontman Philip H. Anselmo (Pantera, Down, Superjoint et al) exploring a softer, graver vocal style, EN MINOR is an honest and deliberate change of pace delivering brooding tales of pain, regret, and sorrow. At once ugly and beautiful, EN MINOR features the collective talents of Stephen Taylor (Superjoint, Philip H. Anselmo & The Illegals, Wovenhand, 16 Horsepower), Kevin Bond (Superjoint, Christ Inversion, Artimus Pyledriver), Jimmy Bower (Eyehategod, Down, Superjoint), Calvin and Joiner Dover (The Dover Brothers), and Steve Bernal (former first cellist in the Temple Symphony Orchestra).
Stream EN MINOR’s When The Cold Truth Has Worn Its Miserable Welcome Out in its entirety at THIS LOCATION.
View EN MINOR’s previously released video for “Mausoleums” THIS LOCATION.
EN MINOR‘s When The Cold Truth Has Worn Its Miserable Welcome Out was recorded and mixed at Anselmo’s Nodferatu’s Lair Studio on the Northshore outside of New Orleans, Louisiana and is available via Housecore Records in North America, Season Of Mist in Europe, and Ward Records in Japan.
EN MINOR was inadvertently in the making since Anselmo’s earliest days as a child in the French Quarter. “The initial strains – in the most primitive sense – came about when I was given my first guitar at nine-years old,” relays Anselmo. “I didn’t have the patience to learn other people’s music, so I wrote my own. And some of those early parts are still prevalent in the songs we’re working with now. Fast-forward to 1988 when I bought my first four-track recorder; those old songs took on a new life and newer songs were written. Heavy metal was at the forefront of my performance-based output, but these little four-track songs were always there.”
By 1993, Anselmo moved back to his hometown of New Orleans and his home became an instant magnet for local musicians and artists. “At ungodly hours, these old four-track songs took on an even newer life jamming with these cats. We learned a few of the songs and wrote several more, and soon we were recording under the moniker ‘Body & Blood.’ We wrote more songs, all recorded on a newer model four-track. It was fun. We did it for the vibe. And it was pleasing to break away from multi-tracking studios and heavy metal. Metal music consumed most of our time and lives. Those ‘B&B’ sessions were damned-near therapeutic.”
Without a clear plan for the band, the project remained a periodic therapy session. “We kept things simple and just jammed when everyone was home and played our recordings for friends. Then I eventually moved again, Hurricane Katrina hit, and life sent all of us in different directions.”
It was in 2012 when EN MINOR truly took shape. “[Stephen] ‘Schteve’ [Taylor] was experimenting with some vibey stuff, and soon after began recording the sessions. This led to the current incarnation of EN MINOR. Together, we reworked a few of the old four-track songs and wrote several new ones in short order. These sessions are hypnotic and pulling. And we continue to write songs suitable for this project to this day. Ugly and beautiful, EN MINOR, isn’t ‘party music.’ This is ‘kill the party music.'”