REVIEW AND PICTURES BY MARKO SYRJALA
U.K. hard rock pioneers Deep Purple have been annual visitors in Finland for a long time and this year made no exception here. The current tour, “The Songs That Built Rock,” also includes a Frankfurt Philharmonic Orchestra with whom the band performed a string of their biggest hits and some rarely played gems. In fact, it’s already been six years since they released their latest studio release, RAPTURE OF THE DEEP, but it looks that there is still demand as they now sold almost 7000 tickets for their show for the Hartwall Arena.
The show opened up with the intro “Deep Purple Overture,” which sounded pretty flamboyant, followed by a powerful opening song, “Highway Star.” It did seem that there was some problems with the sound at the beginning because the next pair of songs, “Hard Lovin’ Man” and “Maybe I’m A Leo,” did sound almost confusing. Fortunately, things got much better with “Strange Kind Of Woman,” and it did sound surprisingly good. There’s always a little excitement in the air when you see Deep Purple show nowadays, but Ian Gillan decently handled his vocals this time. Of course, his voice is not what it used to be back in the day, but he did good work there this time. Only some of the highest notes were missing there, and in fact, I’ve witnessed some weaker performances from him in the past. His current avuncular outlook is somewhat “anti-rock,” but at the same time, he does have such charisma that most men at his age do miss.
Ian Paice was still as good as ever behind his drum kit. It’s almost straightening to witness how few individuals seem not to lose their touch after all those years. Paice is definitely still one of the best drummers there; there’s no doubt about it. If Paice’s playing was one of the highlights, the other one was, a little surprisingly, the keyboard solo by Don Airey. After being ten years with the band, it somehow shows that he’s now get rid of the shadow of Jon Lord, and he’s now having the freedom and joy to play the classics in his own way with some new, fresh elements added every there and now. The solo part was a great collection of different musical styles, including rock, jazz, classical, and a few familiar parts from his past bands like Rainbow and Ozzy.
This was a very professional performance, which made most of the crowd satisfied, but on the other hand, this was just another routine gif with no big surprises there. It does sound like a great idea to put together a classic rock band and classical orchestra in principle. In fact, Deep Purple did that first time already in the late ’60s, so they’re not new in this game. But now, it, of course, did look to have a big orchestra on stage, but for a reason or another, the orchestra wasn’t used as much as it could have been used. Actually, there were only a handful of parts where you overall could really hear the orchestra there. The orchestra did sound great on “Perfect Strangers” verses and “Space Truckin’s” massive choruses. It was also great to witness the “battle” between Steve Morse’s guitar and the conductor’s violin, but other than those few partitions, the orchestra just kept on playing the main riffs and rhythms just like the main band without any difference or different arrangements there. Also, it has to be mentioned that this band is really stuck on their setlist. Okay, this time, they rarely played “The Mule” from FIREBALL, but the main set has been quite the same for the past ten years. There’s no denying that MACHINE HEAD is a classic album but is it necessary to play over half of it on every show? Also, it must not always be fun to be Steve Morse. He’s been there for over fifteen years, and the band only did a handful of songs from his era. (Nothing from PURPENDICULAR which is his best work with Purple to date) However, these are matters of taste, but a band with such a massive back catalog should definitely do some more changes, or the number of the audience will start to shrink really soon. Hopefully, there will be another Deep Purple album someday, and the band will do another tour with some remarkable changes in their setlist. Otherwise, a farewell tour would be a valuable decision to think about?
Intro: Deep Purple Overture
Hard Lovin’ Man
Maybe I’m a Leo
Strange Kind of Woman
Rapture of the Deep
Woman From Tokyo
When a Blind Man Cries
The Well Dressed Guitar
No One Came
Smoke on the Water