Therion
The Fridge, Brixton, London
16th December 2007
All live pics and review by HannTu
Swedish symphonic band Therion celebrate 20 years of existence, and their evolution through the years has been nothing short of amazing. Starting out as what would later be termed “death metalâ€, the band’s founder and brainchild Christofer Johnsson steadily took the band through a number of stylistic and musical changes, never standing motionless, never stagnating. The band’s roster has been relatively transient as well, the only constant being obviously Christofer himself. The man’s vision cannot be doubted.
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Therion were one of the first bands I got into as a young metalhead about 7 years ago, and I still count SECRET OF THE RUNES as one of the first albums to really get me hooked on metal. I loved the complexity, the bombast and the atmosphere that they created; it was a vital stylistic counterpoint to what I was listening to at that time: Slayer, Megadeth, Metallica etc. I saw them with Grave Digger in < ?xml:namespace prefix = st1 ns = "urn:schemas-microsoft-com:office:smarttags" />
As I was watching Manchester United turn
The well-known intro into “The Rise of Sodom and Gomorrah†burst through the speakers as the band took their places, including a lovely belly dancer (Arien) sporting a pair of massive swirling gold “wingsâ€. As the lights flashed and the wings billowed, the stage set-up (designed by Snowy Shaw specially for the tour) took on a more epic dimension. Two women in animal masks chained to poles? Yep, check. It was shaping up to be a show of grandeur and bombast.
The vocal team of Thomas Vikstrom, Lori Lewis and Snowy Shaw truly shone, as their impeccable delivery simply highlighted their ease and relationship with the audience and with each other in the band. Lori truly took centre stage on songs like “Son of the Sunâ€, “The Siren in the Woods†and “Arrow From The Sun†with her soprano betraying a tenderness and emotion that many more highly trained voices struggle to find. Thomas Vikstrom and Snowy Shaw worked extremely well together, providing a mini-choir when Lori took her solos. When they took their own solos, they added the theatrical aspect to the performance. Thomas’s range of facial expressions showed he felt the songs he was singing, while the showman in Snowy gave extra theatrical oomph to songs like “Wisdom and the Cageâ€, where he sang from the stocks, imprisoned by the masked ladies.
For “Kali Yugaâ€, the much anticipated appearance by Candlemass and Memento Mori ex-singer Messiah Marcolin gave the crowd something to cheer about. Stomping around, looking remarkably like Hagrid from Harry Potter with his mop of wild hair, unshaven face and monkish outfit, yelling “Doomdance!â€, what a funny chap. His unique voice added to the trilogy (Part 3 is yet to be released), and he looked extremely pleased to be on stage again.
The acoustic version of “Lemuria†encountered a slight delay, when Christofer dropped his guitar and cut his hand. Snowy joked “How metal is that, blood on stageâ€, and then asked if anyone from the crowd wanted to suck it off. Amazingly, someone chucked a box of plasters on to the stage for Christofer to patch himself up. Again, the singers were amazing, with Snowy, Christofer, Kristian Niemann and keyboardist Ferdy Doernberg on acoustic guitars and Johan Niemann on bass.
For “Via Nocturnaâ€, Ferdy indulged in a bit of spooky organ music before the rest of the immensely beautiful song kicked in. After “Ginnungagapâ€, the band took a ten minute break, promising to return for the performance of the THELI album.
As the opening strains of “Preludium†were heard, metalheads started filtering back to the front of stage to catch the second half. “To Mega Therionâ€, a perennial favourite got the crowd moving, headbanging and playing air guitar. “Cults of the Shadow†and “In The Desert of Set†featured outstanding performances by the two male singers and Lori, a three-strong choir is all you need when they consist of such amazing singers.
The highlight of the show must surely be “The Siren of The Woodsâ€. Beautiful acoustic guitars, swirling keyboards and distorted open chords, emotional overdriven guitar solos and the truly unbelievable performances of Lori and Thomas. It was like a mini-operetta on its own, with Thomas and Lori gazing deep into each other’s eyes as they sang their laments, lying in each other’s arms. Hearts broke when Lori rejected Thomas finally, who was left to bewail his misfortune. As the song built to a crescendo, I found myself thinking, “It’s moments like these that make metal great.â€
The night wasn’t over though with “Grand Finale/Postludium’, with the epic “Adulruna Rediviva†off their latest album GOTHIC KABBALAH. Could the peaks and troughs, highs and lows be hit again? With a resounding yes, Therion did, triumphantly, majestically. Two covers ended the night, Mercyful Fate’s “Black Funeral†and ABBA’s “
Vocals
The sultry beauty of Lori Lewis was only matched by her magnificent voice. Hitting the notes correctly is one thing, injecting personality and emotion into songs that weren’t written for you in the first place is another. Thomas Vikstrom was powerful when he needed to be, tender when required, dramatic, maniacal, with voice to match. Snowy Shaw, what a legend. Mercyful Fate, King Diamond, Dream Evil, Memento Mori and Cans are found in his CV, and now Therion. His versatility and confidence, added to his natural charisma and a love for being in the spotlight, sprinkled with moments of sheer humour (wearing a Santa’s hat thrown on stage, popping balloons that mysteriously appeared out of nowhere!), and his voice! Falsetto, growl, operatic – the man had it all.
Band
Musically, the instrumentalists were flawless. Christofer Johnsson headbanged incessantly with his trademark scarlet Gibson Les Paul, while his counterpart Kristian Niemann, while more reserved, produced flashy solos and complicated arpeggios that were blindingly fast and accurate. The drumming, courtesy of Petter Karlson was top notch, as was bass stalwart Johan Niemann. Ferdy Doernberg’s contribution to the evening on keyboards will not go unappreciated; his subtle touch gave credibility to the live performance, instead of the band relying on backing tracks. One of the abiding memories I will have is his round grinning face in his butcher’s outfit with fingers dancing around the keyboards.
Conclusion
After the band took their bows, Christofer Johnsson made a rare address to the crowd, thanking them for the last 20 years and looking forward to the next 20. I can only agree based on the night’s performance. It was an aural smorgasbord, a visual feast, a sensory buffet of all that was spectacular and theatrical. With the creative vision of Christofer and a band of talented musicians around him, I don’t see any reason why they shouldn’t have a few more years left in them. To Therion and the next 20 years.
Setlist
The Rise of
Son of the Sun
Midgard
Asgard
Wine of Aluqah
Wisdom and the Cage
Kali Yuga Part 1-3
Lemuria
Via Nocturna
An Arrow From the Sun
Typhon
Ginnungagap
Break (10 minutes)
Preludium (Intro)
To Mega Therion
Cults of the Shadow
In The
Interludium
Nightside of
Opus Eclipse
Invocation of Naamah
The Siren of the Woods
Grand Finale/Postludium
Adulruna Rediviva
Black Funeral
Thanks to Duff Battye at Duffpress and Deborah Lombardo at Nuclear Blast
Thanks to Johan at RockersDigest for help with the set list.
