Released: 2010, Dakota Stevens
There is a fairly new, interesting series of books about Metal but not much information seems to be available about them. Essentially these books are reprints of articles pulled from Wikipedia and edited by Dakota Stevens. I’m not sure who or what Dakota Stevens is (a person? an editorial firm?) but Stevens has over 400 titles like this covering all forms of pop culture, movies, TV, celebrities and music. For our interest, there are already about 40 books in the ‘Metal Series’, as I’m calling it. Initially, upon discovery of these titles, my feeling was, “Why would anyone want to pay good, cash-money for something they can read for free on-line?” However, the Librarian in me got the better of my wallet and I ordered five titles, the ones that I felt would have the most interest to the fine and cultured readers of http://www.Metal-Rules.com.
This month I will review all of them; A GUIDE TO HEAVY METAL MUSIC, A GUIDE TO TRADITIONAL METAL, A GUIDE TO POWER METAL, A GUIDE TO NEOCLASSICAL METAL and A GUIDE TO SYMPHONIC METAL. There are another 15 genre specific titles in the series, including Death, Thrash, Black, Doom, Glam, Folk, Viking and many more. There are also at least a dozen ‘band’ books as well, focusing on the biggest names in the biz; Black Sabbath, Scorpions, Helloween, Death, and Testament for example.
Clocking in at 150 pages the band Gamma Ray makes the cover of this book. The full title is A GUIDE TO POWER METAL MUSIC INCLUDING AMERICAN AND EUROPEAN GENRES AND COMPLETE LIST OF FAMOUS BANDS. That’s not even grammatically correct and of course the ‘complete’ list is not even close to being complete, but they did qualify by saying ‘famous’, whatever that means.
The book is divided into five sections.
-Overview of Power Metal
-American Power Metal
-European Power Metal
-Complete List of Power Metal Bands
The overview is an adequate look at instrumentation, lyrical themes and different types of Power Metal and the stylistic origins discussed the NWOBHM and Speed Metal. These articles cover 11 pages and the rest of the book consists of articles on 27 different bands, eleven American, eight European, and an odd list, almost as an afterthought of another eight bands. The so-called ‘complete list’ is as mentioned incomplete because if course only Power Metal bands that have an entry on Wikipedia are included. The list is one huge mess, just all run together and hard to read, but there must be several hundred bands listed.
Leatherwolf probably should not have been included in the list and Kamelot for some reason is listed as a European band. The bands chosen are all good choices with maybe Leige Lord and Shadowkeep being the black sheep entries among the Manowar’s and Helloween’s. The odd list of eight bands includes some newer and more obscure bands like Assailant (Swe), Kerion (Fr.) Six Magics (Chile) and Cain’s Offering.
Ultimately the book has a number of potentially fatal flaws. The editor, Dakota Stevens, has to take the word of the person who posted the article in Wikipedia as authoritative and (hopefully) free of bias. That’s the problem, anyone can post anything on Wikipedia but that does not necessarily make it correct. Without knowing it, Stevens may select a very poorly written and biased article and publish it, before the community of on-line observers has a chance to correct or edit the offending article. Some of the on-line articles are written in first person. For example, comments like, “I went to that festival and it was great.”really should have been edited out.
This leads to the second problem, unless Stevens (the person or company) has extensive and intimate knowledge of Heavy Metal, they will be unable to edit the article properly. Accordingly, there are tons of mistakes; little ones, but mistakes nonetheless that the editor did not correct.
Reading an on-line article is very different than a book. A book may have a bibliography, references and so on but Wikipedia has hyperlinks that are listed and you can go to that page to read more. In these books the links are mentioned but not included! For example, under the band Black Sabbath the heading would read; ‘Former Members: see: List of Black Sabbath band members.’ On Wikipedia that is a link to another page listing the Black Sabbath band members, but in the book, the page of former members not included at all! The editor should have gone to each of those related links and pages and included the pertinent information. There are dozens of such examples of poor sourcing and incomplete entries.
Lastly, this book is almost immediately out of date. As soon as Dakota Stevens selects the article for physical publication, someone more knowledgeable, could conceivably re-write the entire article on a band or genre and post it on Wikipedia and therefore the book could be almost immediately redundant.
A GUIDE TO POWER METAL is a neat idea, a neat project and I do like having the physical copy of the book. It sort of encapsulates the genre up until roughly 2010, sort of like a little 40th Anniversary of Metal series, a snap-shot in time of what popular perception of what Power Metal was like until 2010.