Iron Maiden
Brave New World

June 2000
Released: 2000, Portrait/Columbia (EMI Music in Canada)
Rating: 5.0/5
Reviewer: EvilG

A band that defines metal and has inspired countless legions of bands from power metal all the way to black metal, Iron fucking Maiden, are back and I love it! This CD has been hyped to death and I've been drooling, waiting for it's arrival since last year when I read that both VOCAL GOD Bruce Dickinson and guitarist Adrian Smith were returning to Maiden.



The first track on the CD "Wicker Man" which has a verse riff that sounds like classic Maiden (you know the three chord E, C, D progression). It's the chorus that lifts this song to new levels ("Your time will come!"). Bruce's vocals are of course the big thing here. You know right away that the chemistry that these guys had is back. The CD's second track "Ghost of The Navigator" is also another of my favorites as is the title track "Brave New World." To me Nikko's drumming sounds better than ever on this CD. No, it's not over the top with double kick drums (although there is a little of that) this is tasty drumming with time changes and played with total class. The solos are also done excellently, the return of Adrian Smith can be heard. He has obviously improved his lead playing in recent years. "Dream of Mirrors" begins with Bruce following the guitar then makes it's way into an classic maiden sounding clean part that sounds like it could of been on Piece of Mind. Another track on Brave New World that stood out for me was "Out of the Silent Planet" - Bruce's vocals on the chorus sounds like they were at least doubled up and all I can say is WOW!



The only song on the CD that didn't do a lot for me is "Blood Brothers." There are very few criticisms I can make of this CD. One minor complaint is that many of the songs start with an intro before getting into the song. That's fine for a couple of songs but not the majority of them. Also, with three guitars, I expected more things in the way of three part harmonies or three part harmony leads. There is little of that unfortunately. This is not quite as good as what I consider the best Maiden albums - Powerslave and Piece of Mind but it's damn close and will be held in very high esteem by me and for sure by most maidenheads.



If you don't like Iron Maiden, to me you are not much of a metalhead. Every metal fan I know likes this band. If you think these guys are washed up, you are sorely wrong. This is energetic, intelligent metal written by one of the world's best bands who are back in a big way to face a Brave New World. Any doubters out there have now been silenced with this CD, proving that Maiden can, and have, conquered again. Up the Irons!!!

Iron Maiden
Brave New World

June 2000
Released: 2000, Portrait/ Columbia (EMI Canada)
Rating: 4.5/5
Reviewer: Wisco

OK, here it is, Brave New World is a grower. As I write this review, I have owned this album for a total of 48 hours. I have, at this time, accepted 70 percent of it. That is, in my opinion, 70 percent Maiden magnificence and 30 percent average Maiden output (average Maiden output being much better than most). Considering that Piece of Mind was the last Maiden album to have a 100 percent rating, that's pretty freakin' good! Besides, who knows, in time the album could achieve Piece of Mind status. What is striking about this album is how good Bruce sounds! Other reviews have given much credit to Nicko and I sense that Adrian's presence helped quite a bit as well, but Bruce is amazing. Some of his melodies push Maiden into places they have not been before. Eerie, almost otherworldly sounding melodies ("Out of the Silent Planet" and "The Thin Line between Love and Hate," for example) that seem to signify a brave new outlook. Perhaps a creative solo career (peaking with Accident of Birth / The Chemical Wedding) is responsible for this or maybe it was Blaze-era experimentation. Bruce's departure, in hindsight, was the best thing that could have happened to the Maiden of the future! 'Cause the future has arrived and the beast is born anew.



Favorites: Ghost of the Navigator, Dream of Mirrors, Out of the Silent Planet, and The Thin Line Between Love and Hate.

Iron Maiden
Brave New World

June 2000
Released: 2000, Portrait/Columbia (EMI Canada)
Rating: 4.5/5
Reviewer: Waspman

Well, here it is. After all the hype, after all the hyperbole, after all the speculation and studio rumors, it’s here – Brave New World. The new opus from the newly God-led…excuse me, Dickinson-lead Iron Maiden. I gotta say right from the start, I think I was one of the few people who, upon hearing of the reformation, thought “No! Why Bruce, why?” After all, his solo albums had been some of the best work of his career (ah hell, in all of metal, period) while Maiden had floundered through the 90’s like a beached whale struggling to regain the ocean (come on, it’s o.k. to admit it now that Bruce is back). So, was Iron Maiden up to the task of living up to their considerable legacy, or would Brave New World be the disappointment that we (I) secretly feared?



Well, the CD arrived, and I was instantly won over by the cool cover art; after the abortion that was The X Factor cover, this was quite welcome. Then, upon scanning the song writing credits, I was dismayed to find that Bruce only co-wrote 4 of the 10 songs, and, worse, the band once again let deadweight Janick Gers co-write 4 songs. Thankfully, somehow, Steve Harris managed to keep both Gers and himself in check, and the entire band came up with what is easily their best album in about 12 years! No kiddies, there are no disappointments to be had here!



Naturally, the best songs are the ones that Dickinson was involved in writing – “The Wicker Man”, “Ghost of the Navigator”, “Brave New World”, and “Out of the Silent Planet” kick ass all over the damn place, with “Planet” being particularly awesome. I won’t bother with a track-by-track analysis, since this album has already been dissected all to hell, but “Fallen Angel” and “The Mercenary” are great traditional Maiden rockers. The rest of the tracks are classic Maiden epics, crapping all over the “Angel & the Shitdog” material from the Blaze-led era. (I’d like to add that those albums were not entirely Blaze’s fault. ‘Ole Stevie had some serious writer’s block back then)



However, despite the greatness of the songs, there are a couple points about this album that bug the shit out of me. First and foremost, for all the hype about Kevin Shirley producing the album, in MODO (ed. note: Waspman lingo for "my own damn opinion"), the production job is, at best, average. I mean, where is the guitar power of classic years Maiden? Sorry, but this production job is half-assed (despite the “genius” that some claim). Also, the band have already covered some of the material here – “The Mercenary” = “The Assassin”, while “Dream of Mirrors” = “Déjà vu”.



Oh, bugger it. Who am I to complain or question the mighty Maiden (what, did you think that I was, y’know, a critic or something?). Just get the damn thing. Up The Irons!