After a successful world tour with more than 100 concerts all over the globe in support of their latest release “Tinnitus Sanctus” in 2008, Edguy have entered the studio to record a new album. Still under the influence of their arena tour as special guests of “the Scorpions” and the latest “Avantasia” world tour (featuring Tobias Sammet and Felix Bohnke), Edguy feel it’s about time to squeeze their energy on tape in a recording studio again. This time the band has chosen the famous Peppermint-Park in Hannover (Scorpions, Phil Collins), according to the band ” a recording temple with a tremendously great sounding room”.
Tobias comments: “We have chosen the Peppermint Park to record the basics there. I had done a few little bits and pieces for Avantasia there, but it’s so great to record drums and stuff like Hammond B3 with a big bad fat mean Leslie there. The room is big and the sound is mean! We were always striving for a powerful but natural sound. I guess we had a good sound recently, but I think there is always room to improve. The more I listen to what’s going on in the Heavy Metal world these days, the more I long for drums that sound like drums. I want them to sound powerful without sounding like Atari. Sascha and I came to the conclusion that we have to start from scratch and do things the way they have to be done, not the fashionable way. I don’t want a distorted master-copy, just so it is loud enough on an iPhone or on PC-speakers. If you talk to your most fancy producer he will say something like: “Well, it’s the sign of the times, you have to be able to compete in the loudness war…” What the fuck?! If I want it to be loud I turn up the stereo. I want dynamics, room, a real big sound, not that distorted trendy compression. Why don’t we all move back a little and record great sounding music, not loud sounding music? Do a Google search for “loudness war” and you’ll see what I mean. Whatever, the new songs sound great, we have thirteen of them, and we’ll pick maybe ten and put them on the album. We have anthemic melodies, although it’s not kitsch. When you record anthemic music, you tend to be dangerously close to kitsch, it’s a fine line and I think we balance on that fine line pretty well. To cut a long story a little insignificantly shorter: I just think it is great, and that’s what counts. Real music, you know? We’ll keep you informed, if you want it or not!
AVANTASIA – founded by EDGUY frontman Tobias Sammet – will release their new double DVD concert film and documentary, called The Flying Opera: Around The World In 20 Days, on March 18th via Nuclear Blast Records. The title will be released in Japan/East-Asia on Avalon-Marquee.
Started only as a studio project, in 2008 Avantasia embarked on a world tour to write heavy metal history. For the first time a giant all-star project like that did not only gather in the studio to record an album, but The Metal Opera went on tour to play to hundreds of thousands of fans all over the globe within just a few weeks.
On March 18th fans will get the chance to relive the experience with the 2DVD package. One DVD will feature a full concert film in stereo and Dolby 5.1, recorded during their shows at Wacken Open Air 2008 and Masters Of Rock Festival 2008, the second DVD contains a documentary, shot by a camera team that followed the giant trek around the globe to give viewers the chance to catch a glimpse of never-before-seen behind-the-scenes footage, interview-material, the start of Avantasia and its history and all the video clips that Avantasia has ever shot.
The limited edition also contains two CDs featuring the concert and many never before seen photos.
Sammet says: “I am so proud of this DVD package and the featured footage, even though it took a little longer to finally complete it. It gives people an idea of what an impact the first appearance of Avantasia on stage had, and you will get an idea of how everything went beyond our expectations and what the roots and the seeds for the current Avantasia tour are. It portrays one year in Avantasia’s history, maybe the most important year in the project’s history because that is when a studio-project became a traveling institution. There are many Metal Operas, but we made it something real, something to take hold of. Something alive…”
Reviews by HannTu, Trease, Arto Lehtinen and Terry Douglas
For the first time ever, Metal-Rules brings you coverage of the one and only true metal holiday in the world: Metal Camp in Slovenia. Be warned, there’s pages and pages of reviews, press conferences and especially tons of high quality pictures ahead; but what can you expect from a week long festival of sheer awesomeness? Read on, if you dare…
The lovable scamps in Edguy are like kids in a junkyard when they go up onstage, and I had the opportunity to speak face to face to not one, but two of these rogues. They certainly blow the myth of the German sense of humour right out of the water! Ladies and gentlemen, welcome to the freak show…Jens ‘No-Nonsense’ Ludwig and Dirk ‘Whiskey’ Sauer!
Maybe Tobias Sammet underlined his name in the Metal market when rumors flooded the internet about his "strong consideration" in undergoing a sex change in 2005. Maybe it was just Edguy’s fist full of energetic German Power Metal that left fans and newbies thirsting for more. Whatever makes you think of Tobi – by rumors, because you’re a long time fan, or as a devoted hater of cheesy Power Metal, one thing is certain, don’t cut the guy short for his creative song writing, his immense stage presence and his talent.
Tobias Sammet is currently one of Metal’s most engaging personalities. His work with Edguy has taken him to all corners of the world and has proven to be highly successful. However in 2001 Tobias surprised the Metal community with a project called Avantasia and the release of THE METAL OPERA PART 1 was a massive gift to fans. The album bought together a host of Power Metal’s greatest stars, the highlight being that Tobias was able to entice vocalist Michael Kiske back from a self imposed Metal exile. THE METAL OPERA PART 2 followed in 2002 and now we have the latest installment, THE SCARECROW. A different album in many ways THE SCARECROW shows another side of Tobias with many tracks leaning towards a Rock format, more so than ever before. It’s a great album nevertheless made even better with guest appearances from Eric Singer on drums and Alice Cooper on vocals. Michael makes a return as do a number of artist from the first two albums, so do check it out if you haven’t already. I had the opportunity to chat to Tobias and as always he was amicable and ready to talk.
(***Transcription by Claudia with extra questions from Mortuai; Wacken Open Air 2005 live pics by Brat)
It’s taken the band ten years but Holland’s Within Temptation is finally getting some long-overdue exposure here in North America. Their fifth album, THE HEART OF EVERYTHING, is being released domestically in July on Roadrunner Records and the band also just landed a string of dates supporting Lacuna Coil through May and June.
Speaking with vocalist Sharon Den Adel prior Within Temptation’s show in Montreal on May 13th, I got her thoughts on the band’s first trip to our shores, “The Hottest Chicks In Metal” tour, comparisons to Evanescence and the influence of Celtic music on her band.
Wacken Open Air 2005 Review By Brat Good photos by Metaltix (www.metaltix.com) Not so good ones by Brat Other photos acknowledged as they appear
What a line-up this year! W:O:A 2005 was to be my biggest and best Wacken festival since my virgin outing in 2002, when I was forced to watch so many half sets because a lot of the bands I wanted to see clashed. Over the years the organisers have improved scheduling immensely from a power/melodic metal perspective with very few power/melodic metal bands clashing by firstly, swapping the positions of the True and Black stages putting the Black stage further from the Party stage; secondly, running the Black stage and Party stage almost simultaneously; and thirdly, running a band competition (Metal Battle) and low profile or relatively new acts on the Wet stage.
For those not familiar with the festival set up of Wacken Open Air, the True and Black stages are the two main stages set side by side and run bands alternately. The True stage usually features melodic, power and old-school bands, while the Black stage usually features the more extreme styles of metal. The Party stage is a smaller outdoor stage set to the far left of the festival area, and in past years, has been dominated with melodic metal. The aptly named Wet stage is in a large tent and in hot conditions resembles a sauna making it somewhat uncomfortable. Ironically, this was the only dry stage this year.