INFERNAL WAR – INTERVIEW WITH WARCRIMER
Infernal War hailing from Poland offers one hell of a brutal death/black slap on the band’s third output called AXIOM. The fast raw, but above all razor sharp played riffs with the hyberblasting drums create the infernal sonic torture. Infernal War’s brutal uncompromising deadly stuff appeals to any extreme fan out there for sure. Here is the chat with the frontman of Infernal War Herr Warcrimer.
Interview and live pics by Arto Lehtinen
Good day how’s it going in the Infernal War camp ?
Well, good by our standards, I think. After our 2 shows in the US in December 2015, we had some lazy time, but now we rehearse again preparing for upcoming shows and slowly working on new songs. In the meantime we recorded some new stuff with other bands of ours – Voidhanger and Breathing Hell.
The most recent output called AXIOM is an excellent piece of skilled brutal and uncompromising death/black metal. Could you tell how you came up the title for the album, what does it describe the album and material in general ?
AXIOM refers to the great darkness in man and beyond. Some people try to ignore it, hide it in their subconsciousness or simply deny it, but we know the beast never sleeps and it’s always there. We feel its presence in our lives, we accept it, we praise it and live it, it burns us from inside, but at the same time, it pushes us forward. The lyrics on AXIOM are much more bitter, darker, introvert and more personal so the title is not so obvious this time. Of course, their form must fit the music, but most of them is much more reflective, though I know it’s not what is generally expected from us. Well, I’m older, colder and more bitter. You can also relate the title to our music that evolves, but the core remains the same.
The sounds on AXIOM is definitely powerful raw, but yet brutal and above all deadly. Obviously you have to be extremely pleased with how the album in terms of sounds and how songs turned out, but is there any particular issues which should have been carried out in another way ?
Yes, we are really satisfied with the sound. It’s massive and powerful, but without any loudness war crap that plagues many good albums. In retrospect, I think it could be a bit rawer, but I see no reason to complain.
Judging by the name of the band the lyrics tend to be dealing with the war issues. But what kind of topics influence you to write about ? What is the main source of inspiration to have ideas for songs ? And do you have a certain mood to write the lyrics down on the paper ?
In the early days, the band’s lyrics were more one-dimensional. Primitive Devil worship, genocide, death worship, antichristian themes etc, but with each release the lyrics have been gravitating more towards the exploration of spiritual darkness, spitting out all the bitterness and rather nihilistic stance towards the world around. The lyrics on AXIOM deal with my personal beliefs and emotions – real, true and darker than before. Of course, they’re still written in the form that fits Infernal War. Things evolve, it’s natural, I guess, but the band’s name will stay with us until the end.
Do you think setting the goal and ambitions for the AXIOM album after the previous album was one sort of challenging task and aim to top what you have done before ?
I don’t think so. I mean everything we do is just a natural process, spontaneous and intuitive. There’s no place for calculation. We may talk about some vibes and general direction, but in the end it’s all about a proper feeling. There was no big pressure, I knew it would be our best album when I heard early rehearsal versions of some songs. Of course, it’s my opinion. Those who expected a clone of Terrofront may be disappointed.
What kind of things did you pay attention while writing and composing new tunes for AXIOM ?
Proper feeling, coherence and quality.
What are the main part of the song writing process of Infernal War ; Brutality, catchiness, barbaric sounding material ?
There in no particular pattern. The whole process is spontaneous. Of course – hateful intensity, brutality and some kind catchiness deeply rooted in old school are parts of our style, but it’s comes naturally. We don’t give a fuck about being the fastest or the most brutal band in any niche. We want to create music that has a meaning, at least to us.
Agonia Rec has unleashed most of the albums and outputs of Infernal War by now. I can’t help if other labels expressed the interest to get Infernal War signed ? And have you been pleased with Agonia in general ?
Yes, our co-operation with Agonia works pretty well. We got some offers from good, well-known labels, but Agonia’s offer was simply better. Besides, we live in the same country, we know each other and so far, we’ve been satisfied with their work for us.
The previous full length opus came out already in 2007 whereas AXIOM was unleashed in 2015, that’s big a huge time gap between albums, I can’t help asking if you were overworked with other bands or is it just a normal way of working of Infernal War to have such a long time gap between albums ?
It’s hard to say. We are involved in other bands, but neither of them was the reason for the gap between Redesekration and AXIOM. The fact that we live in different places was not a reason, either. It just happened and there was no pressure. We played some rehearsals, did some exclusive shows, recorded 5 brand new songs for Conflagrator mLP and 3 new songs for split with Kriegsmaschine, but we didn’t started to work on AXIOM untill 2012, I think. Nothing particular happened, but now we’re back and active more than ever before.
As for the studio where AXIOM has been processed, No Solace Studio, the albums by the Mgla VOIDHANGER etc have been recorded there, could you tell a bit more about the studio, why did you end recording AXIOM there ?
We chose No Solace, because we recorded there 2 albums of Voidhanger and the results were great. No Solace is actually a rehearsal room of Mgła.
How does No Solace Studio differ from Radioaktywni Studio (aka Radioactive Studios) where the previous albums Terrorfront and Redesekration were recorded ?
It differs a lot. Radiokaktywni is a big, professional studio in which many mainstream rock/pop albums were recorded and mixed. No Solace is, like I said, a rehearsal room of Mgla, but as you can hear, the sound of AXIOM is great.
The Mgla member M has been behind the desk monitoring the recording process, obviously he was the right guy to process AXIOM ?
M. as all the necessary gears and knowledge of sound engineering, but at the same time he was raised on ugly and disgusting black metal and he hates modern plastic sound and loudness war as much we do. He was the rightt person to process AXIOM and we considered no other one.
What does the frontcover symbolize ?
The front cover refers to the meaning of the title and most of the lyrics, especially the closing title track which sums up AXIOM perfectly. It compiles several symbols and ideas into a consistent cover. I think it’s good to leave some space for interpretation, we are straightforward enough.
You have been around since 1997, what made you start a band back then ?
I wasn’t in the band back then, but like in case of many other bands, it was the need to channel our beliefs or spit out our hatred through extreme music we all love. Simple as that.
You started out as Infernal SS, did you face problems because of the name ?
Some controversies, yes, but I don’t really care. It’s actually pretty funny as we have a lot of supporters and friends in South America or Asia, but it’s white social justice workers who try to find evil nazis everywhere, even in their own ranks. Fuck them all and fuck the world.
Infernal War used to sport with the corpse paints in the older pics, but instead now you seem to have got rid of them and in general modified the look reminding me slightly of Angelcorpse. Was it a main purpose to make some kind of distance from several other so called extreme bands wearing the corpsepaints ?
There was no particular purpose in giving up corpse paint. We just felt it was the right moment to change something, that’s it. I have nothing against using corpse paint and I even consider using its basic form on stage in the future, but at this moment we feel that the music, the lyrics, the artwork and the band photos make AXIOM a pretty consistent release. W don’t need to take distance from anyone as we are pretty far from what’s popular in nowadays black metal anyway.
Infernal War aint that active band as far as I know. Are you going to have another longer hiatus before start working the next output, or are you going to rush what comes releasing the new next material ?
No, we’re not going to have any hiatus at the moment. Actually, we are pretty active now. Of course, we’re busy, grown up men who have their jobs and obligations, what’s more, we live in different places, but Infernal War is alive and well. We’re slowly working on new songs
Infernal War unleashed the blasting metal assault at the Black Flames Of Blasphemy festival in Finland a while ago. What kind of place and festival do you appreciate to play at ?
Black Flames Of Blasphemy was a blast and it was great to see all those great bands. We enjoy events that inlcude good bands and are organized by serious individuals.
Before concluding the interview, name the five essential albums that you still blast out of the stereo even nowadays as you did years years ago
Oh, being into different genres of music for over 2 decades makes it really impossible. Well, “Persecution Mania”, “Pleasure To Kill”, “Under The Sign Of The Black Mark”, “De Mysteriis Dom Sathanas” or “Abominations Of Desolation” changed my life forever and I still love them, but I can say the same about many other metal albums as well as early The Cure, Bauhaus, Laibach, Einsturzende Neubauten or Talking Heads. A list of my all time favorites of all genres would be longer than this interview 😉
I for one thank you for your time to do the interview for Metal-Rules.Com, the last words are yours…
Thanks for your interest and support. I hope we’ll play in Finland again this year. Long live perdition
The Official Infernal War site :