Brent Fitz is a Canadian musician, multi-instrumentalist and the drummer of ex-Guns’ N Roses guitarist Slash’s solo band. Previously, he has played with Alice Cooper, Vince Neil and Econoline Crush among others. At the end of the 1990s he had a band called Union with Bruce Kulick (ex -KISS) and John Corabi (ex -Motley Crue). But nowadays Fitz plays with Slash’s solo band where he joined in 2010. The band’s current line-up has recorded two studio albums, the latest WORLD ON FIRE was released in 2014. I met a good-humored Fitz last June in Sweden Rock Festival. We discussed Fitz’s own Guns’n Roses/Slash’s history, about how he ended up in the band, and what the future might bring. We also talked about his time in the Union and what all it takes to be able to end up in a position where he currently is. Read on!
The Tuska Open Air Festival is definitely a real metal institution amongst all other metal festivals in Europe. This Suvilahti area located in the heart of Helsinki, is only a few kilometres away from the downtown of Helsinki, is a perfect place for the metallic onslaught during the weekend. As far as the line-up of 2015 is concerned, it offered a wide range of different sort of metal. Even a few hiphop vomits had been added to the line-up to draw other type of audience, which is truly odd. However Alice Cooper, Sabaton, In Flames as headliners and of course Amorphis did the whole TALES FROM THE THOUSAND LAKES album as well as Stratovarius doing all of VISIONS. All in all 25.000 people made a visit to Tuska during these three days. As usual Metal-Rules.com was present to check out a lot of bands and enjoy the burning sun.
Foreseen has carved the reputation as an aggressive live band. The four piece crossover outfit raged extremely hard when supporting Madball some time ago. However the slot at Tuska wasn’t that ideal and obviously the thrashers haven’t found this savage live band yet, because the venue wasn’t full at all. However during the 20 minute slot the band with the bald singer delivered the uncompromising crossover metal with real old school style.
Exodus has been on a long European tour, crisscrossing several countries. The gig at Tuska was the last one on the long run. As Gary Holt has been rather busy with his obligatory commitments with Slayer, the Heathen axeman had stepped in to take care of the guitars. Exodus sounded thrashingly brutal at Swedenrock and offered a real lesson in the thrash metal violence with the metal commader Steve Souza. Obviously the long run through several European fests may have squeezed the water out of the guys even though the band sounded tight and handled the gig in the professional way, but it was a bit sterile and plastic at Tuska. The set list had been shortened for a mere one hour sting unfortunately. They should have chosen a better slot for sure.
Black 13 Blood In, Blood Out Children of a Worthless God Piranha Blacklist Body Harvest Bonded by Blood The Toxic Waltz Strike of the Beast
LAMB OF GOD
Lamb Of God was supposed to enter the Tuska fest a few years back, but was cancelled due to all the hassles with Blythe’s arrest in the Czech Republic. The band was definitely highly anticipated amongst the audience. Yes, the band pulled the massive crowd and all hell broke on loose, when the opening riff cut the air. The massive pits were rioting in the audience when LOG whipped up the crowd to go insane and loose their minds. The frontman Randy Blythe proved to be one hell of a raging frontman as raging and running like a maniac all around the stage. The set included a plenty of well known LOG tunes as well as the brand new songs from the new output STURM UND DRANG. LOG is a tremendously tight live band. Especially the current fill-in drummer Chris Adler is definitely the man behind the drumkit. Hopefully LOG will be seen in Finland soon again.
Desolation Ghost Walking 512 Walk with Me in Hell Ruin Set to Fail Still Echoes Hourglass Now You’ve Got Something to Die For Vigil Laid to Rest Redneck Black Label
Sabaton enjoys massive success at the moment. The band draws a lot of people to the show and especially now when the stage got its prestigious setup when a tank-look-alike had been dragged to the stage. Didn’t Kiss already have a tank on the stage back in the day? Basically it is fun to see how newer bands recycling the old ideas. The whole massive spectacle was started out by the intro being the legendary wellknown Europe’s Final Countdown. It was rather odd as well as surprising to see how the kids born in the late 90’s kept singing the old 80’s hitsong. As for the gig, it was one big of comedy show thru the 90 minutes. The frontman Joakim seemed to have one kind of stand-up comedian talents to joke and act on the stage. It got a bit out of hand as Sabaton should let the music roll and reduce the amount of joking. Besides the joking, the pyros and bombs gave the bombastic fiery feeling to the warlike show. All in all Sabaton sounded tremendous great and delivered a brilliant show despite the joking. The Swedish warpowermetallers will return to Finland with Gamma Ray as a supporter…
The Final Countdown (Europe song) The March to War Ghost Division To Hell and Back Carolus Rex Swedish Pagans Resist and Bite The Art of War Soldier of 3 Armies Gott mit uns (Swedish version) White Death Night Witches Talvisota Primo Victoria Metal Crüe Dead Soldier’s Waltz Masters of the World
When the Swedish retrodeathmetallers tapped Nick Holmes to growl on the newest output, the interest toward the band increased tremendously. Therefore the band has been crisscrossing the European festivals with the tight schedule. Bloodbath hit the main stage right in the afternoon. Obviously the timing wasn’t that perfect after all as Nick Holmes announced Bloodbath will never play again… in the daylight. Well, at least the sun scorched the ground so did Bloodbath. The old school death metal sounded pritive and raw. If Bloodbath had been around about 25 years ago, would they have achieved the success or remained on the cult status. However the nostalgia in the old school death metal is high at the moment and especially having the known frontman as a singer definitely drew more attention. Bloodbath would definitely work in the underground death metal gig better than some open air festival under the burning sun.
Ne Obvliscaris hail from Australia. The Aussies self-financed their trip to European soil and it was a worth of every penny for these Australians Prog-whatever metal they want to claim to be. However the true prog heads were totally obsessed and possessed by Ne Obvliscaris’ skills and extraordinary playing, at least judging by all the reactions in advance and especially after the gig. The band seems to have two different kind of singers, the first one was like some nice fellow looking like a dude dragged from some office, whereas another one presented more the evil screamo-emo approach. Obviously this sort of technical and skilled playing with the complex song structure appeals to Prog Metal fans, whereas for other metal fans it sounded pretty confusing.
Japanese hard rock legends Loudness played in Finland for the second year in a row. Last year, the band received a lot of positive feedback from their Jalometalli metal, gig and now was Tuska’s turn witness the Thunder from the East. Loudness opened up with the bands biggest hit and best known song “Crazy Nights”. Although most of the audience are friends of heavier stuff it seemed that the song was well known and widely accepted among people. Maybe “Crazy Nights” can be describes a timeless classic, at least in the Loudness repertoire. The set list included only nine tracks and the classic THUNDER IN THE EAST was present with 4 tracks. The rest set was also from the early 80’s with the exception of “The Sun Will Rise Again” which is the title track of the band’s latest studio-album (2014). Akira Takasaki proved his amazing guitarist skills but honestly it must be said say that Loudness is a bit obsolete band nowadays. Vocalist Minoru Niihara has never been the greatest vocalist on Earth and his singing sounds still barely English at times. The rhythm section of bassist Masayoshi Yamashita and drummer Masayuki Suzuki played tightly but so do countless other bands so that’s not a big news here. This show was purely a nostalgia but there were also unintentional humor that was certainly not intentional. Maybe this band would work much better in different situation, such as intimate club gig where band could play a full 90-minute set, which would include material from the bands entire career.
Crazy Nights Like Hell Heavy Chains We Could Be Together Crazy Doctor In the Mirror The Sun Will Rise Again S.D.I.
Amorphis had announced to celebrate the 20th anniversary of the legendary TALES FROM THE THOUSAND LAKES they would be playing the entire album and some other songs. The gig was kicked off by doing the opening song INTO THE HIDING. Each song from the album got played in the chronological order. The songs sounded bombastic and truly awesome. Most of songs have been played after the album came out or rarely since. The vocalist Tomi Joutsen hit each song perfectly with the true old school death metal style. Especially his death metal vocals fitted to the old Abhorrence tune “Vulgar Necrolatry”. The next songs were the obvious choices such as My Kantele, Better Unborn. The Tales album is one of the most important metal albums in the Finnish metal genre.
When Immortal kind of got drifted into the personal crisis, the frontman of Immortal launched the solo band of his own with his very own name Abbath for obvious reasons. The debut gig of Abbath was carried out at the Tuska Open Air. That was kind of weird as that sort of debut gig could have been expect to happen in his domestic country Norway. Well whetever, the debut show of Abbath at Tuska was a cool event. Abbath kicked the set off by doing the songs of the I project such as Warrior, Battalions. Of course Fenrir Hunts as a new Abbath song was the part of the set. Of course a bunch of Immortal tunes were the essential such as One By One, Nebula Ravens Winter etc. Nice set, but the band could have done more rare jewels from the past, but on the other hand this was an open air festival with the limited playing time, therefore seeing Abbath in a club would be awesome.
In Flames is either liked or disliked nowadays. The older fans don’t appreciate the current modern approach whereas the younger fans seem to be fanatical for the newer style of In Flames. Even though the band divides the opinions they however deliver a good and professional performance. Even though they looked to have more aged in a few years than Gene Simmons in the last two decades, the Swedes managed to pull thru the show. Obviously Anders Friden is used to seeing the crowd surfing, as demanding the crowd to do the surfing cos Friden wanted to smell the crowd. There were some crowd-surfers which the security tried to kick them out. In Flames did a solid professional performance by delivering the 21st century stuff as well as two songs off from Clayman. It is obvious the younger metal generation are obsessed by the newer material. Even though In Flames seems to focus on the modern approach, the five-piece is still a pure live band and in a great way for sure.
Warmen is a fun side project of the keyboard player of Children Of Bodom. However they featured Alex Laiho on the mic for the last two songs and the session COB guitarist in the rank as well. Obviously Warmen should be considered some sort of tongue-in-cheek thing because of Laiho’s manners and all those guest showing up on the stage. The band was having fun and seemed to enjoy the time and joking to each other. Obviously it was time to take a bit relaxed mood for the COB camp to enjoy the flexible and not tight performance.
The Sirens is a project band thing featuring Liv Kristine, Anneke van Giersbergen and Kari Rueslåtten. All these ladies have gained the reputation of their own in various different bands in the past and present.The three female singers shared their duties and songs between them. However, each of these female singers definitely has the loyal fan base of their own with certain fave tunes. This more poppish sounding stuff was quite Listening to their singing was both utter pleasure and grim torture for ears.
Treat Me Like a Lady Vervain Saturnine Death Hymn Stay Image Fearless Push Venus Ride My Wilderness Strange Machines Sisters of the Earth
It wasn’t that long time ago when the offspring of Suicidal Tendencies, Dr. Living Dead debuted at Tuska. The band hasn’t changed any since them, and why would they as the current concept seems to be working more than well. Of course, the mask thing is weird, but the crossover thrash ruled by causing a nice reaction amongst the audience. The circle pit was burning the floor up.
Opeth is tremendously celebrated and popular and enjoys the fanatical following in both amongst the metal fans as well as the progressive rock fans. Even though Opeth is also a tremendously boring live act, but in a way or another they manage to create a touching feeling with the atmospheric hymns and sounds. The frontman Mikael Åkerbelt’s singing has developed a lot and reaches the ethereal feeling with the catchy riffs blasting out of the speakers. Opeth is Opeth, there is no way the band would start venturing into some non-prog rock/metal direction.
Finnish power metal pioneers Stratovarius have encountered many difficulties but nevertheless managed to continue their career successfully. A good indication of this is the band’s previous NEMESIS (2013), album, which is one of the best releases in band’s career. This time the band had no new album to promote but instead they played the bands most important album VISIONS (1997) in it’s entirely. In recent years, many bands have done the same. At least Dio, Iron Maiden, Kiss, Slayer and Accept have already done this in the past. But now it was Stratovarius’s turn. “Forever Free” opened the gig somewhat surprisingly, when it is not the first song on VISIONS. The album’s hit single “Kiss of Judas” was second and it was followed by “Legions”. 10-song-long show ended with the band’s biggest favorite, “Black Diamond,” and then it was over. No encores and other songs. In fact, I’m not such a big fan of shows like this because on every album there are inevitably some filler songs and on the other hand so many great song remain missing. But don’t get me wrong. There was actually nothing wrong with the show and I’m sure that most of the old school Stratovarius fans were pleased. The band sounded great, Timo Kotipelto performed impressively, and Jens Johansson was as crazy as always. But in spite of everything, this gig was nothing more but “quite nice”.
Forever Free The Kiss of Judas Legions Before the Winter The Abyss of Your Eyes Holy Light Paradise Coming Home Visions (Southern Cross) Black Diamond
The legendary king of shock rock doesn’t need much introduction here. Alice Cooper’s outstanding career has lasted almost 50 years already and there’s no end in sight. A man’s next album HOLLYWOOD VAMPIRES, will be out in September and it is his 27th studio album. During the past year and a half, Cooper has been on tour as a special quest for Motley Crue’s final tour. But he’s been playing one off headline shows as well and Tuska show was one of those.
The band opened up with classic Judy Collins cover “Hello Hooray” followed by one of Cooper’s late 80’s hit “House of Fire”. The band looked really great and there was a lot of action on stage which also looked good with all those little details including skulls, monsters and much more. Alice himself was wearing a cool looking black/red striped costume and the rest of the band looked like a bunch of guys from the 80’s Mad Max movie with the exception of female guitarist Nita Strauss who looked just damn good on her tight leather suit. The set continued with old standards “No More Mr. Nice Guy” and “Under My Wheels” followed by “I’ll Bit Your Face Off” which was the only track from Cooper’s previous WELCOME 2 MY NIGHTMARE album. The band played songs from four different decades. “Billion Dollar Babies”, “Hey Stoopid”, “Lost in the America” and “Dirty Diamonds” proved that Cooper has managed to provide high quality material during his entire career.
There is no Alice Cooper show without some stage gimmicks. During the “Welcome To my Nightmare” Cooper bring a giant constrictor on stage. This lucky snake is owned by “Finnish monster” and a huge Cooper fan Mr.Lordi. And of course the snake is called Alice. During “Feed My Frankestein” there was a huge “Frankestein” walking on stage. Of course Alice’s head was cut off with a giant guillotine after he tried to kill a lunatic house nurse on stage. All the classic show elements were present and in fact it didn’t matter that this everything happened in daylight. Musically the band was superb. Cooper himself was just as good as ever. It’s just amazing how Cooper in his mid’ 60’s can still deliver such performance both vocally and performing wise. If you now compare him to almost any other artist at same age you will see the difference. Three guitarists on stage might sound useless idea but it works great as every one of them has a totally different role. Strauss is clearly the main shredder whereas Tommy Henrikssen plays mostly rhythm parts and Ryan Roxie does everything in between. Bassist Chuck “Helvis” Carrick is another strong character on stage and he does a lot of backing vocals. He and drummer Glen Sobel are solid rhythm section and they make a great justice for the songs from all eras of Cooper.
Like said earlier, the set list was a great mix songs from four decades of Alice Cooper’s career. Among the classics my personal highlight was “He’s Back (The Man Behind the Mask). The song is from Cooper’s mid’ 80’s comeback album CONSTRICTOR and it sounded just phenomenal. The only blemish I can complain a bit was the number of cover songs played in the end of set. Maybe just one cover or a medley could have worked better than four full songs although those all were immortal 70’s classics. Beatles’s “Revolution” sounded great but otherwise the cover set was a bit boring to be honest.
The trio of Alice Cooper’s biggest hits closed down the show. “I’m Eighteen”, “Poison” and finally “School’s Out” featuring Michael Monroe were a perfect way to end this over 100 minute spectacle. All in all this show was a great and valuable end for this exquisite weekend.
Hello Hooray House of Fire No More Mr. Nice Guy Under My Wheels I’ll Bite Your Face Off Billion Dollar Babies Lost in America Hey Stoopid Dirty Diamonds Welcome to My Nightmare Go to Hell Wicked Young Man He’s Back (The Man Behind the Mask) Feed My Frankenstein Ballad of Dwight Fry Killer I Love the Dead Break On Through (to the Other Side) Revolution Foxy Lady My Generation I’m Eighteen Poison School’s Out
All in all 25000 metalheads made a visit to the Tuska Open Air festival of 2015. Even though Tuska definitely divides people’s opinions from one side to another side, but the fact is, Tuska will carry on. However, the organization has to find new ideas, but adding some weird reggae hiphop on the list was kind of weird. Metal bands can hardly be seen in hiphop festivals! Overall, it would be superb to have less jokes and worthless crap in the line-up instead more metal and above all serious ones. Tuska should seriously think of having more classic metal bands in the list beside the newer generation of the metal genre. See ya Tuska 2016 !!!
Break out the balloons – it’s birthday time! No, not just mine (although thank you very much), but Hellfest’s big 1-0, the crossing point into double figures, the decade marker. It’s practically an institution now, not just in France, not just in Europe but across the world with folks coming from every which place to rock n revel. Hellfest is just about the best damn festival out there, so you KNOW this is going to be special.
Dennis Dunaway is an American musician, best known as the original bass guitarist for the Alice Cooper Group from 1969–1974. The original band released 7 classic albums, and Dunaway co-wrote some of the band’s most notable songs, including “I’m Eighteen” and “School’s Out”. Over the years Dunaway has performed and recorded with various bands including Billion Dollar Babies, Deadringer and Bouchard, Dunaway and Smith. In 2011 he performed and co-wrote 3 songs on Alice Cooper’s WELCOME 2 MY NIGHTMARE with his former Alice Cooper Group band mates Neal Smith and Michael Bruce. Later on that same year, the Alice Cooper Group was inducted into the Rock and Roll Hall of Fame. Currently Dunaway plays with the band Blue Coupe and he’s releasing a book titled SNAKES! GUILLOTINES ELECTRIC CHAIRS! on June 9th . I met the good-humored Dennis in New York and we talked about the book, Blue Coupe, and also the good old days.
Neal Smith is an American drummer, best known as a member of Alice Cooper group from 1967 to 1974. He performed on the group’s early albums PRETTIES FOR YOU and EASY ACTION, the breakout album LOVE IT TO DEATH and the subsequent successful albums KILLER, SCHOOL’S OUT, BILLION DOLLAR BABIES and MUSCLE OF LOVE. The line-up broke up in 1974, and next Smith founded the Billion Dollar Babies with former Alice Cooper group colleagues Michael Bruce and Dennis Dunaway along with Bob Dolin and Mike Marconi. The band released BATTLE AXE in 1977 before disbanding. Later on Smith has recorded with such bands and artists as Buck Dharma, Plasmatics, Deadringer and Cinematic. Smith and Dunaway formed Bouchard, Dunaway & Smith (BDS) which released two albums in the early 2000. In 2011, Smith was inducted into the Rock and Roll Hall of Fame, in the “Performer” category, as a member of the original Alice Cooper band. He also performed on Alice Cooper’s WELCOME 2 MY NIGHTMARE (2011) album. Currently Smith works primarily in real estate business in New England area, but is still active in the music world as well. Among other projects he has an industrial rock project called Killsmith which released its third album KILLSMITH & THE GREENFIRE EMPIRE in late 2014. I met the legend in his office at Connecticut on last November and here’s what he had to tell about his current activities, the past and the future. Read on!
Black Star Riders is a rock band formed in late 2012 from the ashes of the latest line-up of Thin Lizzy . The band released its first album, ALL HELL BREAKS LOOSE, in May of 2013 and the sophomore album, THE KILLER INSTINCT, is scheduled for release in early 2015. The band’s singer / guitarist Ricky Warwick (The Almighty) and guitarist Damon Johnson (Alice Cooper, Brother Cane) arrived in rainy Helsinki in early December to promote the upcoming album and here is what they had to say. Read on!
Motley Crue’s highly anticipated FINAL TOUR arrived in New York on late October. The tour was announced in January and it also feature a very special guest Alice Cooper. The tour has been a great success and so far all the dates have been sold out including this one in the legendary Madison Square Garden.
Article and pictures by Arto Lehtinen,
Marko Syrjala, and Patrick Clement
Hell yeah! It’s time to enter the mighty Swedenrock Festival. A fantastic and the most enjoyable rock and metal festival on earth. It has to be pointed out that Metal Rules has covered Sweden Rock since 2001! Therefore, it is quite logical to cover the festival again. The 2014 line up presented a wide range of metal and hard rock. Approximately 80 metal and rock bands offered one hell of an experience for attendees. Sweden Rock has been successful during the past decade as the festival has always been sold out. This year wasn’t an exception as the fest was sold out despite a lousy economic situation worldwide. It has become quite logical for us to give an in depth article on several bands performing at Sweden Rock to all the readers out there. The weather was both rainy and sunny during these four days. The Metal-Rules.com team was there to witness the bands, not for some kinda beach party crap. Unfortunately, we are not able to cover every bloody band, but hopefully you will have a pleasant reading experience… Rock on!
Following the April premiere of Super Duper Alice Cooper at the Tribeca Film Festival, and the subsequent release of the documentary on DVD, Blu-Ray, Deluxe Editions, and digital formats this month via Eagle Rock Entertainment, rock’s greatest showman, Alice Cooper, heads out on a lengthy North American tour.
The summer trek starts with three shows in Michigan June 26-28 before Cooper joins Motley Crue’s final “All Bad Things Must Come To An End” tour as a Very Special Guest on July 2nd, running through late November.
The tour marks the debut of Alice’s new guitarist Nita Strauss, who was recently ranked #1 on Guitar World’s list of “10 Female Guitar Players You Should Know.” She takes the place of Orianthi, who has toured with Alice for the past few years. Nita, who has made her name in bands including the Iron Maidens, Femme Fatale, and LA Kiss, joins Alice’s band’s three guitar attack, which also features guitarists Ryan Roxie and Tommy Henriksen, plus longtime bassist Chuck Garric and drummer Glen Sobel.
Super Duper Alice Cooper was produced and directed by the Banger Films team of Sam Dunn, Scot McFadyen and Reginald Harkema. Banger previously delivered the award-winning documentaries “Iron Maiden: Flight 666” and “Rush: Beyond The Lighted Stage.” Eagle Rock Entertainment released the film in DVD and Blu-Ray on June 3rd, including a deluxe edition with extensive bonus material film footage from a rare 1972 Montreal concert and a full length recent Alice Cooper concert from the 2009 Montreux Festival on CD.
Alice recently marked the tenth anniversary of his radio show “Nights With Alice Cooper,” which airs five days a week across the USA, Canada and Australia, as well as in the UK and Germany, syndicated worldwide by United Stations.
Alice Cooper fans worldwide rejoice! Marshall Blonstein’s Audio Fidelity is releasing Alice Cooper’s classic album ‘Billion Dollar Babies’ on Hybrid SACD on February 4, 2014! As a bonus, along with the meticulously reproduced artwork, enclosed in every CD is the very collectible replicated ‘Billion Dollar Bill’
With ‘Billion Dollar Babies’, Alice Cooper refined the raw grit of their earlier work in favor of a slightly more polished sound resulting in a mega-hit album that reached the top of the US and UK album charts. It’s impossible to overstate how popular the band had become by the time their sixth album was released. The album, is brilliant, decadent and encapsulated all the celebrity trashiness of the 70’s only three years into the decade.
Song for song, ‘Billion Dollar Babies’ is probably the original Alice Cooper group’s finest and strongest. The album’s singles “Elected”, “Hello Hooray”, “Billion Dollar Babies”,and “No More Mr. Nice Guy” all became hits on the Billboard Hot 100. Also included are a pair of perennial concert standards – the disturbing necrophilia ditty “I Love the Dead” and the chilling macabre of “Sick Things”.
After the album was released, the band embarked on a tour which broke the US box office records previously held by the Rolling Stones. The show climaxed with a guillotine execution of Alice. The album and the tour made the band into the world’s preeminent pied pipers of teenage trash culture and the most successful rock band ever to be loathed by American parents.
“Other than the original ‘Alice Cooper Band’ being inducted into the Rock and Roll Hall Of Fame in 2011, our second biggest achievement was when our album ‘Billion Dollar Babies’ went to Number #1 in all three music trade magazines at the same time in April of 1973. Number #1 in Billboard, Number #1 in Record World and Number #1 in Cash Box. We had hoped it would sell Gold or Platinum as a follow up to the success of our album ‘School’s Out’, but a Number #1 album was something that was totally unexpected. Over the years the title track “Billion Dollar Babies” has become my signature song because of the recognizable drum intro.” – Neal Smith, Alice Cooper drummer and founding member
“I remember we were out on the road when the album finally came out in February 1973. I listened to it in my hotel room and just got this really big smile. I was thinking, ‘It’s amazing, we’re really pulling this off’. The album was very, very unique and very, very different. I was really proud of the songs, especially ‘No More Mr Nice Guy’, ‘Billion Dollar Babies’ and ‘Generation Landslide’.” – Michael Bruce, Alice Cooper guitarist/keyboardist and founding member
1. Hello Hooray
2. Raped and Freezin’
4. Billion Dollar Babies
5. Unfinished Sweet
6. No More Mr. Nice Guy
7. Generation Landslide
8. Sick Things
10. I Love the Dead
Produced by Bob Ezrin
Mastered by Steve Hoffman at Stephen Marsh Mastering
“…it remains one of rock’s quintessential classic albums!”
This afternoon (Tuesday, January 28th) MÖTLEY CRÜE held a press conference in Los Angeles confirming their retirement, as well as a 72-date North American tour alongside ALICE COOPER.
On a stage dressed with headstones donning the names of the band – Vince Neil, Nikki Sixx, Tommy Lee and Mick Mars – the press conference streamed live via the band’s official website.
Tickets for the tour will go on sale tomorrow (January 29th) for VIP fan club members and Friday (January 31st) and Saturday (February 1st) for the general public.
“We want to go out with the four founding members of Motley Crue and go out on top,” said lead singer Vince Neil.
“We want to leave a legacy,” added guitarist Nikki Sixx. “We want to have some dignity.”
The band members have signed a legal agreement promising not to perform as Motley Crue after 2015.
From left, Vince Neil, Nikki Sixx, Tommy Lee, and Mick Mars, of Motley Crue, are seen in Los Angeles on Jan. 28, 2014. The heavy-metal band says it will retire after performing 72 goodbye concerts. (AP Photo/Invision/ Richard Shotwell)
Dates confirmed so far are below, with more to be announced!
2 – Grand Rapids, MI – Van Andel Arena
4 – Milwaukee, WI – Summerfest
5 – Noblesville, IN – Klipsch Music Center
6 – Cincinnati, OH – Riverbend Music Center
8 – Columbus, OH – Schottenstein Center
9 – Maryland Heights, MO – Verizon Wireless Amphitheater
11 – Des Moines, IA – Wells Fargo Arena
12 – Wichita, KS – INTRUST Bank Arena
13 – Tulsa, OK – BOK Center
15 – Cedar Park, TX – Cedar Park Center
16 – Dallas, TX – Gexa Energy Pavilion
18 – Albuquerque, NM – Isleta Amphitheater
19 – Phoenix, AZ – AK-Chin Pavilion
21 – Los Angeles, CA – Hollywood Bowl
22 – Irvine, CA – Verizon Wireless Amp
23 – Mountain View, CA – Shoreline Amphitheatre
25 – Reno, NV – Reno Events Center
26 – Ridgefield, WA – Sleep County Amphitheater
27 – Auburn, WA – White River Amphitheater
29 – Wheatland, CA – Sleep Train Amphitheater
30 – Chula Vista, CA – Sleep Train Amphitheater
1 – Salt Lake City, UT – USANA Amp
2 – Denver, CO – Pepsi Center
3 – Kansas City, MO – Sprint Center
5 – Sturgis, SD – Sturgis Buffalo Chip
6 – Sioux City, IA – Tyson Events Center
8 – Tinley Park, IL – First Midwest Bank Amphitheatre
9 – Clarkston, MI – DTE Energy Music Theatre
10 – Toronto, ON – Molson Canadian Amp
12 – Cuyahoga Falls, OH – Blossom Music Center
13 – Burgettstown, PA – First Niagara Pavilion
15 – Pelham, AL – Oak Mountain Amp
16 – Alpharetta, GA – Verizon Wireless Amphitheatre @ Encore Park
17 – Tampa, FL – MIDFLORIDA Credit Union Amp
19 – Charlotte, NC – PNC Music Pavilion
20 – Virginia Beach, VA – Farm Bureau Live at Virginia Beach
22 – Bristow, VA – Jiffy Lube Live
23 – Camden, NJ – Susquehanna Bank Center
24 – Mansfield, MA – Xfinity Center
26 – Saratoga Springs, NY – Saratoga Performing. Arts Center
27 – Allentown, PA – Great Allentown Fair
29 – Wantagh, NY – Nikon at Jones Beach Theater
30 – Holmdel, NJ – PNC Bank Arts Center
31 – Darien Center, NY – Darien Lake Performing. Arts Center
10 – Oklahoma City, OK – Chesapeake Arena
11 – The Woodlands, TX – Cynthia W. Mitchell Pavilion
12 – Bossier City, LA – CenturyLink Center
14 – Louisville, KY – KFC Yum! Center
15 – Nashville, TN – Bridgestone Arena
17 – Hollywood, FL – Seminole Hard Rock Live
19 – Jacksonville, FL – Veterans Memorial Arena
21 – Greenville, SC – Bon Secours Wellness Arena
22 – Greensboro, NC – Greensboro Coliseum
25 – Atlantic City, NJ – Borgata Events Center Phoenix – AK-Chin Pavilion
Marko Syrjala of Metal-Rules.com recently conducted an interview with ALICE COOPER sticksman Glen Sobel (IMPELLITTERI, ORIANTHI, BEAUTIFUL CREATURES, PAUL GILBERT). In the interview, Sobel discusses how he came to tour and record with the legendary shock rocker, working with producer Bob Ezrin (KISS, PINK FLOYD, JANE’S ADDICTION), and the many other records and bands he has been a part of over the years. The Q&A is posted at this location http://www.metal-rules.com/metalnews/2013/11/24/glen-sobel/
Sobel finished drum tracks for the forthcoming Alice Cooper covers record in August. Due out in 2014, the collection of classic tunes will feature a variety of special guests. Alice Cooper and band have just wrapped up the 2013 “Raise The Dead” tour with several dates on the West Coast, with the final show taking place at Pearl at the Palms in Las Vegas on November 27. Afterwards, Sobel, along with Cooper band mates Ryan Roxie, Chuck Garric, and Tommy Henriksen, joined local all-stars SIN CITY SINNERS at The Lounge at the Palms to perform several songs, including “20th Century Boy” by T-REX and “Sedated” by THE RAMONES, among others. Video of the jam can be seen here: https://www.youtube.com/watch?v=VQkLhFdnGcs
Glen Sobel is an American drummer and a native of Los Angeles. Sobel’s professional career got started after he won a large drum-off competition in Los Angeles at the age of 19 and it led him to join guitar virtuoso Tony MacAlphine’s band. Sobel did his recording debut MADNESS with MacAlphine in 1993 and later on he has performed and recorded with several artists from many different genres. Sobel’s credits include such names as Impellitteri, Sixx A.M, Paul Gilbert, Vasco Rossi, Beautiful Creatures, Jennifer Batten, Elliot Yamin, Gary Hoey, Graham Bonnet’s Alcatrazz and Orianthi. Since 2011, Sobel has been the drummer for legendary shock rocker Alice Cooper. The Alice Cooper band is currently on tour in U.S., and in late October I was fortunate to sit down with Glen in Hollywood, FL and discuss about various topics including Alice Cooper, and the past and the future of Glen Sobel. Read on!
There was a time I’d never miss an Alice Cooper show. That time was roughly 1972 to 1998. As I started to drift towards faster, louder, and rawer music, I began to miss a tour here and there, usually regretting it! Well, no more! Time to start all over again!