Friends of the fallen: We have some major news about the band and the progress of writing the next album.
First of all we must inform you that Jonathan stepped down from his vocalist duties in order to focus on family and work. We all understand and fully respect his decision and would like to thank him for his time and dedication for The Duskfall.
We decided to go to our allies in the east once more when we searched for a new vocalist. We have had a lasting friendship with Aki Hakkinen since our first shows in Finland some 10 years ago and he immediately stepped up to the plate and offered his services when he heard the news of Jonatan’s departure. Aki has years of experience from the livestages and recording music and will be a forceful output when we hit the stages in support of the upcoming release next year.
Here are his own words on the matter:
“Hello friends of the fallen (how cool to say that). I am super proud and honoured to be a part of The Duskfall – a band that i have always kept as one of the very best of swedish melodic death metal. Also I am happy to be back in the death metal scene that I was away from about the same time that The Duskfall was on a break. I have been busy with metal scene though and getting more experience in all areas of music which I hope to also give to The Duskfall and to the fans of the band. These boots are not easy to fill in…
I remember touring with The Duskfall back in around 2007 with my band at that time and it was very easy to work with the guys. We also did an interview for finnish inferno Magazine with Kai Jaakkola as they wanted to make a story of death metal singers during our tour so I’ve always had very close relations to the band. (picture attached here later) Sorry to say to the fans of Kai that he is not coming back to the band anymore even though he is a great guy and a great vocalist. I hope to bring something new to the band and I will stick around. You can expect a very active band from now on and I just love performing live. Hopefully we get to play all over the globe to the diehard fans and find new friends of the fallen! I am sure the best days for The Duskfall are yet to come!
It is super rare to find a music writer like Mikael Sandorf is. He can write a amazing complete song with lyrics and vocal lines even with drums before presenting it to the band. I can tell you guys it is a rare talent to have at this level and my job is to make it to this super high standard. I promise to give my 666% to the band and to each performance the band will make… hopefully there will be a lot of those! Enough said from me – I will let the actions and music speak more for you in the near future! I hope all you friends will be as active as we are and support The Duskfall!”
“For our “Too Late” music video we wanted to go for something simpler and get a really kick ass performance video, as we haven’t really done one yet that is purely us rocking out on a big stage. I think everyone grew up with that idea of the huge performance video from the 80’s with the huge light rigs and massive stages. Our next step after this video is obviously insane pyro and of course some sort of swing rig that allows us fly around the stage like Bon Jovi or Van Halen, but unfortunately we won’t have the budget for all that hairspray and glitter!” – Striker guitarist Tim Brown.
The band; Dan Clearly (vocals) Tim Brown (lead/rhythm guitars) William Wallace (bass) Adam Brown (drums) recorded the album themselves with the help of Randy Black (who filled in on drums while Adam was away…) and mixing genius Frederik Nordstrom (Bring Me The Horizon, In Flames, Opeth) giving them not only the time and space needed but the freedom to set up the release direct to fans worldwide.
“We’re so excited about having our music, our ideas, and our future in our own hands – ushering in a new era for the band of decisive action, dedication and forward thinking. Live life by one rule: No Limits!” – Tim Brown
STRIKER will be hitting the road with Primal Fear across Europe in February 2016.
Track Listing ‘Stand In The Fire’:
1. Phoenix Lights (3:38)
2. Out For Blood (3:51)
3. Too Late (4:52)
4. Stand In the Fire (3:39)
5. The Iron Never Lies (4:06)
6. Escape From Shred City (2:53)
7. Outlaw (4:35)
8. Locked In (3:45)
9. United (4:06)
10. Better Times (3:37)
11. One Life (4:17)
Album Length: 43:23
Anti Flag came back to Finland after 5 years since their last visit, which was the summer festival Ruisrock, and although the band has been constantly touring and releasing records, for some reason it took 5 years for them to return here. Luckily for the fans, the band decided to play a gig in Helsinki for their “American Spring” tour. Joining them in this night, and during their European tour, was The Homeless Gospel Choir.
Just a bit after 21o’clock, with people still getting inside Tavastia, Derek Vanetti, aka The Homeless Gospel Choir, got on stage. Not everybody knew what to expect for this gig, mainly because just a few people knew what kind of music or who was The Homeless Gospel Choir. I have to say that at first I thought it was a bit of an odd choice because I knew it wasn’t going to be a full band playing live and loud, just one man singing and playing accoustic guitar. Fortunately, the whole gig was a pleasant surprise. It didn’t matter the fact the crowd weren’t familiar with his songs, people seemed to enjoy this folk punk accoustic set.
It felt like a close and intimate gig between friends, which actually suited well as an opening act for Anti Flag. From his tributes to Freddie Mercury to his protest songs (and there were many according to him), Derek Vanetti definitely got a lot of fans after his 45 minute performance.
Now with Tavastia almost full, Anti Flag hit the stage and vocalist/guitarist Justin Sane screamed the first verses of “Turncoat” and from then on the whole place just went crazy. The fans during the whole gig were singing along with the band through their old catalogue: “Fuck Police Brutality”, “I’d tell you but…”, “Power to the Peaceful”, “This is the End (For You My Friend)”, and the more recent tunes like “Fabled World”, “Sky is Falling”, “All of the Poison, All of the Pain” and “Broken Bones”. As expected, during the fast paced “This Machine Kills Fascists”, there was a big circle pit that kept everybody moving.
The whole band was on fire, whether it’s a club show or a festival, Anti Flag knows how to get the whole crowd amped up even after 20 years of existence. After the more “calm” moments of “1 Trillion Dollars” and “Walk Away”, they finished the first part of the night with “The Press Corpse” and one of their most heaviest and fast songs: “Death of a Nation”.
They came back with “Hymn for the Dead”, a song that has a lot of different layers on the studio version, but live has a more stripped down vibe, and then the simple, but insane, “Fuck the Flag”, which always works well live. The band thanked the crowd and welcomed on stage Derek Vanetti to sing with them “Brandenburg Gate”, which originally has Tim Armstrong (Rancid) singing along vocalist/bassist Chris #2. This was another highlight of the gig, everybody together in arms singing with them.
To close this incredible night, they played another fan favorite: “Die for the Government”, and towards the end of the song the band stopped in order for drummer Pat to get parts of his drum set in the middle of the crowd, and Chris #2 joined him standing and singing on top of the bass drum. This is something that the band has been doing for sometime now live and many have seen before, but it didn’t diminish the impact. This very moment was the embodiment of unity, it represented perfectly the whole feeling of tonight’s gig, a sense of camaraderie among band and the everybody who came to Tavastia. On top of that, they still played another one, “Drink Drank Punk”, which closed their set.
Tonight reafirmed to those that haven’t seen Anti Flag live in many years as one of the best live bands. Just hope that they won’t take another 5 years to come back to Finland to play.
ANTI FLAG SET LIST:
Turncoat Fabled World Fuck Police Brutality I’d Tell You But… Sky is Falling Broken Bones All of the Poison, All of the Pain This is the End (For You My Friend) Power to the Peaceful This Machine Kills Fascists 1 Trillion Dollars Walk Away The Press Corpse Death of a Nation
Hymn for the Dead Fuck the Flag Brandenburg Gate Die for the Government Drink Drank Punk
The mighty Jalometalli Open Air Metal festival strikes once again with a killer killer line-up to maintain the loyal to the metal. The festival is known for relying on offering everything from traditional metal to extreme metal. Above all, it is also the classic names who have never ever visited Finland before that make this special. The legendary Teatria club is now history as it was torn down. The last year’s event was arranged in the parking lot of a big sport hall. Fortunately the organization of the Jalometalli festival decided to return the festival to its original place named Kuusisaari.
Once again the Metal Rules team hit the ground of Oulu to witness several absolutely killer bands. The whole Jalometalli festival is so unique and one of a kind that anyone reading this article should take a glance at the offering of the festival. Here is a brief article on the fest. So the time had come all of us to leave bitter sweet farewells to the old venue where we have enjoyed great music and great company throughout the years.
The domestic dance metal wonder Battle Beast kicked the set off. It was quite a clever trick from the organization to place Battle Beast to be an opening act of the fest. The band pulled a nice crowd to the open field. Battle Beast’s frontlady knows how to entertain and encourage the audience go beserk and above all have some fun. Battle Beast offered a solid set of the best of their songs.
Local Encrypted was advertised to play some kind of technical death metal so I was pretty disappointed to hear something resembling more modern thrash than, let’s say, old Atheist. Fortunately they did play some deathier stuff as well with some bass wankery but in the end this was not anywhere near my cup of tea, too young boys influenced by some new dull stuff. I don’t even remember when there was actually an interesting tech death hailing from Finland. But did I catch that this was their last gig ever? It’s good to quit when you are on top, right?
Sotajumala has been gigging several domestic metal bands during this summer. Why now as the new album titled Rauniossa (In The Ruins) by Sotajumala offers a brutal slab of the barbaric and raw death metal at its best. Sotajumala has proved to be one hell of strike on every gig, therefore Jalometalli was no exception. The five piece’s raw and uncompromising delivery left no wondering, instead the audience turned to be utter beserks. The vocalist Mynni usually expresses the standpoint of his own on what he things about issues, this time the crap religion, the islam, got mugshot from the vocalist and the audience cheered….
Hell led by Andy Sneap has been a constant visitor in Finland during the past few years. The band has rehearsed all the manners and performance with the tight. Hell’s old school metal with the modern sound grip is a perfect example of when the old school British heavy metal meets the modern day approach. The frontman’s theatrical manners and acting gave the more showman feeling and skills of his roles as the essential part of the whole HELL concept. Unfortunately Hell is not able to drag the whole theatrical visualistic arsenal to blow the stage up. Anyway the mandatory whipping session was there. All in all witnessing Hell in a more club with the gear would be the welcomed choice after.
I’ve been seeing Obscure Burial too many times already in recent couple years but I must say that these guys usually deliver the goods and so did they now. They didn’t attract that much audience in Jalometalli but we the luck few we’re treated with the black mass of robust death/black/whatever in the oldest of veins. Guys have some good hooks and riffs in their stuff and it’s rejuvenating to hear something so ancient but still fresh that it’s hard to put any tag on it. This is just metal as it’s best.
The legendary British metal squad Satan got re-activated a few years back and released the highly acclaimed album Life Sentence and will be putting out the fourth album Atom By Atom. Well the old school metal with all these extreme bands sounded the welcomed choice for sure. The classic sounds with the catchy riffs is all about what the true metal is supposed to sound. The five piece may turn out to be a bit too old for the younger generation, but it got hammered more than well to the kids. Oh by the way the frontman Brian Ross made a visit to the mighty Jalometalli a few years ago with another highly respected British heavy metal band Blitzkrieg.
Wengele (or Mengele/Insomnia as they were know back in the day) has not been doing much since their demo in 2004 but they really should. They kick ass live and even their ‘new’ material (from that 2004 demo) is pretty solid and doesn’t stick out in a bad way. But classics are classics and boy they sound good. I might be biased as a Jääli native myself but Mengele in it’s prime was one of the greatest thrash band from Finland and they still are.
CRADLE OF FILTH
If Cradle Of Filth didn’t get that highly and desperately wanted action in the audience at Wacken, but instead the Finnish audience appeared to be more appreciate toward COF. Obviouslty the frontman Dani Filth got some technical problems with the wireless system, as keeping communicating with a technician several times. However COF is either liked or disliked, but judging by the reaction of the audience, COF got the full good enjoyment back from the audience. The setlist was a basic dissection of the long career of Cradle Of Filth, should it be said Dani Filth’s. However songs had been picked up from eight album. All in all solid and routine gig from Dani and his backup forces.
The newest output by Stargazery called Star Aligned came out of blue for sure – featuring the astonishing and outstanding traditional melodic heavy metal songs. Therefore witnessing Stargazery on the stage was on the “must see” list. The band’s strong sounding melodic heavy metal sounded splendid with an awesome vocalist (having toured with Michael Schenker btw). Those ones looking for the real heavy metal without any mandatory power metal nuances, Stargazery is an obvious choice for sure.
Simpy put, Obituary ruled. Heavy and thick as hell, Jalometalli has seldomly had this perfect sound. After petty clowns of Cradle of Filth and other weak so-called metal acts of the earlier day, Obituary’s relentless slab of pure unadulterated Florida death metal was a blessing, like an oasis in the desert. The new stuff is pretty decent actually, probably best material they put out since the days of World Demise. But of course Obituary is made of from really simple ingredients, but it’s ok for a while the gig usually last. It’s good to degenerate to this primal level once in a while.
Describing the stuff played by Alfahanne aint’t that easy. it could be a a hybrid mix of black metal meets the rocking elements. being on the stage the band is definitely unpredictable and capricious. BUT Were these guys of Alfahanne in mess or something cos the whole gig looked more like out of control. The gig was pretty chaotic and hassling. Not even sure if they filled the full playing time cos the band stormed off the stage without any warning …
Saxon is an institution that is always pleasure to witness on stage but Jalometalli’s gig showcased that for a casual listener, their material is a bit uneven. The classics in the end of the setlist were awesome but the new stuff sounded bit uninspired. So it seems to be with almost every veteran band so it’s not only Saxon that should stick with the old ones. (The Inner Sanctum from 2007 had some pretty wicked stuff though) Biff Byford has this unfakeable charisma of legendary heavy metal front men so whatever Saxon actually plays, the band is still a treat to watch and hear. And when they play their “best of” stuff, there’s not many heavy metal bands that can even touch that level of quality. Andy Sneap of Hell (and others) joined the band to play on one song, a cool extra feature.
JESS AND THE ANCIENT ONES
For me, Jess and the Ancient Ones lacks soul. For me they sound like an attempt to milk the Zeitgeist from bunch of experienced metal musicians. They are too nice and safe when compared with the vivid and raw imagination of bands they draw from. That said, their gig reminded me from the glory days of Qstock, a festival happening in the same place, and especially the gig of Swedish Witchcraft there. Kuusisaari’s paviljonki is a splendid place to end a festival day with some retro sounds and packed, sweaty atmosphere. Looking the audience, I was pretty much alone with my skeptical attitude as singer Jess ruled the house with her presence.
The Finnish speed/thrash youngesters Lost Society have proved to be one hell of storm on the stage with the insane driving force. The gig at Jalometalli wasn’t any exception as to being totally out of control. The guys with the relentless passion and attitude thrashed the whole set throughout with the incredible rage. Even the playing was the second thing compared to their ultimate hassling. Even though a bit in the controlling may be needed for guys to gasp for some air.
The Domestic old school reindeer thrash metal patrol A.R.G got activated a few years back and unleashed the brutal thrashing. The old thrashers unleashed the blistering extra vaganza thrash metal set by offering a great deal of the classic ones of their own. There was no extra bullshit talking chitchat between songs, instead the four piece thrash tornado pushed with the full force ahead.
Annihilator has been crisscrossing Europe at several festivals. The Canucks managed to make it to Finland on the hectic schedule. When following Jeff Waters’ performace with the back-up forces, it couldn’t help thinking if Waters had been a vocalist since the beginning of the reincarnation of Annihilator and been a singer on every album. Annihilator might be in a different position such as Megadeth, whose frontman is recognized as the leader of the outfit. Plagued by several line-up changes and hassles Waters has taken the vocalist role over again. The four piece sounded tight and well trained, but nailed the songs with the tight playing. Even though Padden is no longer involved in Annihilator, Waters’ role as a real frontman is obvious. Despite that Waters aint that great singer. As a matter of fact Waters should have been singing since the first album to avoid all these line-up hassles.
The two men Inquisition have gained the deserved reputation during the past few years. The band has been gigging damn effectively all around. That has paid a lot as Inquisition got extremely great respond from the audience. The Frontman Dagon easily conquered the stage with the strong charisma and above all performance. Inquisition hammered the audience down by doing the intensive set of the grim sounding vicious black metal.
Candlemass without the primusmotor of the band Leif Edling sounds odd for sure. However the former Grave bassist had been recruited to take over Edling’s spot on the stage. However Edling is supposed to return back to the rank after solving the health problems. As for the set, well it has to be admitted Mats Leven is a fantastic singer, not the voice of Candlemass at all and the characteric one like the previous most wellknown singer. The set consisted of several Candlemass classic tunes. Despite the line-up has gone radical changes, something was missing from the playing though the gig sounded solid
The Swedish Tribulation is kind of odd band as the band dress up as some kind of eerie black metal, but instead the stuff is more melancholic dark metal with the obvious black metal references. That kind of stuff of Tribulation would need more darkened atmosphere in a grim club rather than an open door festival. Tribulation delivered the dismal set of the dark/blackish metal with a certain touch.
Dark Tranquillity offered a solid and quaranteed melodeathwhatevermetalgothenburg sounding metal – pretty sterile- nothing surprise. However the frontman Mikael Stanne is a great vital frontman taking the audience more than well. As for the material, well the set was a nice balance of songs from several albums. Basically it was kind of best of set from Dark Tranquillity to offer and pleased both the old and new fans.
The Finnish death/Doom metal squad Hooded Menace concluded the two day Jalometalli festival. The Deadly doomesters in an indoor club offered the lethal doom stuff with the slow heavy grip throughout the whole show. The band’s doomy riffs sounded bombastic and brutal.
Vivaldi Metal Project signs with Pride & Joy Music label; album is to be released in May 2016
Pride & Joy Music has announced the signing of the Vivaldi Metal Project.
The VIVALDI METAL PROJECT is an all-star metal project conceived and created by keyboardist, arranger, composer and producer maestro Mistheria (Bruce Dickinson, Rob Rock, Roy Z, etc.) together with bassist, composer and co-producer Alberto Rigoni. The aim of the project is to arrange and perform a metal version of Antonio Vivaldi’s legendary Baroque masterwork “THE FOUR SEASONS”.
The duo already has started to work on this project in late 2013 together and since then gathered more than 70 musicians from over the world plus the ”Sinfonietta Consonus Orchestra” and the ”Academic Choir Manolov’ to take part in this mammoth project. The recordings will soon be completed and the release is planned for late May 2016. More news on this will follow.
The cast includes performances by Rick Wakeman (YES), Mark Boals (Malmsteen / Ring of Fire), Edu Falaschi (Angra / Almah), Michael Lepond (SymphonyX), Fabio Lione (Rhapsody of Fire / Angra), Rob Rock (Impellitteri), Dani Loeble (Helloween), John Macaluso (ARK), Marco Sfogli (J. LaBrie), Andreas Passmark (Royal Hunt), Chris Caffery (Trans Siberian Orchestra / Savatage), Steve Di Giorgio (Testament), Atma Anur (T. MacAlpine, G. Howe), Tommy Denander (Radioactive / Toto), Mark Cross (Scorpions / Firewind), Sean Tibbetts (Kamelot), Mark Wood (Trans Siberian Orchestra), Roger Staffelbach (Artension), Anna Portalupi (Tarja Turunen), Milan Polak, Victor Smolski (Almanac) and many more.
Mistheria says: “It has been a big challenge for the project creators and for all the participants to re-arrange and to perform this classic masterpiece beloved by millions people all over the globe in the vein of metal music power. It took about 1.5 years to form a cast of top rock and metal singers and instrumentalists. And finally recordings now have been almost completed after a full year of working on arrangements by a strong international arrangers’ team from several countries.”
PRIDE & JOY MUSIC is a new rock, blues & metal label based in Ascheberg, Germany. Founded in early 2015 by Birgitt Schwanke, owner of the established PR agency GerMusica, former owner of Rock It! magazine and co-owner of the Yesterrock label.
The physical distribution for PRIDE & JOY MUSIC will be handled by one of Germany’s biggest independent distributors EDEL.
In promotion of his current sophomore album release “Brand New Revolution”, Ozzy Osbourne / FIREWIND guitarist GUS G. has just wrapped up a massive touring run, both supporting Kamelot and then successfully hosting guitar clinics all over Europe.
GUS G. is launching a new promotional clip for the album track “What Lies Below”, which features Elize Ryd (Amaranthe) on vocals. The stunning video-clip was once again shot by longtime visual design partner / director Patric Ullaeus (In Flames, Arch Enemy, Within Temptation, etc.) and can be seen here: https://youtu.be/kS-PLcAvuhk
In addition to further solo shows throughout the end of this year, GUS G. has now also revealed that his long-running melodic Metal band FIREWIND is finally returning to the spotlight with a new singer and selected live-activity in 2016. Henning Basse (Metalium / Sons Of Seasons), who had already toured with FIREWIND on various continents in 2007 as well as most recently with GUS G.’s solo-band, has been announced as new permanent singer for FIREWIND and will therefore be appearing on the band’s upcoming performances at the 70000 Tons Of Metal Cruise as well as Graspop Metal Meeting next year.
Leaves’ Eyes have become well known for their epic, Norse themed take on symphonic metal. Prior to their London show, we had the chance for an impromptu interview with Liv Kristine, one of metal’s most influential women. We talked about conquering the UK and Harald Fairhair’s link with the British Isles, balancing musicianship with family life, the golden era of gothic metal and her upcoming solo tour with special guest and former bandmate, Raymond Rohonyi of Theatre of Tragedy.
TONIGHT, Nov. 25th 2015, Steve Vai, Billy Sheehan and drummer Gregg Bissonette will reunite at Lucky Strike Live in Hollywood, California, to celebrate the 30th anniversary of David Lee Roth’s Eat ‘Em and Smile album with a one-time-only show.
They’ll be joined by guest vocalist Ralph Saenz, also known as Steel Panther’s Michael Starr.
The show is free, and it’ll kick off 8:30 p.m. It will mark the first time in 30 years that Vai, Sheehan and Bissonette have played together. They’ll be recreating music from the 1986 album and tour.
Eat ‘Em and Smile was the first of two Roth albums to feature Vai and Sheehan.
This show is part of “Ultimate Jam Night,” a series of free performances that take place Wednesdays at Lucky Strike Live. This particular “Ultimate Jam Night” certainly lives up to its name.
The 30th Anniversary of the EAT EM’ and SMILE BAND” featuring STEVE VAI, BILLY SHEEHAN, and GREGG BISSONETTE along with guest vocalist RALPH SAENZ (“Michael Starr” of Steel Panther)
The Ultimate Revenge of Heavy Metal Festival is a two-day indoor festival held in Nosturi. Nosturi is a concert venue in Helsinki’s Hietalahti district.
At a capacity of 900, Nosturi is an attractive venue for major acts domestic and international. Its shows are open to people of all ages, access the to bar area being restricted to adults of legal drinking age (18+).
Tickets from Lippupalvelu.fi for 46 € / 2-day ticket and 27 € / 1-day ticket + handling & postage fee. Tickets from www.Lippupalvelu.fi
Brooklyn has always been a sort of underground Mecca for the New York Heavy Metal scene. And where many New York City music venues have been forced to fold their doors in the face of ever increasing financial pressures from an over-expanding city, Saint Vitus has remained a stronghold to some of the biggest underground names in metal. Revolver Magazine was welcomed by the bar to host an issue release party featuring the likes of Act of Defiance and Allegaeon, with local supporters InAeona. Act of Defiance fans arrived early for the potential chance to see and meet the band, who set up like almost any locals at the venue, but with big league lore and professionalism obviously under their belts.
As many Act of Defiance fans already know, former Megadeth members Chris Broderick and Shawn Drover formed Act of Defiance in 2014 after a six and ten year tenure in Megadeth respectively. With fifteen stops made prior to the November 13th date at St. Vitus, Act of Defiance’s tour was just a little over the halfway mark for their 2015 North American leg. At around 9PM, people began to pour into the back of Saint Vitus where the stage area is located to catch the opening performance by metal band InAeona hailing from Boston, MA. The first band delivered a moody and dark, heavy set with fog and strobe lighting from the venue that drew the initial crowd of thirty to fifty supporters to the front of the stage. By the end of their set, even more people packed into the venue and stood waiting for remaining acts to hit the stage next.
Melodic death metal band Allegaeon from Denver, CO are quite the interesting group of musicians who have come together and been delivering their own special blend of modern progressive and Death Metal since 2008. Current lead vocalist Riley McShane, who stepped in for former Allegaeon singer Ezra Haynes while the band was still just recently on tour, took to the stage with energy reminiscent of the power the band had possessed since the early days. Stomping and failing his arms from side to side and using the entirety of the stage available, McShane growled away at lyric after lyric to songs like, “Secrets of Sequence” and himself built the pit forward for a crowd that ended up sticking around till the very end of the show. With a very technical style of death metal and uniquely heavy hitting stage presence, Allegaeon provided fans with a perpetual fit of head banging and auditory carnage, seasoning the crowd for headliners Act of Defiance. During their final song, a member of the tour in an insanely awesome red crab costume joined the band on stage to close out the set, finalizing the cheers and laughter from an already pumped audience.
As the lights began to dim for Act of Defiance, fans approached the stage to root themselves in the front row before anyone else could attempt to intrude on this incredibly intimate performance. At approximately 10:30PM the stage lit, and the venue hooted and hollered as lead vocalist Henry Derek Bonner, bassist Matt Bachand, guitarist Chris Broderick, and drummer Shawn Drover took their appropriate places. The band opened their set with their single “Disastrophe” from their new album titled Birth and the Burial. Formerly of the band Shadows Fall, Matt Bachand laid intense eyes upon the audience while playing to album single “Deadstare”.
Bonner maintained his “in your face” stage presence with powerful screams for every song while giving the audience money shot photos. Although the stage was small, Chris Broderick moved across the stage with dexterity to give fans on each side an up close performance of his guitar solos and riffs. With a few stick tricks during the set, Shawn Drover’s playing came crashing through the speakers with expert tempo and bass so forcefully that the rest of AoD periodically glanced in his direction with approving nods and head banging.
Spread across the wall behind them hung their banner with the Act of Defiance band logo as they cordially and impressively covered every song on their debut album for their set list. The final couple of songs created a circle pit of fans that shoved wildly around, one man emerging with blood pouring down from his nose across their mouth and shirt, just to illustrate how intense and wild Act of Defiance’s new album sounds live, especially in a medium sized venue.
AoD ended their set with their single titled “Throwback” with Broderick slinging a different guitar over his shoulder to play on. The guys spent ample time mingling and taking pictures with their fans after their set, and couldn’t have been more courteous with their time. The night was truly one to celebrate for underground metal.