Metal Allegiance have released their first official music video for the single “Dying Song” from their upcoming self-titled album. The video premiered on RollingStone.com. The concept video was directed by Vicente Cordero of Industrialism Films. “Dying Song” features Philip H. Anselmo on vocals, Alex Skolnick on guitars, Mark Menghi on bass and Mike Portnoy on drums.
“It’s always my pleasure to jam with such esteemed musicians and brothers, and my contribution to this project is further proof of that fact. Hail to all Heavy Metalers the world over!” states vocalist Phil Anselmo.
The debut album will be available worldwide on Spetember 18th via Nuclear Blast Entertainment. Full Metal Rock recently declared in an album review: “It is one of the must-have albums for the year.” Fans who pre-order the album digitally via iTunes at http://nblast.de/MetalAllegianceIT will receive instant downloads of “Dying Song” and the recently released track, “Can’t Kill The Devil.” The self-titled album contains appearances by Philip H. Anselmo, Charlie Benante, Chuck Billy, D. Randall Blythe, Rex Brown, Ron “Bumblefoot” Thal, Phil Demmel, David Ellefson, Alissa White-Gluz, Matthew K. Heafy, Gary Holt, Jamey Jasta, Chris Jericho, Andreas Kisser, Misha Mansoor, Mark Osegueda, Tim “Ripper” Owens, dUg Pinnick, Mike Portnoy, Troy Sanders, Cristina Scabbia, Alex Skolnick, Steve “Zetro” Souza and Ben Weinman. The standard edition CD of Metal Allegiance will feature the 9 original songs. A digipak edition will be available that features an all-star tribute to Ronnie James Dio with a cover of his classic song “We Rock” as well as a 45 minute behind-the-scenes documentary on the making of the album. A double vinyl version will also be available that will feature all 10 songs. Physical CD bundles are available via the Nuclear Blast store at http://nblast.de/MetalAllegianceNB.
Metal Allegiance recently announced that they will be having a record release concert on September 17th in New York City at the Best Buy Theater. The show, presented by D’Addario, will feature the following confirmed participants: Frank Bello (Anthrax), Charlie Benante (Anthrax), Chuck Billy (Testament), David Ellefson (Metal Allegiance/Megadeth), Alissa White-Gluz (Arch Enemy), Gary Holt (Slayer/Exodus), Scott Ian (Anthrax), Mark Menghi (Metal Allegiance), Mark Osegueda (Death Angel), Mike Portnoy (Metal Allegiance/The Winery Dogs), Troy Sanders (Mastodon), Alex Skolnick (Metal Allegiance/Testament) along with a few special guests. Space Born Killers have been tapped to open the show. Tickets for the show are $25.00 and can be purchased via Axs.com at http://tinyurl.com/MABBTTIX.
Metal Allegiance will be airing weekly webisodes every Wednesday up until the album’s release date. The webisodes offer fans an inside look at the creation of Metal Allegiance and the unique collaboration by hard rock and heavy metal’s most notable performers. Seven webisodes have been released in total and can be seen at https://www.youtube.com/channel/UCt-YVDXx-aEqwiPHkopZABg. This week’s episode offers a behind the scenes look at “Wait Until Tomorrow.”
Stemming from an initial idea in 2011, Metal Allegiance was born as a way to unite a collection of hard rock and heavy metal’s most notable musicians in a setting born under one ideal- a love of music and performing. In 2015, that ideal still holds true and has become the foundation for everything Metal Allegiance; furthered with the release of the upcoming debut album. While the lineup may change, the passion, the energy and the emotion all remain the same. Metal Allegiance is more than just a record or a concert, it’s an experience and a lifestyle.
Blues rock/stoner metal quintet RUBIKON is pleased to announce the official release of their latest album, Delta, out tomorrow via Round Hill Records. In celebration, the band is streaming the entire album via YouTube for a limited time.
In a collective band quote, the group states, “The release of this record has been a long time coming. We’ve changed as musicians and as people, and we were eager to see what it would sound like when we moved back toward our musical roots. The result is far superior to anything we thought we could achieve. We’ve changed a lot since we released our last album in 2011, and Delta, which mathematically means change, has helped remind us of that – even after 14 years of making music together, it really IS all about the music.”
See what the press is saying about DELTA and RUBIKON:
“[“Pretty Pretty”] has gigantic, burly riffs that are both stony and dark, a hard-driving beat that’ll make you wish you were cranking through the southern California desert, and soulful, gruff vocals that come from a place deep within. There’s even a bit of Southern sludge when the band slows things down into the song’s coda; guitarist Dave Raymond name-checks Down and Corrosion of Conformity as influences, and you can definitely hear that in this track.” – MetalSucks.net
“Rubikon is… like a big swig of Queens of the Stone Age with a Led Zeppelin back chaser. If limited to genre descriptions and band names, however, does not do them justice.” – New Noise Magazine
“‘Vipers’ lurches out at you like a modern take on Skynyrd; whilst ‘Sermon’ comes across like Soundgarden was a Blues band, even adding a female backing vocal… ‘Delta’ is a great listen and at only nine tracks it will leave you wanting more.” – TheRockPit.com
“A smooth and rich rock, marinated in blues influences and flavoured with interesting arrangements… “Delta” proves to be a strong album, showing the different influences and talents of the members.” – CassetteCulture.com
“Loaded with diverse flavors including modern rock, classic rock, Southern rock, stoner rock and blues, Rubikon combines these flavors together so well that it’s almost “uncategorizable”. Obviously nods towards bands like Led Zeppelin, Lynyrd Skynyrd, ZZ Top, Foo Fighters, and Queens of the Stone Age only adds spice to their diverse palette.” – Illinois Entertainer
“Rubikon’s sound is individualistic and different, keeping itself from being pigeonholed… “Live That Lie” is a swampy rocker that takes on a cool rock vibe at the chorus and gets the foot tapping from open to close with solid vocals, guitars, and a cool rhythm section.” – 100% Rock Magazine
Delta features progressive blues rock riffs, soaring vocals, complex harmonic structures, mile-high atmospherics and metallic outbursts. Influencing genres on Delta range from classic blues rock to hard rock and sludge metal, only further refined by mix master Alain Johannes (Queens of the Stone Age, Them Crooked Vultures), producer Marti Frederiksen (Aerosmith, Brother Cane), and Howie Weinberg (Metallica, Nirvana), who mastered the record. Recorded in an organic, live setting at Quad Studios in Nashville, TN, the band chose to include minimal overdubs and completed the album over just two weekends.
Unlike many veteran groups that try to continuously change their sound to fit trends, Delta is a return to form – an exploration of RUBIKON’s roots, if you will. Nearing roughly fourteen years of performing and recording, the band broke out into the rock world with a pair of EPs in 2001 and 2002 before releasing their first full album, The Hollow Men, in 2004.
RUBIKON has taken this potent combination on the road countless times – touring the country and performing hundreds of shows to folks all across the nation. RUBIKON has performed with the likes of Damageplan, Trivium, Shadows Fall, Nonpoint, Nothingface, Dog Fashion Disco, and others.
The Tuska Open Air Festival is definitely a real metal institution amongst all other metal festivals in Europe. This Suvilahti area located in the heart of Helsinki, is only a few kilometres away from the downtown of Helsinki, is a perfect place for the metallic onslaught during the weekend. As far as the line-up of 2015 is concerned, it offered a wide range of different sort of metal. Even a few hiphop vomits had been added to the line-up to draw other type of audience, which is truly odd. However Alice Cooper, Sabaton, In Flames as headliners and of course Amorphis did the whole TALES FROM THE THOUSAND LAKES album as well as Stratovarius doing all of VISIONS. All in all 25.000 people made a visit to Tuska during these three days. As usual Metal-Rules.com was present to check out a lot of bands and enjoy the burning sun.
Foreseen has carved the reputation as an aggressive live band. The four piece crossover outfit raged extremely hard when supporting Madball some time ago. However the slot at Tuska wasn’t that ideal and obviously the thrashers haven’t found this savage live band yet, because the venue wasn’t full at all. However during the 20 minute slot the band with the bald singer delivered the uncompromising crossover metal with real old school style.
Exodus has been on a long European tour, crisscrossing several countries. The gig at Tuska was the last one on the long run. As Gary Holt has been rather busy with his obligatory commitments with Slayer, the Heathen axeman had stepped in to take care of the guitars. Exodus sounded thrashingly brutal at Swedenrock and offered a real lesson in the thrash metal violence with the metal commader Steve Souza. Obviously the long run through several European fests may have squeezed the water out of the guys even though the band sounded tight and handled the gig in the professional way, but it was a bit sterile and plastic at Tuska. The set list had been shortened for a mere one hour sting unfortunately. They should have chosen a better slot for sure.
Black 13 Blood In, Blood Out Children of a Worthless God Piranha Blacklist Body Harvest Bonded by Blood The Toxic Waltz Strike of the Beast
LAMB OF GOD
Lamb Of God was supposed to enter the Tuska fest a few years back, but was cancelled due to all the hassles with Blythe’s arrest in the Czech Republic. The band was definitely highly anticipated amongst the audience. Yes, the band pulled the massive crowd and all hell broke on loose, when the opening riff cut the air. The massive pits were rioting in the audience when LOG whipped up the crowd to go insane and loose their minds. The frontman Randy Blythe proved to be one hell of a raging frontman as raging and running like a maniac all around the stage. The set included a plenty of well known LOG tunes as well as the brand new songs from the new output STURM UND DRANG. LOG is a tremendously tight live band. Especially the current fill-in drummer Chris Adler is definitely the man behind the drumkit. Hopefully LOG will be seen in Finland soon again.
Desolation Ghost Walking 512 Walk with Me in Hell Ruin Set to Fail Still Echoes Hourglass Now You’ve Got Something to Die For Vigil Laid to Rest Redneck Black Label
Sabaton enjoys massive success at the moment. The band draws a lot of people to the show and especially now when the stage got its prestigious setup when a tank-look-alike had been dragged to the stage. Didn’t Kiss already have a tank on the stage back in the day? Basically it is fun to see how newer bands recycling the old ideas. The whole massive spectacle was started out by the intro being the legendary wellknown Europe’s Final Countdown. It was rather odd as well as surprising to see how the kids born in the late 90’s kept singing the old 80’s hitsong. As for the gig, it was one big of comedy show thru the 90 minutes. The frontman Joakim seemed to have one kind of stand-up comedian talents to joke and act on the stage. It got a bit out of hand as Sabaton should let the music roll and reduce the amount of joking. Besides the joking, the pyros and bombs gave the bombastic fiery feeling to the warlike show. All in all Sabaton sounded tremendous great and delivered a brilliant show despite the joking. The Swedish warpowermetallers will return to Finland with Gamma Ray as a supporter…
The Final Countdown (Europe song) The March to War Ghost Division To Hell and Back Carolus Rex Swedish Pagans Resist and Bite The Art of War Soldier of 3 Armies Gott mit uns (Swedish version) White Death Night Witches Talvisota Primo Victoria Metal Crüe Dead Soldier’s Waltz Masters of the World
When the Swedish retrodeathmetallers tapped Nick Holmes to growl on the newest output, the interest toward the band increased tremendously. Therefore the band has been crisscrossing the European festivals with the tight schedule. Bloodbath hit the main stage right in the afternoon. Obviously the timing wasn’t that perfect after all as Nick Holmes announced Bloodbath will never play again… in the daylight. Well, at least the sun scorched the ground so did Bloodbath. The old school death metal sounded pritive and raw. If Bloodbath had been around about 25 years ago, would they have achieved the success or remained on the cult status. However the nostalgia in the old school death metal is high at the moment and especially having the known frontman as a singer definitely drew more attention. Bloodbath would definitely work in the underground death metal gig better than some open air festival under the burning sun.
Ne Obvliscaris hail from Australia. The Aussies self-financed their trip to European soil and it was a worth of every penny for these Australians Prog-whatever metal they want to claim to be. However the true prog heads were totally obsessed and possessed by Ne Obvliscaris’ skills and extraordinary playing, at least judging by all the reactions in advance and especially after the gig. The band seems to have two different kind of singers, the first one was like some nice fellow looking like a dude dragged from some office, whereas another one presented more the evil screamo-emo approach. Obviously this sort of technical and skilled playing with the complex song structure appeals to Prog Metal fans, whereas for other metal fans it sounded pretty confusing.
Japanese hard rock legends Loudness played in Finland for the second year in a row. Last year, the band received a lot of positive feedback from their Jalometalli metal, gig and now was Tuska’s turn witness the Thunder from the East. Loudness opened up with the bands biggest hit and best known song “Crazy Nights”. Although most of the audience are friends of heavier stuff it seemed that the song was well known and widely accepted among people. Maybe “Crazy Nights” can be describes a timeless classic, at least in the Loudness repertoire. The set list included only nine tracks and the classic THUNDER IN THE EAST was present with 4 tracks. The rest set was also from the early 80’s with the exception of “The Sun Will Rise Again” which is the title track of the band’s latest studio-album (2014). Akira Takasaki proved his amazing guitarist skills but honestly it must be said say that Loudness is a bit obsolete band nowadays. Vocalist Minoru Niihara has never been the greatest vocalist on Earth and his singing sounds still barely English at times. The rhythm section of bassist Masayoshi Yamashita and drummer Masayuki Suzuki played tightly but so do countless other bands so that’s not a big news here. This show was purely a nostalgia but there were also unintentional humor that was certainly not intentional. Maybe this band would work much better in different situation, such as intimate club gig where band could play a full 90-minute set, which would include material from the bands entire career.
Crazy Nights Like Hell Heavy Chains We Could Be Together Crazy Doctor In the Mirror The Sun Will Rise Again S.D.I.
Amorphis had announced to celebrate the 20th anniversary of the legendary TALES FROM THE THOUSAND LAKES they would be playing the entire album and some other songs. The gig was kicked off by doing the opening song INTO THE HIDING. Each song from the album got played in the chronological order. The songs sounded bombastic and truly awesome. Most of songs have been played after the album came out or rarely since. The vocalist Tomi Joutsen hit each song perfectly with the true old school death metal style. Especially his death metal vocals fitted to the old Abhorrence tune “Vulgar Necrolatry”. The next songs were the obvious choices such as My Kantele, Better Unborn. The Tales album is one of the most important metal albums in the Finnish metal genre.
When Immortal kind of got drifted into the personal crisis, the frontman of Immortal launched the solo band of his own with his very own name Abbath for obvious reasons. The debut gig of Abbath was carried out at the Tuska Open Air. That was kind of weird as that sort of debut gig could have been expect to happen in his domestic country Norway. Well whetever, the debut show of Abbath at Tuska was a cool event. Abbath kicked the set off by doing the songs of the I project such as Warrior, Battalions. Of course Fenrir Hunts as a new Abbath song was the part of the set. Of course a bunch of Immortal tunes were the essential such as One By One, Nebula Ravens Winter etc. Nice set, but the band could have done more rare jewels from the past, but on the other hand this was an open air festival with the limited playing time, therefore seeing Abbath in a club would be awesome.
In Flames is either liked or disliked nowadays. The older fans don’t appreciate the current modern approach whereas the younger fans seem to be fanatical for the newer style of In Flames. Even though the band divides the opinions they however deliver a good and professional performance. Even though they looked to have more aged in a few years than Gene Simmons in the last two decades, the Swedes managed to pull thru the show. Obviously Anders Friden is used to seeing the crowd surfing, as demanding the crowd to do the surfing cos Friden wanted to smell the crowd. There were some crowd-surfers which the security tried to kick them out. In Flames did a solid professional performance by delivering the 21st century stuff as well as two songs off from Clayman. It is obvious the younger metal generation are obsessed by the newer material. Even though In Flames seems to focus on the modern approach, the five-piece is still a pure live band and in a great way for sure.
Warmen is a fun side project of the keyboard player of Children Of Bodom. However they featured Alex Laiho on the mic for the last two songs and the session COB guitarist in the rank as well. Obviously Warmen should be considered some sort of tongue-in-cheek thing because of Laiho’s manners and all those guest showing up on the stage. The band was having fun and seemed to enjoy the time and joking to each other. Obviously it was time to take a bit relaxed mood for the COB camp to enjoy the flexible and not tight performance.
The Sirens is a project band thing featuring Liv Kristine, Anneke van Giersbergen and Kari Rueslåtten. All these ladies have gained the reputation of their own in various different bands in the past and present.The three female singers shared their duties and songs between them. However, each of these female singers definitely has the loyal fan base of their own with certain fave tunes. This more poppish sounding stuff was quite Listening to their singing was both utter pleasure and grim torture for ears.
Treat Me Like a Lady Vervain Saturnine Death Hymn Stay Image Fearless Push Venus Ride My Wilderness Strange Machines Sisters of the Earth
It wasn’t that long time ago when the offspring of Suicidal Tendencies, Dr. Living Dead debuted at Tuska. The band hasn’t changed any since them, and why would they as the current concept seems to be working more than well. Of course, the mask thing is weird, but the crossover thrash ruled by causing a nice reaction amongst the audience. The circle pit was burning the floor up.
Opeth is tremendously celebrated and popular and enjoys the fanatical following in both amongst the metal fans as well as the progressive rock fans. Even though Opeth is also a tremendously boring live act, but in a way or another they manage to create a touching feeling with the atmospheric hymns and sounds. The frontman Mikael Åkerbelt’s singing has developed a lot and reaches the ethereal feeling with the catchy riffs blasting out of the speakers. Opeth is Opeth, there is no way the band would start venturing into some non-prog rock/metal direction.
Finnish power metal pioneers Stratovarius have encountered many difficulties but nevertheless managed to continue their career successfully. A good indication of this is the band’s previous NEMESIS (2013), album, which is one of the best releases in band’s career. This time the band had no new album to promote but instead they played the bands most important album VISIONS (1997) in it’s entirely. In recent years, many bands have done the same. At least Dio, Iron Maiden, Kiss, Slayer and Accept have already done this in the past. But now it was Stratovarius’s turn. “Forever Free” opened the gig somewhat surprisingly, when it is not the first song on VISIONS. The album’s hit single “Kiss of Judas” was second and it was followed by “Legions”. 10-song-long show ended with the band’s biggest favorite, “Black Diamond,” and then it was over. No encores and other songs. In fact, I’m not such a big fan of shows like this because on every album there are inevitably some filler songs and on the other hand so many great song remain missing. But don’t get me wrong. There was actually nothing wrong with the show and I’m sure that most of the old school Stratovarius fans were pleased. The band sounded great, Timo Kotipelto performed impressively, and Jens Johansson was as crazy as always. But in spite of everything, this gig was nothing more but “quite nice”.
Forever Free The Kiss of Judas Legions Before the Winter The Abyss of Your Eyes Holy Light Paradise Coming Home Visions (Southern Cross) Black Diamond
The legendary king of shock rock doesn’t need much introduction here. Alice Cooper’s outstanding career has lasted almost 50 years already and there’s no end in sight. A man’s next album HOLLYWOOD VAMPIRES, will be out in September and it is his 27th studio album. During the past year and a half, Cooper has been on tour as a special quest for Motley Crue’s final tour. But he’s been playing one off headline shows as well and Tuska show was one of those.
The band opened up with classic Judy Collins cover “Hello Hooray” followed by one of Cooper’s late 80’s hit “House of Fire”. The band looked really great and there was a lot of action on stage which also looked good with all those little details including skulls, monsters and much more. Alice himself was wearing a cool looking black/red striped costume and the rest of the band looked like a bunch of guys from the 80’s Mad Max movie with the exception of female guitarist Nita Strauss who looked just damn good on her tight leather suit. The set continued with old standards “No More Mr. Nice Guy” and “Under My Wheels” followed by “I’ll Bit Your Face Off” which was the only track from Cooper’s previous WELCOME 2 MY NIGHTMARE album. The band played songs from four different decades. “Billion Dollar Babies”, “Hey Stoopid”, “Lost in the America” and “Dirty Diamonds” proved that Cooper has managed to provide high quality material during his entire career.
There is no Alice Cooper show without some stage gimmicks. During the “Welcome To my Nightmare” Cooper bring a giant constrictor on stage. This lucky snake is owned by “Finnish monster” and a huge Cooper fan Mr.Lordi. And of course the snake is called Alice. During “Feed My Frankestein” there was a huge “Frankestein” walking on stage. Of course Alice’s head was cut off with a giant guillotine after he tried to kill a lunatic house nurse on stage. All the classic show elements were present and in fact it didn’t matter that this everything happened in daylight. Musically the band was superb. Cooper himself was just as good as ever. It’s just amazing how Cooper in his mid’ 60’s can still deliver such performance both vocally and performing wise. If you now compare him to almost any other artist at same age you will see the difference. Three guitarists on stage might sound useless idea but it works great as every one of them has a totally different role. Strauss is clearly the main shredder whereas Tommy Henrikssen plays mostly rhythm parts and Ryan Roxie does everything in between. Bassist Chuck “Helvis” Carrick is another strong character on stage and he does a lot of backing vocals. He and drummer Glen Sobel are solid rhythm section and they make a great justice for the songs from all eras of Cooper.
Like said earlier, the set list was a great mix songs from four decades of Alice Cooper’s career. Among the classics my personal highlight was “He’s Back (The Man Behind the Mask). The song is from Cooper’s mid’ 80’s comeback album CONSTRICTOR and it sounded just phenomenal. The only blemish I can complain a bit was the number of cover songs played in the end of set. Maybe just one cover or a medley could have worked better than four full songs although those all were immortal 70’s classics. Beatles’s “Revolution” sounded great but otherwise the cover set was a bit boring to be honest.
The trio of Alice Cooper’s biggest hits closed down the show. “I’m Eighteen”, “Poison” and finally “School’s Out” featuring Michael Monroe were a perfect way to end this over 100 minute spectacle. All in all this show was a great and valuable end for this exquisite weekend.
Hello Hooray House of Fire No More Mr. Nice Guy Under My Wheels I’ll Bite Your Face Off Billion Dollar Babies Lost in America Hey Stoopid Dirty Diamonds Welcome to My Nightmare Go to Hell Wicked Young Man He’s Back (The Man Behind the Mask) Feed My Frankenstein Ballad of Dwight Fry Killer I Love the Dead Break On Through (to the Other Side) Revolution Foxy Lady My Generation I’m Eighteen Poison School’s Out
All in all 25000 metalheads made a visit to the Tuska Open Air festival of 2015. Even though Tuska definitely divides people’s opinions from one side to another side, but the fact is, Tuska will carry on. However, the organization has to find new ideas, but adding some weird reggae hiphop on the list was kind of weird. Metal bands can hardly be seen in hiphop festivals! Overall, it would be superb to have less jokes and worthless crap in the line-up instead more metal and above all serious ones. Tuska should seriously think of having more classic metal bands in the list beside the newer generation of the metal genre. See ya Tuska 2016 !!!
As the impressive lineup of performances and clinics continues to expand, Axes & Anchors music cruise brings another virtuoso on board its inaugural voyage. Shred guitar maestro Marty Friedman has been added to the list of confirmed performers. Marty will be performing two complete sets with his band and will delight attendees with an up-close and personal guitar clinic showcasing some of his legendary techniques. Since the release of his critically acclaimed album “Inferno” — which Guitar World readers voted the “Best Shred Album” of 2014 (Marty was voted “Best Shredder” as well) — he’s toured around the world and next month he will embark on his first American tour in 12 years, which includes his participation on Axes & Anchors in 2016. Now, Marty is ready and excited to take his talents to sea on his first-ever cruise appearance.
“Axes & Anchors is not only the first cruise I`ve ever played on, but it`s the first cruise I`ve ever been on so I`m beyond excited to join in this awesome event!” exclaims Marty Friedman. “Not only am I going to play my ass off, but I`m planning to learn a TON from all the other super players on this trip. How many times do you get to surround yourself with this many amazing guys in one place?! I can`t wait!”
Coming off of the recent announcement of the addition of Breaking Benjamin to headline the inaugural music cruise, as well as the addition of Demon Hunter, Axes & Anchors is the most diverse cruise hitting the sea in 2016. The five days and four nights cruise to Key West and Nassau, Bahamas leaves from Miami on February 20th and will take place on the Carnival Victory. Performances and clinics will be presented by Zakk Wylde, Yngwie Malmsteen, Michael Schenker, Motionless In White, Flyleaf, Thousand Foot Krutch, Alex Skolnick, Tony MacAlpine, Adelitas Way, Randy Rhoads Remembered, Tracii Guns, Rudy Sarzo, Gilby Clarke, Mike Orlando and A Beautiful Disaster, Dario Lorina, Aranda, Black Knight’s Castle featuring Joe Stump, Johnny Monaco, Pamela Moore, Falling Through April, Gabriel Ayala and Headstrum. Cabins can be reserved at www.AxesAndAnchors.com.
The cruise guarantees fans plenty of opportunities for meeting and hanging with their favorite bands on board, including free workshops on topics ranging from guitar and vocals to concert photography to stage clothing construction. 31 workshops are already confirmed and currently listed online with more to be added before Axes & Anchors sets sail in February. Passengers are encouraged to bring their guitars on board for workshops and jam sessions.
All reservations include 4-nights lodging and taxes, all meals, all concerts, all open workshops, a professional photo opportunity with every artist, and more. Current promotions include a $150 per person rebate by paying in full, a special Marty Friedman code for paying passengers (enter reservation code MARTY16) for $100 savings on any booking (may be combined with the paid in full rebate) and the recently announced Stowaway Package, which allows 3rd and 4th passengers in a cabin who are under 21 to cruise for free when accompanied by two paying passengers as long as one is over 25 years old.
Rock fans traveled from around the world and from various parts of the U.S. to be a part of Cathouse Live At Irvine Meadows presented by SiriusXM Hair Nation last Saturday, August 15 at Irvine Meadows Amphitheatre in Southern California. The day-long rock festival celebrated Riki Rachtman’s World Famous Cathouse with band performances on two stages, artist signings, VIP Meet and Greets, a vendor village, a chopper motorcycle show, and go-go dancers.
Cathouse Live featured performances from some of the defining rock artists of the ‘80s and ‘90s, including Gilby Clarke’s All-Star Jam featuring Ace Frehley, Sebastian Bach (ex-Skid Row), Taime Downe (Faster Pussycat), Nuno Bettencourt (Extreme), Phil Lewis (L.A. Guns), Brent Muscat (Sin City Sinners, ex-Faster Pussycat), Chip Z’Nuff (Enuff Z’Nuff), Evan Seinfeld (Attika7, Biohazard), Michael Starr (Steel Panther), and Brent Fitz (Slash featuring Myles Kennedy and the Conspirators).
The lineup also included sets from Extreme, Cinderella’s Tom Keifer, Sebastian Bach, Dokken, Faster Pussycat (including an on-stage reunion with some original band members), Stephen Pearcy (the voice of RATT), Saigon Kick, Gilby Clarke, Dangerous Toys, L.A. Guns, Junkyard, Trixter, Autograph, Black ‘N Blue, Tracii Guns, Enuff Z’Nuff, BulletBoys, Bang Tango, Jetboy, Pretty Boy Floyd, Tuff, Little Caesar, Swamphammer and The Aviators.
The press had lots of praise for the festival, as noted below:
“…with Rachtman’s well-curated killer lineup of Cathouse regulars (Skid Row’s Sebastian Bach, Cinderella’s Tom Keifer, Jetboy, Junkyard, Enuff Z’ Nuff, Gilby Clarke, and of course Faster Pussycat, among others), it was easy to feel transported back in time to the big ’80s era of big riffs and big hair.”
–Lyndsey Parker, Yahoo! Music, August 17, 2015
“…the highlight for many festival goers was the all-star jam that included such star players as Sebastian Bach, Ace Frehley, Gilby Clarke, Evan Seinfeld, Michael Starr, Nuno Bettencourt and Phil Lewis.”
–Chad Childers, Loudwire.com, August 17, 2015
“A love of ’80s hair metal was the only requisite for having a good time Saturday night as fans of all ages descended upon Irvine Meadows for Riki Rachtman’s Cathouse Live.”
–Philip Cosores, Orange County Register, August 16, 2015
“This juxtaposition of bands and music was nothing short of brilliance and we can only hope Rachtman will bring this back again and again to connect more and more fans as well as bring new fans to the world of Cathouse.”
–Laura De Gaetano, Screamer Magazine, August 18, 2015
Here’s some of what Sebastian Bach posted on Instagram about his experience playing at Cathouse Live:
“An open letter to Southern California:
I am still on a high from Saturday’s show at Irvine Meadows Amphitheatre. It’s hard for me to put into words what this day meant to all of us. During our show there were moments when all the lighters were lit up, sorry I mean all the cell phones were lit up, because it’s 2015 now. As far as the eye could see. It’s always a breathtaking, beautiful vibe. The first time I played Irvine Meadows was 1989 with Bon Jovi…At the end of the night [at Cathouse Live] we got to shred ‘Deuce’ w Ace Frehley & the rock n’ roll circle was complete. The crowd packed out the place and made us feel so special we cannot thank you enough. We will never forget Saturday!!!! Thanks to John Reese & Riki Rachtman & the bands & crew for throwing the party!! I only hope we can do it again sometime at the Cathouse LIVE!!! Southern California you made our set a night we will never forget!!!”
Sponsors for Cathouse Live At Irvine Meadows included SiriusXM Hair Nation, Monster Energy, COLDCOCK American Herbal Flavored Whiskey, and The Slidebar Rock-N-Roll Kitchen.
Joel Hoekstra has announced the release of his new melodic hard rock studio album “Dying To Live” from his electrifying new side project, Joel Hoekstra’s 13. Hoekstra is best known to rock fans as the current guitarist for Whitesnake, and also known for his work with Night Ranger, Trans Siberian Orchestra and the show Rock of Ages.
Dying To Live features an all-star cast of rockers including Jeff Scott Soto (vocals), Russell Allen (vocals), Tony Franklin (bass), Vinny Appice (drums), and Derek Sherinian (keyboards), and will be available via Frontiers Music SRL on Friday, October 16th.
Hoekstra took charge of the creative process by handling the production, song writing and arranging (music and lyrics). The end result could best be described as hard, melodic, classic rock that is Dio’ish at its heaviest and Foreigner’ish at its lightest.
“Years ago, I released three solo albums that were mainly instrumental guitar music. I wanted to put something out that showcased my production, writing and playing in the genre that I’m known for, which is melodic, hard rock’’, explains Hoekstra. ‘’That’s when I decided to start what I consider to be my rock side project, Joel Hoekstra’s 13. Dying To Live focuses on struggles, potential pitfalls and the art of overcoming obstacles in life to finally arrive where we are meant to be.’’
Dying To Live was conceived before Hoekstra joined Whitesnake. David Coverdale gave the album his full blessing. “David wants his players to spread their wings and fly and of course be ready to rock when Whitesnake needs them, which obviously won’t be an issue.”
Excited how the new album turned out, Hoekstra is looking forward to the overall reaction from fans and media. “I hope everyone will give it a listen. I feel it showcases my production, writing and playing in the genre I’m best known for thèse days. The line-up of musicians is stellar! I want to thank everyone for any support in advance. Life is good!”
1. Say Goodbye To The Sun
3. Until I Left You
4. Long For The Days
6. Never Say Never
8. The Only Way To Go
9. Dying To Live
10. Start Again
11. What We Believe
12. Kill or Be Killed (Bonus Track digital download)
Joel Hoekstra (Whitesnake) – Guitars, Backing Vocals
Jeff Scott Soto (Journey, Yngwie Malmsteen) – Lead Vocals, Backing Vocals
Russell Allen (Adrenaline Mob, Symphony X) – Lead Vocals, Backing Vocals
Vinny Appice (Black Sabbath, Dio) – Drums
Tony Franklin (The Firm, Blue Murder) – Bass
Special Guest Musicians:
Derek Sherinian (Dream Theater, Black Country Communion) – Keyboards
Chloe Lowery (Trans Siberian Orchestra) – Vocals
Toby Hitchcock (Pride of Lions) – Additional Backing Vocals
Charlie Zeleny (Joe Lynn Turner) – Percussion
Dave Eggar (Amy Lee, Coldplay) – Cello
Picture the scene: a field in south Derbyshire. One moment, quaint and calm; serene, leafy and undisturbed.
But then, as the sun arises to the midday point one cloudless Thursday in august, thousands upon thousands of heavy metal fans swarmed forth out of the woodwork that is England 2015, to attend the twelfth official Bloodstock Festival (11th open air to be exact).
GLENN HUGHES UNVEILS OFFICIAL PHOTO OF NEW BAND FEATURING EX-WHITESNAKE GUITARIST
DOUG ALDRICH AND DRUMMER PONTUS ENGBORG
AUTUMN 2015 UK SOLO TOUR WITH SPECIAL GUEST JARED JAMES NICHOLS
GLENN HUGHES UNVEILS OFFICIAL PHOTO OF NEW BAND FEATURING EX-WHITESNAKE GUITARIST DOUG ALDRICH AND DRUMMER PONTUS ENGBORG. Photo Credit: Gene Kirkland
GLENN HUGHES, nicknamed the ‘Voice of Rock’, has today unveiled an official photo of his new band that he has put together for his European and UK 2015 Solo tour. Glenn is pictured alongside drummer Pontus Engborg (far left) and ex-Whitesnake guitarist Doug Aldrich (far right). The photo is taken by Gene Kirkland.
The band’s UK leg of the European tour stars on October 17th at the Southampton Engine Rooms and ends at London’s Electric Ballroom on November 1st. Special guest on the tour is Jared James Nichols who recently released his critically acclaimed debut album Old Glory & The Wild Revival.
The concerts will showcase highlights from Glenn’s career including Trapeze, Deep Purple, Black Country Communion, California Breed, along with his solo material.
“I felt it was time for me to start touring with my solo band,” says Glenn, who is currently on tour in Brazil. “I called my drummer Pontus Engborg , and guitar player Soren Andersen. Soren had made a contractual commitment to do an autumn Tour in Scandinavia, so I had to find a replacement.
There was only one man on my mind… Doug Aldrich.”
“I’ve known Doug from his time with Ronnie Dio , and of course Whitesnake. Doug played with me on a couple of Purple songs at a festival the night before Ronnie passed away. We had great chemistry , and talked about playing together again, when schedules permitted.
Continues Hughes, “ Doug is a welcome addition to my Band, and is a dear friend , both loving and nurturing , and is a rock phenomenon. I’m beyond grateful to return to a Solo Band touring cycle, that will see me travel across many continents these next 12 months.See you down the front.”
Glenn Hughes is a true original. No other rock musician has carved such a distinctive style blending the finest elements of hard rock, soul and funk. That astonishing voice is Hughes’ calling card. He’s known as a singer’s singer. Stevie Wonder once called Hughes his favorite white singer. “I love my fans, and interact with them online, or at venues on my travels,” says Hughes. “There is no greater high than performing and to reach out to my fans.”
After a 19-year hiatus, raucous rockers UGLY KID JOE are set to return with a new full-length album entitled, Uglier Than They Used Ta Be.
The album, which was recorded at JT Studios and Balance Studios in Louisiana under the helm of producer and UKJ guitarist Dave Fortman (Slipknot, Godsmack, Evanescence), is scheduled for release in North America October 16th via Metalville/UKJ Records.
Whitfield Crane (Vocals) and Klaus Eichstadt (Guitars) teamed up with Sonny Mayo (Guitars), Shannon Larkin (Drums), Zac Morris (Drums), Cordell Crockett (Bass) and Dave Fortman (Guitars) to form the now 7-member line up a.k.a. “Seven Headed Monster” (pictured below) and write and record in the studio. The result is the most cohesive sounding UGLY KID JOE record to date.
The chemistry flows so well throughout this new release, it’s as though they never left. Uglier Than They Used Ta Be boasts a collection of well-crafted rock tunes, from the riff driven ‘Let The Record Play’ to the hard-hitting ‘She’s Already Gone’ and ‘Hell Aint Hard To Find’, the album offers up a collection of some of the best songs ever written by the band.
“It’s a full circle of sorts,” says Crane. “There was a lot of love and talent in one room and that is exactly what this album sounds like.”
Uglier Than They Used Ta Be Tracklisting:
1. Hell Aint Hard To Find
2. Let The Record Play
3. Bad Seed
4. Mirror The Man
5. She’s Already Gone
6. Nothing Ever Changes
7. My Old Man
8. Under The Bottom
9. Ace Of Spades (feat. Phil Campbell of Motörhead)
11. Papa Was A Rolling Stone
In addition to the nine newly written original songs, the album features a couple of cover songs including Rare Earth’s version of ‘Papa Was A Rolling Stone’ with Australian chart-topping vocalist Dallas Frasca lending her unmistakable vocals behind Crane, and the Motörhead classic ‘Ace of Spades’ with a very special guest appearance from Motörhead guitarist Phil Campbell who lends his signature sound to the timeless track. Campbell also appears on the tracks ‘My Old Man’ and ‘Under The Bottom’.
This September the band will head to the UK for an intimate tour finishing with two shows at the Underworld in London.
More on UGLY KID JOE:
Having first garnered success with the song “Everything About You,” which peaked at number three on the Billboard Top 100 Singles chart [enjoying 20 weeks on the charts] and was later used in the movie Wayne’s World, the group’s debut E.P. As Ugly As They Wanna Be sold two million copies making it the highest selling debut E.P. of all time.
The positive response to the band’s live performance of Harry Chapin’s “Cat’s in the Cradle” prompted a studio version and was subsequently released as a well-received single that sold over 500,000 copies in the United States alone and spent 20 weeks on the BB Top 100 Singles chart, peaking at number six.
Legendary U.S. heavy/doom metal band, Pentagram, has teamed up with Noisey to stream its upcoming album, Curious Volume, before it releases this Friday, August 21 on Peaceville. Stream Curious Volume today exclusively at: http://noisey.vice.com/blog/pentagram-new-album-2015.
Featuring 11 classic heavy metal compositions with catchy hooks from core band members Victor Griffin, Greg Turley, and Bobby Liebling (Pete Campbell on the drums completes the band’s line-up), Curious Volume was recorded with Swedish producer Mattias Nilsson at studios located in Maryland and Virginia. Additional recording took place in Tennessee with Grammy-nominated producer, Travis Wyrick, who also produced Pentagram’s previous album, Last Rites. The album’s cover artwork was provided courtesy of Richard Schouten.
1. Lay Down and Die
2. The Tempter Push
3. Dead Bury Dead
4. Earth Flight
5. Walk Alone
6. Curious Volume
8. Close the Casket
10. Devil`s Playground
11. Because I Made It
Pentagram will support the release of Curious Volume with a headlining U.S. tour, set to kick off in Philadelphia, Pa. on September 30. Electric Citizen and Satan’s Satyrs will join Pentagram for the nine city trek. A list of confirmed dates, including a handful of one-off West Coast headliners this month, can be seen below.
Frontman Bobby Liebling commented: “Pentagram is extremely excited about our upcoming tours in the U.S. and Europe this fall. We all are itching to perform some of our songs off of our new album Curious Volume for you. We feel that they fit well within the other heavy numbers from the bands near 45 year history. Of course, the set is packed with the classics you know and love and ones that you may not even expect. Bring your earplugs; we are going to blow off the roof with our curious volume!”
Formed in the early 1970s with a debut album Relentless releasing in 1985, Pentagram has survived through more than four decades filled with adversity and triumph to become the legendary international act it is today, firmly stamping its name into the heavy metal history books. Although once viewed as a cult act but with a strong and dedicated global fan base, Pentagram has enjoyed a recent surge in popularity due in part to the 2011 documentary, Last Days Here, which follows the trials and tribulations of a troubled rock star, Pentagram’s lead singer Bobby Liebling. With a DVD release set for this fall on Peaceville’s label, the documentary has garnered international recognition on the film festival circuit and has won several awards, including “Best Music Documentary” at the International Documentary Film Festival in Amsterdam.
The band recently released its double DVD collection, All Your Sins, featuring over 7 hours of live footage spanning a period of three decades.
Stay tuned for more information on Pentagram and Curious Volume, out this week on Peaceville.
8/26 – Seattle, WA @ Neumos
8/27 – Portland, OR @ Dante’s
8/28 – San Francisco, CA @ The Chapel
8/29 – Santa Cruz, CA @ The Catalyst
Pentagram w/ Electric Citizen, Satan’s Satyrs…
9/30 – Philadelphia, PA @ Underground Arts
10/01 – Providence, RI @ The Met
10/02 – Amityville, NY @ Revolution
10/03 – Washington, DC @ Rock N Roll Hotel
10/06 – New York, NY @ Saint Vitus
10/07 – Pittsburgh, PA @ Mr Smalls
10/09 – Chicago, IL @ The Abbey
10/10 – Grand Rapids, MI @ Pyramid Scheme
10/11 – Cleveland, OH @ Grog Shop
Bobby Liebling – vocals
Victor Griffin – guitar
Greg Turley – bass
Pete Campbell – drums
The 6th Annual GWAR B-Q was held this weekend in beautiful Richmond, Virginia. All Bohabs lucky enough to survive the event are in agreement; this was the best GWAR B-Q ever! Fans from across the globe made their way to Hadad’s Lake in Richmond to celebrate the 30th Birthday of intergalactic shock rock giants….GWAR!
The 3-day weekend of destruction and debauchery started off at The National with the B4BQ, featuring blistering performances from Coal Chamber, Fear Factory and every band from The Summer Slaughter Tour. After the show, hundreds of Bohabs kept the party going at GWAR’s own watering hole, the one and only GWARbar!
The weekend’s main event took place on Saturday, August 15th, under crystal clear skies at Hadad’s Lake. The water was cool, and the Oderus Ale was flowing like hot, delicious piss! In an uncharacteristic act of compassion, our Lords and Masters offered free GWATER to the delirious, heat stroking Bohabs, and this was no Woodstock…there were more than enough chemical toilets for all the pee pee and poo poo!
Riding high on the momentum from The GWAR B-Q, the Intergalactic Overlords are set to hit the road next week. The tour begins August 25th in Millvale, PA and ends September 19th in Toronto. Support on the tour will come from Butcher Babies and label-mates Battlecross, and this run will see the band playing all three Riot Fest dates (Denver, Chicago, Toronto) and the Befuddled Fest in New Albany, IL. Tickets for these dates are on sale now!
Following their appearance at the final Riot Fest in Toronto, GWAR will return to their arctic slumber for less than a month before they return to finish the desecration of the North American continent. This time, the band will be joined by Born of Osiris and once again their friends in Battlecross. This leg of the tour kicks off October 7th in Cincinnati, OH and wraps up November 28th in Orlando, FL. For the Canadian dates on the tour direct support will come from Cryptopsy. More dates will be added in the coming weeks, so don’t worry if your Intergalactic rock gods have yet to announce a date in your town. Tickets for these Fall shows go on sale Friday August 21st, but if you are a member of the GWAR Fan Club, you can get your tickets starting today direct from your Overlords at a reduced ticket processing fee by clicking the logo below or visiting gwar.missiontix.com.
GWAR promises an all new show that cannot be missed. All human scum are commanded to attend each and every show of the tour! So tell your bosses, spouses and screaming rug rats to suck it! Dedicate your life to GWAR!
The band is keeping the gory details of the show tightly under wraps, but guitarist Pustulus Maximus seems hell bent on leaking some information about what to expect…
“I have yet to grasp this concept of the internet and the spouting of self-important speeches by people in social media; the INTERNET MUST DIE, so GWAR will KILL IT!. Management tells me the internet is not a person that can be fought and killed, but they don’t know the true power of a Scumdog. WE KILL EVERYTHING!”
GWAR w/Butcher Babies and Battlecross
8/25: Millvale, PA @ Mr. Smalls Theater
8/27: Des Moines, IA @ Wooly’s
8/28: Lincoln, NE @ Bourbon Theater
8/29: Denver, CO @ Riot Fest*
8/30: Lawrence, KS @ Granada
8/31: Tulsa, OK @ Cain’s Ballroom
9/1: San Antonio, TX @ Alamo City Music Hall
9/2: Baton Rouge, LA @ Varsity Theater
9/3: Mobile, AL @ Soul Kitchen
9/4: Birmingham, AL @ Iron City
9/5: New Albany, IN @ Rustic Frog – Befuddled Fest*
9/6: Winston-Salem, NC @ Ziggys
9/8: Wilmington, NC @ Ziggys By the Sea
9/9: Jacksonville, FL @ Freebird Live
9/10: Chattanooga, TN @ Track 29
9/11: Sauget, IL @ Pop’s
9/12: Chicago, IL @ Riot Fest*
9/14: Poughkeepsie, NY @ The Chance
9/15: So. Burlington, VT @ Higher Ground
9/16: Reading, PA @ Reverb
9/17: Huntington, NY @ The Paramount
9/18: Rochester, NY @ Water Street Music Hall
9/19: Toronto, ON @ Riot Fest*
GWAR W/ Born of Osiris and Battlecross:
10/7: Cincinnati, OH @ Bogarts
10/8: Milwaukee, WI @ The Rave
10/9: Minneapolis, MN @ The Cabooze
10/10: Winnipeg, MB @ Garrick Centre
10/12: Saskatoon, SK @ O’Brian’s Event Centre
10/13: Calgary, AB @ MacEwan Ballroom
10/14: Edmonton, AB @ Union Hall
10/16: Vancouver, BC @ Commodore Ballroom
10/17: Spokane, WA @ Knitting Factory
10/18: Boise, ID @ Knitting Factory
10/19: Portland, OR @ Roseland Theater
10/20: Seattle, WA @ Showbox SODO
10/23: Las Vegas, NV @ Fremont Country Club
10/24: San Bernardino, CA @ KnotFest*
10/25: San Francisco, CA @ The Regency Ballroom
10/26: Reno, NV @ Knitting Factory
10/28: Tempe, AZ @ The Marquee
10/29: Albuquerque, NM @ Sunshine Theater
11/2: Urbana, IL @ Canopy Club
11/4: Grand Rapids, MI @ Orbit Room
11/5: Indianapolis, IN @ The Vogue
11/6: Detroit, MI @ Harpo’s
11/7: Buffalo, NY @ The Town Ballroom
11/8: Cleveland, OH @ Agora Theater
11/9: Washington, DC @ 9:30 Club
11/11: Norfolk, VA @ The Norva
11/12: Philadelphia, PA @ Electric Factory
11/13: New Haven, CT @ Toad’s Place
11/14: Worcester, MA @ The Palladium
11/17: Asheville, NC @ The Orange Peel
11/18: Nashville, TN @ Exit/In
11/19: New Orleans, LA @ House of Blues
11/20: Dallas, TX @ Gas Monkey Live
11/21: Houston, TX @ Houston Whatever Fest*
11/25: Atlanta, GA @ The Masquerade
11/27: Ft. Lauderdale, FL @ Revolution
11/28: Orlando, FL @ Venue 578
**Cryptopsy Providing Direct Support
Lahaina, Hawaii – Faith No More have posted a live video for the song, “Sunny Side Up” as the band announces a Sept. 3 performance on Jimmy Kimmel Live.
The “Sunny Side Up” clip was filmed at The Fillmore in Detroit on May 8.
Faith No More recently wrapped up four months of international tour dates following the release of their first album in eighteen years, Sol Invictus. The album debuted at #6 on the Billboard Top Albums chart with numerous top ten entries across the globe (including #2 in Australia, #4 in Germany and #6 in the UK).
Faith No More tour dates:
September 6 Seattle, WA Bumbershoot
September 8 Denver, CO Red Rock Amphitheatre
September 11 Chicago, IL Riot Fest
September 15 Guacima, Costa Rica Parque Viva
September 18 Bogota, Columbia Royal Center
September 20 Buenos Aires, Argentina Luna Park
September 24 Sao Paulo, Brazil Escpaco Das Americas
September 25 Rio de Janeiro, Brazil Rock in Rio
September 27 Santiago, Chile Get Louder
John Gallagher (Raven) has recorded lead vocals on A SOUND OF THUNDER’s covers of “Space Truckin'”(DEEP PURPLE) and “Icaurs – Borne on Wings of Steel”(KANSAS). Both tracks are exclusively available via A Sound of Thunder’s current Kickstarter campaign which runs through August 17th. Previews of both tracks are streaming on the band’s Soundcloud page here.
Gallagher commented on the guest spots: “It was my pleasure to be invited to be a part of the A SOUND OF THUNDER project. I chose to do one I’d actually never heard by Kansas (an amazing band that I’m catching up on), and an old fave by Deep Purple. Hope you like ’em!!!!!”
A SOUND OF THUNDER recently announced its new album Tales from the Deadside with a Kickstarter campaign that reached full funding in under 24 hours. The full-length concept album is based on Valiant Entertainment’s SHADOWMAN comic book series. The album was recorded at Assembly Line Studios with RIAA-platinum awarded producer Kevin ‘131’ Gutierrez (Shinedown, While Heaven Wept, Raven). Tales from the Deadside is set for release on September 25th. The Kickstarter campaign runs through August 17th and features many exclusive items including colored vinyl, picture discs, t-shirts, and digital bonus tracks featuring additional guest musicians yet to be announced.
“The story of Shadowman, his alter-ego Jack Boniface, and the many characters in his world inspired us to create what we believe is our best album to date,” said A SOUND OF THUNDER guitarist Josh Schwartz. “We let the story lead us to places our music has never been before, combining all the elements of supernatural horror, drama, action and adventure found in the comics. Of course everything has gone through our own unique Thunderous filter, and all the familiar ASOT elements will be there. Shadowman’s harrowing journey demanded no less!”
A Sound of Thunder was formed in Washington, DC in 2009. Their most recent album “The Lesser Key of Solomon” was released on September 9th, 2014 via Mad Neptune Records and debuted at #43 on the Billboard Heatseekers Albums chart.
RAVEN’s latest album “ExtermiNation” was released in April on SPV/Steamhammer Records. The album was recorded at Assembly Line Studios with engineer Kevin ‘131’ Gutierrez and landed at #53 on the Billboard Hard Music chart and #190 on the Billboard Independent Albums chart.