- Vivaldi Metal Project signs with Pride & Joy Music label; album is to be released in May 2016 (Nov 30, 2015)
- GUS G Launches New Music Video Featuring Elize Ryd (Amaranthe) On Vocals (Nov 27, 2015)
- Steve Vai, Billy Sheehan and Gregg Bissonette 'Eat 'Em and Smile' 30th Anniversary Show (Nov 25, 2015)
- (Nov 24, 2015)
- The WIZARDS OF WINTER Holiday Tour Experience Begins! (Nov 22, 2015)
- Leaves' Eyes - Interview With Liv Kristine @ Islington Academy (Nov 27, 2015)
- Diabulus In Musica - Interview With Zuberoa Aznárez (Nov 26, 2015)
- Undersmile - Interview with the band @ Damnation Festival (Nov 23, 2015)
- The Wounded Kings - Interview with Steve Mills @ Damnation Festival (Nov 23, 2015)
- Lost Society - BrainDead- listening party at Sonic Studios Helsinki (Nov 21, 2015)
- Anti-Flag - Nosturi Helsinki Finland (Dec 1, 2015)
- Jalometalli 2015 (Dec 1, 2015)
- Pentagram, The Order of Israfel, and Mower @ Sound Control, Manchester (Nov 30, 2015)
- Leaves' Eyes @ Islington Academy, London (Nov 25, 2015)
- Act Of Defiance on 'Friday the 13th' of November, 2015 in Brooklyn NYC. (Nov 24, 2015)
Gus G We Are The Fire Sweden Tour 2015 – European leg w/ guest vocalists Tara Teresa, Jeff Scott Soto w/ support at Kulturbolaget Malmo, Sweden
Tags: DREAM EVIL, Eclipse, Firewind, Gus G., Henning Basse, I AM THE FIRE, JEFF SCOTT SOTO, John Nunez, KB, Kulturbolaget, Ozzy Osbourne, Reach, Tara Teresa, We Are The Fire Sweden Tour 2015
Posted in 2015, Concert Reviews | Comments (0)
Known for being a member of MANOWAR between 1988 and 1994, DAVID SHANKLE remains a world renowned super shred guitarist and instructor for all true metal fans – as heard by the upcoming third full-length offering by his band, DSG, titled ‘STILL A WARRIOR.’ To be released on April 24th in Germany and April 28th worldwide via Pure Steel Records, the ten-track album is sure to please long-time fans of the fleet-fingered talents of Shankle.
“I’m very happy to say that I feel this is the best DSG record to date,” says Shankle. “I also feel this is the best DSG band out of all three of them so far. I’m very proud of everyone of these guys great job they did on the record.” Joining Shankle in DSG are vocalist Warren Halvarson, bassist Mike Streicher, and drummer Gabriel Anthony. “With new singer Warren Halvarson, new bass player Mike Streicher, and our new drummer Gabriel Anthony, this is by far the BEST line up to date.”
For 13 years, Shankle has been enjoying a solo career, as evidenced by the two albums, ‘Ashes To Ashes’ (2003) and ‘Hellborn’ (2007). And ‘Still A Warrior’ does not disappoint, as it features both metallic anthems (the title track) and instrumentals (“The Hitman”) with such guest artists as Michael Angelo Batio, Joe Stump, and Parker Lundgren from QUEENSRYCHE. Also, the “Demonic Solo” (from the movie ‘Jezebeth’) is being hailed as one of the fastest guitar solos in the world.
Shankle: “I think the new DSG record, ‘Still A Warrior,’ is a combination of the best from the ‘Ashes to Ashes’ and ‘Hellborn’ CD’s. A lot of great melodic vocals and full neo-classical shred guitar in your face.” ‘Still A Warrior’ confirms: friends of US metal with a classical shred guitar influences will completely be satisfied by their old hero again!
‘STILL A WARRIOR’ TRACK LISTING:
1. Still A Warrior
3. Glimpse Of Tomorrow
4. Demonic Solo (From the movie Jezebeth)
5. Fuel For The Fire
6. Eye To Eye
7. The Hitman (instrumental)
8. Suffer In Silence (Agenda 21)
9. Into The Darkness
10. Across The Line
Here is the link to the Still A Warrior song single available on iTunes:
Burning Point signs with AFM Records / new song snippet available!
Finnish power metallers BURNING POINT have signed with AFM Records. Being an active part of the European power metal scene for the last 15 years, the band around mastermind/guitarist Pete Ahonen has added former Battle Beast vocalist Nitte Valo to the group’s ranks in 2014 and is set to release their new album soon. Exact details will be announced soon.
Ahonen comments: “To me AFM Records has always been a label of quality releases and the words can’t describe of how happy and excited I and we are to be a part of the AFM family! It has been very clear from the start that they have a heart full of fire and huge load of enthusiasm towards the bands in their roster. I have to say that first time in YEARS we (label and the band) work as a TEAM.”
A first song snippet (re-recorded 2015 version of the band’s track “All The Madness”) is available for streaming here:
AEROSMITH: April 2015 Marks 40th Anniversary Of ‘Toys In The Attic’, Band To Embark On ‘Blue Army Tour’
With AEROSMITH set for another massive summer tour, the iconic and pioneering band has one more reason to celebrate in 2015: the 40th anniversary of the release of their landmark album TOYS IN THE ATTIC. Released April 8, 1975 , the album was AEROSMITH’s third release, becoming an eight-time platinum album and yielding such immortal tracks as “Walk This Way” and “Sweet Emotion.”
Critical support for the album included:
Gordon Fletcher’s Rolling Stone album review (7/31/1975) noted: “a five-piece Boston hard-rock band with almost unlimited potential…Aerosmith can be very good…and material like ‘Walk This Way,’ ‘Sweet Emotion’ and the title cut adequately proves this…”
Robert Christgau gave the album a B+ review for Consumer Guide saying, “These boys are learning a trade in record time…Tyler has a gift for the dirty line as well as the dirty look–anybody who can hook a song called ‘Adam’s Apple’ around the phrase ‘love at first bite’ deserves to rehabilitate a blue blues like ‘Big Ten Inch Record.’”
All Music Guide’s Stephen Thomas Erlewine added: “The success of the album derives from a combination of an increased sense of songwriting skills and purpose. Not only does Joe Perry turn out indelible riffs like ‘Walk This Way,’ ‘Toys in the Attic”…but Steven Tyler has fully embraced sleaziness as his artistic muse. Taking his cue from the old dirty blues ‘Big Ten Inch Record,’ Tyler writes with a gleeful impishness about sex throughout Toys in the Attic , whether it’s the teenage heavy petting of ‘Walk This Way,’ the promiscuous ‘Sweet Emotion,’ or the double-entendres of ‘Uncle Salty’ and ‘Adam’s Apple.’ The rest of Aerosmith, led by Perry’s dirty, exaggerated riffing, provide an appropriately greasy backing. Before Toys in the Attic, no other hard rock band sounded like this…Aerosmith was a gritty, street-wise hard rock band who played their blues as blooze and were in it for a good time; Toys in the Attic crystallizes that attitude.”
Highlights from a VH1.COM (4/7/15) piece entitled “‘Toys in the Attic’ Turns 40: Ranking The Songs On Aerosmith’s Classic Album,” include: “You See Me Crying,” on which “rhythm guitarist Brad Whitford…cascades luscious licks atop the song’s crescendo, turning its closing moments–as well as the album’s–into a breathless rush of, indeed, sweet emotion.” On “Round and Round,” Joey Kramer’s “initial climbing drums that collapse into a cosmic stomp,” while “‘Sweet Emotion’ seems to float up out of a desert heat-storm, powered by Tom Hamilton’s looping bass-line…” And on “Walk This Way”: “Joey Kramer’s stuttering kick-off drumbeats on ‘Walk This Way’ blow open a path for Joe Perry’s guitar riff, which is arguably his most famous and inarguably one of the most perfect in all of rock.” The title track is “a tsunami of [Whitford’s] guitar and [Kramer’s] drums and [Hamilton’s] bass that somehow go backward and forward at the same time.”
Beyond the critical acclaim TOYS IN THE ATTIC generated, musicians have honored the work–which reached #11 on the Billboard album charts–by covering a variety of the album’s tracks. Most notably, “Walk This Way,” a 1986 Billboard Top 4 single collaboration with Run–D.M.C. and a pivotal song in the burgeoning rock-rap genre, featured TYLER (on co-lead vocals) and PERRY (guitar). The track went on to become an international hit and earned both groups a Soul Train Music Award for Best Rap-Single (1987). In 1999, AEROSMITH and Run–D.M.C. teamed up again to perform the song, this time with Kid Rock at the MTV Video Music Awards. A few years later, AEROSMITH again performed the song–accompanied by NSYNC, Britney Spears, Mary J. Blige, and Nelly–to an international viewing audience as part of the Super Bowl XXXV halftime show (January 2001). Additional accolades for “Walk This Way” include inclusions in: The Rock and Roll Hall of Fame’s 500 Songs that Shaped Rock and Roll; Rolling Stone ranked the original version of “Walk This Way” at #346 on their list of the 500 Greatest Songs of All Time, while the version with Run–D.M.C. is ranked at #293; “VH1: 100 Greatest Rock Songs” included “Walk This Way” at #35 (2000); Q magazine placed it at #23 in its list of the 100 Greatest Guitar Tracks (2005); Rolling Stone ranked the original version of “Walk This Way” at #34 on their list of the 100 Greatest Guitar Songs of All Time (2008); VH1’s “100 Greatest Hard Rock Songs” included “Walk This Way” at #8 and VH1 ranked the version with Run–D.M.C. at #4 on VH1 100 Greatest Hip Hop Songs (2009).
Other recorded covers from TOYS IN THE ATTIC include R.E.M.’s 1986 version of “Toys in the Attic,” a B-side to “Fall on Me”; the track also appears on the band’s Dead Letter Office, as well as the 1993 reissue of Life’s Rich Pageant; The String Cheese Incident’s take on “Walk This Way” appears on the jam/bluegrass band’s 1997 self-titled live album A String Cheese Incident; and Boston ska band The Mighty Mighty Bosstones included “Sweet Emotion” on their EP Where’d You Go? Other cover versions include Leo Kottke and Mike Gordon, The Answer, Warrant and Ratt on “Sweet Emotion”; Velvet Revolver on “No More No More”; and Sum 41 along with rappers Ja Rule and Nelly on “Walk This Way.”
Up next for AEROSMITH, beginning June 13, the band will return to the road with their “Blue Army Tour 2015.” The trek will take the band’s all original members–Steven Tyler, Joe Perry, Joey Kramer, Tom Hamilton, and Brad Whitford–to 15 cities before concluding in Grand Rapids, MI on Tuesday, August 4. Immediately following the tour, AEROSMITH will perform on Friday, August 7 at Tom Benson Hall of Fame Stadium in Canton, Ohio for the Pro Football Hall of Fame’s first-ever Concert for Legends. The concert–part of the 2015 Pro Football Hall of Fame Enshrinement Festival–will pay tribute to the legends of the game on the eve of the Enshrinement for the Class of 2015.
For more information, check out the following sites:
A stunning video preview of “…And Justice For Art” book has been released. Pre-orders for limited second edition are now available.
According to Morbid Angel’s legendary bassist/vocalist, David Vincent, the book …And Justice For Art: Stories About Heavy Metal Album Covers is set to become “a historical document about the importance of Metal album covers.” This volume is a one-of-a-kind collection of stories that recount for the first time, all the particulars behind the making of artworks as iconic as SLAYER’s “Reign In Blood”, MORBID ANGEL’s “Blessed Are The Sick”, METALLICA’s “…And Justice For All”, MOTORHEAD’s “Orgasmatron”, DEATH’s “Symbolic”, ANTHRAX’s “Among The Living”, CARCASS’ “Heartwork”, TESTAMENT’s “Dark Roots Of Earth”, OPETH’s “Heritage”, AT THE GATES’ “Slaughter Of The Soul,” VAN HALEN’s “1984” and many others.
Watch a detailed video preview of the book here: https://www.youtube.com/watch?v=PjHdQGDkunQ
The book is officially available on April 15. Amazingly, the pre-sales for the first edition sold out in less than 10 days. Because of this, author Ramon ‘Oscuro’ Martos (who writes for MetalUnderground.com, This Is Metal Magazine, and PureGrainAudio.com, etc.) and co-publisher, Dark Canvas, decided to launch a second edition of 300 additional copies that are now available for pre-order via Big Cartel at: http://andjusticeforart.bigcartel.com/product/and-justice-for-art-stories-about-heavy-metal-album-covers
Martos spent more than three years researching and interviewing more than 100 established and underground Metal bands for the book as well as renowned visual artists like Travis Smith, Eliran Kantor, Paul Raymond Gregory, Arik Roper, and Joe Petagno, among others.
The book’s foreword was written by Morbid Angel’s David Vincent. It features more than 400 graphics (some of them never seen before) and 264 glossy, color pages. It was printed thanks to a successful Indiegogo crowd-funding campaign that Martos launched last year raising 236% of its original goal. And Justice For Art is also scheduled to be one of the main attractions of the Rock & Metal Gallery at the UK’s famous Bloodstock Open Air in August 2015.
Several personalities of the Metal scene have already given praises to the book. For example, Cattle Decapitation’s vocalist, Travis Ryan, affirmed that this volume is “exactly what the music world needs to remind us all just how important album covers have been to all of us that grew up surrounding ourselves with physical media.” Obituary’s drummer, Donald Tardy, declared: “I think this book will help to keep alive all these artworks.” In addition, While Heaven Wepts’s guitarist, Tom Phillips, commented that “And Justice For Art delves far deeper into the behind-the-scenes stories than any other art books that I’m aware of. I have no doubt it will become an important document for musicologists in years to come.”
For more details visit www.andjusticeforart.com.
It was with heavy hearts that Twisted Sister said goodbye to their drummer A.J. Pero, who passed away on March 20.
Today, Twisted Sister members Dee Snider (vocals), Jay Jay French (guitar), Eddie Ojeda (guitar), and Mark “The Animal” Mendoza (bass), have announced that world renowned drummer Mike Portnoy (Dream Theater, Adrenaline Mob, Winery Dogs) is the replacement for their brother A.J. Pero for all shows this year.
To honor Pero’s memory, two shows will take place on the east coast and west coast. The first, on May 30th at the Hard Rock Hotel and Casino in Las Vegas, will be filmed for broadcast, DVD, and CD. The second, for the A.J. Pero family, is scheduled on Saturday, June 13 at The Starland Ballroom in Sayreville, NJ.
Additionally, fulfilling all concert obligations that have been made for the remainder of 2015 (in several different countries), Twisted Sister want their fans to know all festival dates that they have been advertised as playing will happen.
Finally, Twisted Sister has made it official that 2016 will formally close the touring chapter of their illustrious and legendary career. The “Forty and F*ck It” farewell shows celebrates the band’s 40th anniversary with the core line-up of Snider, French, Ojeda and Mendoza.
Interview with Petri Lindroos of Ensiferum
Interviewed on March 21 2015 @ O2 Islington, London
by Demitri Levantis
Finland’s folk metal force Ensiferum dropped by London’s O2 Islington Academy on Tuesday 24 March to promote their sixth album, One Man Army. I caught up with their vocalist/ guitarist Petri Lindroos to discuss the album, upcoming shows, touring and the state of the metal world and the music industry today.
with Omnium Gatherum and Insomnium
O2 Academy, Islington, London
March 21 2015
Review by Demitri Levantis
Photos by Michelle Murphy
The masters of Epic Folk Metal flew in from Finland to promote their sixth studio album One Man Army on Tuesday 21 March.
From Hell’s Heart: Best Metal Concept Albums
Concept albums are something many serious listeners geek out over. When the music, lyrics, and spoken word/movie-like sections all blend seamlessly, it can be a magical immersive experience.
We asked our staff to give us their top 5 selections and some thoughts on them. Check out the results below.
Faith No More, who release their highly anticipated album Sol Invictus on May 19, return to North America for a late summer tour, kicking off on July 26 in Austin.
The announcement arrives as the band is about to embark on their first North American outing since 2010, with all dates sold out along the three-week trek that starts April 15 in Vancouver. Faith No More will play The Tonight Show on May 13, marking the Bay Area band’s first late night TV performance since 1995.
Sol Invictus physical pre-order bundles, including limited edition vinyl, are available now via http://solinvictus.kungfustore.com in North America and http://faithnomore.firebrandstores.com in Europe. Digital pre-orders, featuring instant downloads of “Motherf***er” and “Superhero” available here: http://geni.us/2L7x.
July 26 Austin, TX Austin Music Hall
July 27 Dallas, TX South Side Ballroom
July 28 Houston, TX Bayou Music Center
July 30 Atlanta, GA Masquerade Music Park
July 31 Raleigh, NC Red Hat Amphitheater
August 1 Philadelphia, PA Mann Center for the Performing Arts
August 2 Columbia, MD Merriweather Post Pavilion
August 4 Boston, MA Blue Hills Bank Pavilion
August 5 New York, NY Madison Square Garden
August 7 Toronto, ON Ricoh Coliseum
Refused support July 30 to August 7. Tickets are on-sale this Friday, April 10 at 10 am local time.
Complete Faith No More tour dates:
April 15 Vancouver, BC PNE Forum #
April 16 Seattle, WA Paramount Theater #
April 17 Portland, OR Keller Auditorium #
April 19 San Francisco, CA Warfield ##
April 20 San Francisco, CA Warfield ###
April 22 Los Angeles, CA The Wiltern *
April 23 Los Angeles, CA The Wiltern **
April 24 Los Angeles, CA The Wiltern * * *
April 25 Santa Ana, CA The Observatory
May 7 Chicago, IL Concord Music Hall +
May 8 Detroit, MI The Fillmore +
May 9 Toronto, ON Sony Centre for the Performing Arts +
May 11 Boston, MA Orpheum Theatre +
May 13 New York, NY Webster Hall +
May 14 New York, NY Webster Hall +
May 15 Philadelphia, PA Electric Factory +
May 29 Gelsenkirchen, Germany Rock Im Revier
May 31 Munich, Germany Rockavaria Festival
June 2 Milan, Italy Sonisphere
June 4 Vienna, Austria Vienna Rocks Festival
June 5 Hradec Kralove, Czech Republic Rock For People Festival
June 6 Berlin, Germany Zitadelle Spandau
June 8 Krakow, Poland Tauron Arena
June 10 Bratislava, Slovakia Aegon Arena
June 12 Landgraaf, Netherlands Pinkpop Festival
June 13 Donington, UK Download Festival
June 20 Clisson, France Hellfest
June 21 Dessel, Belgium Graspop Festival
June 23 Hamburg, Germany Sporthalle Hamburg
June 26 Norrkoping, Sweden Bravalla Festival
June 27 Seinajoki, Finland Provinssi
June 28 Odense, Denmark Tinderbox
July 26 Austin, TX Austin Music Hall
July 27 Dallas, TX South Side Ballroom
July 28 Houston, TX Bayou Music Center
July 30 Atlanta, GA Masquerade Music Park ++
July 31 Raleigh, NC Red Hat Amphitheater ++
August 1 Philadelphia, PA Mann Center for the Performing Arts ++
August 2 Columbia, MD Merriweather Post Pavilion ++
August 4 Boston, MA Blue Hills Bank Pavilion ++
August 5 New York, NY Madison Square Garden ++
August 7 Toronto, ON Ricoh Coliseum ++
August 7 – 9 Montreal, QC Heavy Montreal
Sept. 25 Rio de Janeiro, Brazil Rock in Rio
North American support:
# – Christeene
## – La Plebe
### – Frightwig
** – The Urinals
*** – Flatbush
+ – Le Butcherettes
++ – Refused
Corrosion of Conformity
The 24th of March 2015
Nosturi, Helsinki, Finland
REVIEW AND PHOTOS BY ARTO LEHTINEN AND MARKO SYRJALA
Corrosion Of Conformity known as C.O.C got activated a few years back as a three piece and released one album. However the outfit has outspoken admitted keeping the doors open for Pepper Keenan’s return to C.O.C. Due to the insane schedule of Down, the return had to be waited until now. C.O.C embarked on the European tour with Pepper on the ship. Originally C.O.C with Pepper Keenan on the fold was supposed to open for Motorhead back in 2006, but the devastating hurricane Katrine rampaged the life of the C.O.C guys. However it took some years until C.O.C got to Finland with Pepper as the last time they supported Metallica in the mid 90’s.
Despite the club wasn’t even sold out, which is truly pity, that didn’t prevent C.O.C from creating the groove full filled night with a plenty of killer tunes from the Keenan era. However the four piece turned out to be in a helluva good strike as well as shape. Another interesting aspect to be paid attention to was the audience being more middle aged than young hungry metal stoner rock fans. Quite shocking…
The nearly 90 minute set proved the four piece hasn’t lost any inch what comes to the hybrid of heaviness and groove sounding stoner rock metal. C.O.C literally blasted the stoner groove full filled set. The whole set was based on the Pepper Keenan era as none of those songs from the first hard core influenced albums was played, nor from the latest self titled album. The audience had indeed entered to see Keenan in action and hear those tune from that era. His role and character as the front man for C.O.C is definitely highly appreciated amongst the fans. As for the set list in general, the set consisted of songs of the essential albums such as “Albatross”, “Seven Days” and “Vote With A Bullet”. The most eccentric thing C.O.C had agreed to play two songs from the IN THE ARMS OF GOD as the founding member and drummer of C.O.C Reed Mullin wasn’t involved on the album. The sounds were murderous heavy and were rolling over the audience. Pepper sounded great and literally had a dominating grip on the audience. Mike Dean and Woody Weatherman brought to lay the need pieces to the sounds of C.O.C and of course drummer Mullin beat the drums with the intensive groove touch.
C.O.C delivered the heavy and above all great show with the great songs from the Pepper era. The four piece sounded strong and tight. Hopefully C.O.C will make to Finland sooner than another 17 years with Pepper as a frontman.
These Shrouded Temples…
King of the Rotten
Heaven’s Not Overflowing
Long Whip/Big America
Vote With a Bullet
Who’s Got the Fire
Clean My Wounds
The “ultimate hesher” blend has been produced by Chicago-based Dark Matter Coffee to mark the 35th anniversary of Judas Priest’s British Steel album and goes on sale April 14 via Dark Matter’s website and its three Chicago coffee shops.
“Instantly recognizable for their peerless attack, the fuel for this inexorable juggernaut must be both ebullient and unremitting. The brewed crude sparkles cup after cup, sin after sin. Death to False Coffee,” gushes the press release.”
“The coffee and cassette combo will be unleashed via this web page, and our three Chicago retail locations. Each bag of British Steel coffee will come with an old school cassette, featuring “Grinder” and “Snakebite”. (While supplies last.) Stay tuned for more details as we get closer to the release date.”
For more information, visit www.darkmattercoffee.com.
We have not yet seen the actual lawsuit papers, and thus cannot comment on the substance of the lawsuit brought against GWAR by Dave Brockie’s father, William Brockie, but we can say that the claims in the Style Weekly article are false. We did not steal Dave Brockie’s ashes, or anything else that belonged to him. In fact, all of the items mentioned in the article, including Dave’s ashes have been available to his attorneys for weeks. At all times, and under very trying circumstances, we have acted in good faith to honor the wishes of our dear friend. Dave left no will or instructions for final arrangements, and so we have done the best we could to honor what we believe Dave Brockie would have wanted.
The accusation concerning Dave’s ashes is particularly troubling for us. Following Dave’s passing, the first thing we did was notify his father, who signed over Dave’s body so we could have him cremated. We were told by Dave’s father that he did not want to be involved in making Dave’s final arrangements. For this reason, Slave Pit assumed that responsibility, paying for his cremation, arranging two memorial services (one public and one private), and purchasing a plot for Dave in Richmond’s famed Hollywood Cemetery. Dave’s father did not attend either of the services held for his son in Richmond.
Over 30 years of working and living with Dave, several of us had heard him say that he wished for his ashes to be kept at Slave Pit, so he could “keep an eye on GWAR” while we worked. In the weeks following his death, we developed a plan for a memorial fund that would raise money to honor Dave’s memory with a statue in Hollywood Cemetery and work to continue his passionate support of the arts. We felt strongly that a portion of his remains should live at the site of his proposed monument in Hollywood Cemetery. When William Brockie later approached us, we released a portion of the ashes at his request, so he could spread them in the location where Dave’s brother and mother’s ashes were dispersed.
Concerning the other allegations in the article, there was certainly no effort on the part of anyone in GWAR, including drummer Brad Roberts, to steal or hide Dave’s belongings and personal effects either from his home or office. Dave, like the rest of GWAR, was paid upfront for his final leg of touring with GWAR. The claim that we failed to pay his share of royalties from Slave Pit Inc. is false, and we have the records to prove that. We have been in correspondence with William Brockie and his lawyers for months. They have access to the band’s financial records, and Dave’s payments and share of royalties are clearly recorded. Likewise, William Brockie’s attorneys have an itemized list of the small collection of Dave’s art and belongings at Slave Pit. There was never an attempt on the part of Slave Pit to withhold these items from William Brockie. When his attorneys finally identified the particular things they wanted, we made arrangements to return them immediately. Dave’s remains, as well as his belongings, including the instruments and the gold record mentioned in the article were given to our lawyers, who in turn notified the Brockie estate that they could retrieve them weeks ago.
The Dave Brockie Fund did indeed raise money toward our initial goal of building a monument to Dave in Hollywood Cemetery. Unfortunately, its mission has been put on hold because William Brockie’s attorneys claim that the Brockie estate should have control of the Dave Brockie Fund and the money contained therein. If we are ultimately unable to use the funds for the purpose for which they are raised, the funds will be returned to all contributing donors.
Finally, our manager, Jack Flanagan has been unjustly accused of signing a bogus release. At the request of our attorneys, he signed some paperwork to make his position clear on what he thought Dave would have wanted, which is something that the law of Virginia specifically asks for, given Jack’s relationship with the band and with Dave. There is nothing bogus about this.
Dave Brockie was our friend, peer, co-worker, and our family. We want to preserve the legacy of one of the greatest singers in rock and roll history. There is no “conspiracy,” no bad faith, no theft, no graft, and no ill will. We trust our fans will see through this, and we will be able to get back to work on the one thing we all know Dave Brockie loved; GWAR.
Metal United Down Under (MUDU) has recruited promoters from all 8 Australian states and territories to join for a united night of Metal on 10 October 2015.
Sydney, 6 April 2015 – From Hobart to Darwin and Perth to Brisbane, Metal will again spread over Australia under the MUDU banner. 19 promoters in 16 cities have joined the MUDU project which tops last year’s MUDU when 13 cities in 7 states/territories participated. The promoters organized shows with a total of 90 Australian metal bands. This huge event now promises to get even bigger with more cities and the 100 band mark should be reached comfortably.
Here’s the latest news from Quebec City round and the Quebec Final Line Up taking place in Montreal..
QUEBEC CITY ROUND (one and only) from April 4, 2015 @ L’Agitee, 251 Rue Dorchester
WINNER – NORDHEIM www.facebook.com/pages/Nordheim/230922264635
Event Link: https://www.facebook.com/events/435297319953107/
Lee Whiskey – MUTANK (2014 WMBC Winners)
Paul Zinay – Blackguard
Alain Gagnon – Capitale du Metal
Francois “Blastbeat” Fortin – Producer / Drummer
Marc Andre Gingras “MAG” – ex-guitarist for Quo Vadis and guitar teacher to CEGEP students
EPIPHANY FROM THE ABYSS www.facebook.com/epiphanyfromtheabyssqc
FEELS LIKE HOME www.facebook.com/feelslikehomeband
SUDDEN FLAMES www.facebook.com/pages/Suddenflames/182848391856
LA CORRIVEAU www.facebook.com/pages/La-Corriveau/326581294154
QUEBEC FINAL (Montreal vs Quebec City) taking place in Montreal on April 23, 2015 @ Katcombes, 1635 Boulevard Saint-Laurent
Event Link: https://www.facebook.com/events/316905555181858/
Sanguine Glacialis (Montreal)
Mad Parish (Montreal)
Nordheim (Quebec City)