De La Cruz just posted the following on their Facebook page;
As many of you may have noticed, De La Cruz is no longer active. We’ve decided to part ways and move onto new projects. We apologise for keeping you in the dark through the start of 2014, but we hope you understand that this hasn’t been an easy decision for us to make. We want to thank everyone for their support over the last few years. We’ve had an absolute blast and owe all our success to you. Right now we’re going to have a beer, and raise our glasses to all you De La fans worldwide. You’ll always be the raddest fucks around. We’re going to keep the page open to promote new projects from members past and present, as well as share some music from our mate’s bands that we’re particularly fond of. Later! – DE LA CRUZ
The frontman Oderus Urungus aka Dave Brockie has reportedly been found dead. Oderus Urungus died at the age of 50. The management of Gwar will be making an official statement regarding the passing of Oderus Urungus aka Dave Brockie later today.
“I wish it was a joke,” says former band member Chris Bopst, a music writer for Style. “Everyone is in shock.”
“Dave was one of the funniest, smartest, most creative and energetic persons I’ve known,” former Gwar bassist Mike Bishop says. “He was brash sometimes, always crass, irreverent, he was hilarious in every way. But he was also deeply intelligent and interested in life, history, politics and art.”
“His penchant for scatological humors belied a lucid wit. He was a criminally underrated lyricist and hard rock vocalist, one of the best, ever! A great front man, a great painter, writer, he was also a hell of a bass guitarist. I loved him. He was capable of great empathy and had a real sense of justice.”
When your band’s called Crowbar, The Garage seems like quite an apt venue. It could also work for the likes of Tool, Nine Inch Nails… Hammerfall… and a mechanic/handyman line that’s dying on its ass. Unlike tonight’s gig. See arrive at doors and the place looks dead with tickets still changing hands; give it an hour or two and there’s barely room to swing a crowbar without caving someone’s head in. Which might be the only way you’ll get to the bar.
“I’m not sure what the fuck is going on here with these lights!” laughs Bobby, as we board the Overkill tour bus, which does appear to be operating some pulsing disco light setting. “This is like day one for me. I dunno if it bothers you or not – I feel like I’m doing a porn!” He laughs again.
Hang the lights. We got things to discuss. Especially as given that Overkill’s forthcoming new album has been delayed, and with it the rest of the European tour, we’re lucky we’re here at all. With the band about to take in a handful of dates throughout the UK, including a headline spot at Hammerfest, we grab a few moments of frontman Bobby ‘Blitz’ Ellsworth’s, one of heavy metal’s nicest guys, time to talk about the new record (It was probably the hardest one to make for me…), the music industry (But for some reason there’s always a want for this stuff. There’s always a need….), seizing opportunities (You know take that chance and if you can and succeed more times than fail you can string days into years and into decades…), and pie…
(Raven, Pentagram, Deathrow, The Hounds Of Hasselvander, Blue Cheer etc…etc…)
Joe Hasselvander is a real metal drummer icon and has been rocking since 1965 in various bands. Above all Raven and Pentagram have both carved immortal marks on his long career. Therefore it was about time for this Metal-Rules.com journalist to sit down and talk to the true hard working musician who definitely lives up to his legendary status in metal and rock in every aspect.
Not Just Tits in a Corset: Celebrating Women in Metal
What first inspired you to write a book about Women in Metal?
JHK: I used to run an online magazine called USA Progressive Music. I interviewed many progressive rock and metal musicians. I started to get more and more interested in interviewing female metal musicians and felt like my magazine was not the right outlet for that because of its focus on prog, so I sold the site to one of my contributing writers. I thought maybe I’d just start another website and focus on interviews of female metal musicians and reviews of female-fronted bands’ albums, but there were already sites like that. What I noticed was that there weren’t really any book publications on the topic so this was a good opportunity. Women are very under-represented in heavy metal anthologies and it was time to give them a voice and celebrate the achievements they have made thus far in the metal genre.
I noticed that this was an independent publication. Did you shop the idea around to publishers or choose to go independent from the very beginning?
JHK: At first I was considering pursuing a book publisher, and even reached out to one that seemed interested in the book topic (this was before the manuscript was written), but I needed to work at my own pace and I wanted creative control over the process so I decided to self-publish for the first edition. I would consider re-releasing it with a publisher in the future, though.
I love the title. It’s strong and potentially controversial, just like lots of Metal music. How did you come up with the title? Did you have any reservations about the name, or second thoughts before committing to it? Have you had any negative comments about the title yet?
JHK: I came up with the title late at night brainstorming with a friend of mine. It is outrageous but I love it. I do get negative comments about the title. People have thought I am being demeaning. Not at all the case. I wanted it to be catchy and controversial, but I also think it captures the essence of my book. Women in metal unfortunately have their tits (and other “assets”) as the focus way more than their music ability. I have no regrets making that the title except maybe at times when radio stations can’t say the full title. I use “Celebrating Women in Metal”, the subtitle, when I talk about it in more conservative environments. I have many people say they love the title and they started using the hash tag #NotJustTitsinaCorset instead of #CelebratingWomeninMetal. It is getting people’s attention, that’s for sure!
As a family person, mother and busy professional what was your writing routine like? Many late nights or working away on the lap-top when you had time?
JHK: I telecommute for my job (rather than work in an office) so it’s much easier for me to balance it all. I would work on my book during my down time during the day, and yes, very late at night, too. That’s why it took me so long to write this book. I did have to take about a year off because I had a slightly difficult pregnancy in 2013 and had no energy to work on the book after I already put in 8+ hours for my day job. This book should have been finished by Fall 2013 but that was around when my daughter was born so I was not able to complete it until February 2014.
Were there any exciting bands that you discovered through your research?
JHK: I think that this book allowed me to explore some of the “older” bands that I researched that I might not have been as familiar with because I didn’t really get into metal into later in life. The festivals I attended (Flight of the Valkryies and Metal Female Voices Festival) definitely exposed me to some of the lesser known bands such as Cassandra Syndrome, Flames of Fury, A Sound of Thunder, Valkryie, Lahannya, etc. and even some of the bigger names like Amberian Dawn, Diabulus in Musica, Arkona, and Benedictum.
In your book you mentioned you travelled while writing your book? Where did you go and who did you talk to?
JHK: Yes, I traveled a lot to local concerts to interview women and to take photos at concerts, but I also took two trips to Europe for the book. I went to Belgium to the Metal Female Voices Festival to take photos of all the bands performing in 2012, and I was able to interview Lisa Middelhauve and Manuela Kraller while I was there (the other ladies at the festival I had interviewed prior to coming to the festival). Then I went to Netherlands/Belgium again the next month and was able to attend Within Temptation’s 15th anniversary Elements show, take photos at a metal charity concert where Stream of Passion, Autumn, Kingfisher Sky, Sin7Sins and others were playing, and interview Charlotte Wessels (Delain) in her hometown. I also went to the Flight of the Valkyries festival in Baltimore in 2010 and 2011 and interviewed many of those women such as Angelica Vargas, Chelsea Knaack, Melissa Ferlaak, and Irene Jericho.
What were some of the more inspiring interviews for the book?
JHK: It was really great to hear a lot of the stories from the women who were there from the beginning such as Doro Pesch, Ann Boleyn, Linda McDonald, Roxy Petrucci, Addie Lee, Sandy Sledge, Leather Leone, Betsy Bitch, etc. They had such great stories and inspiration because they have been doing this for so long! They truly have seen the “evolution” of women in metal. Sitting down in person with Lita Ford was amazing. She’s such an inspiration for so many women, not only because she was in one of the first all-female rock bands but she also had a successful metal career in the ‘80s, and she is not just a singer but also a guitarist. There were many women who also gave really great interviews and had some inspiring stories to tell. My favorite was Charlotte Wessels of Delain. Not only did she have some good ‘adversity’ stories to tell, but also she is a gender studies major so she had some really great psychological insight to share. It ended up being more of an intellectual conversation rather than what felt like an interview for a book.
The next couple of questions are tough but fair. I noticed there were at least half a dozen major female artists not represented in your book. Were there any artists that you wanted to talk to but just could not reach?
JHK: It’s absolutely fair to criticize who is in the book and who is not. I had my ‘wish list’ of whom I wanted to interview. It was not possible to interview everyone for many reasons. 1) They were not available to be interviewed. 2) Either the artist or their management did not want them to be interviewed for the book and 3) I could not possibly include everyone because of time and space. The book otherwise would have been 500+ pages but I did not want to make it that long and I could not spend 10 years making this book. Instead I included a cross-section of women who I thought represented the metal community well, and told their stories. It is not meant to be an encyclopedia about EVERY woman in metal.
In a related note, were there any artists who just did not want to be involved or declined to be interviewed?
JHK: There were 3 people whose management declined the invitation for me to interview their artist: Joan Jett, Amy Lee (Evanescence), and Jill Janus (Huntress). I figure it’s their loss, not mine. Many others who were not included just did not make themselves available or I could not reach them.
With so many artists worthy of inclusion was it hard to decide who to include and who did not make the cut?
JHK: Yes, but I tried to be as comprehensive as possible and include women from all subgenres of metal. I have to admit it may be a bit heavier on the traditional heavy metal and symphonic metal side, but probably because I am more familiar with those subgenres. I tried to do a lot of surveys on the forums I frequent and the book’s facebook page to find out who people wanted me to include in the book. If I was able to interview those people, I did. But of course you can’t make everyone happy!
Despite the recent massive (and welcome) increase of women participating in Metal in all areas and genres, the total number of women in Metal bands still hovers at less than 3%. Why do think that is?
JHK: Maybe not enough interest in performing in the genre. Maybe some are fearful of the scene since it is so testosterone-heavy. I am hoping this book will inspire other women to get involved and not be afraid to be in bands or work behind the scenes.
In your opinion what is the largest barrier to entry into the world of being a professional Metal musician/performer? How can people help eliminate that barrier? Conversely should there even be a stated goal or threshold or should the genre evolve organically unit there is gender equity, in terms of number of people participating and making music?
I think the biggest barrier is the criticism and comments that come from metal fans towards women. So often you see derogatory and sexist comments on the Web towards anything that has to do with women in metal. I think if women were accepted more they would be willing to perform metal music. You have to have a thick skin to be a female metal musician. I don’t think there should be a stated goal. I hate goals/thresholds. I think if everyone would just be accepting and encouraging then those numbers would naturally increase. But I also don’t want the metal genre to be saturated with people who think they can make music. You need talent to back it up.
Back to the book, were you involved with the lay-out, editing and design? What is your proudest moment of the project?
JHK: For the most part it was a DIY (do-it-yourself) project. I did hire a research assistant (Bobbie Dickerson) to help me prepare for interviews and some content for the book. I also hired a professional writer/editor (Heather Leah Huddleston) to help me proofread the book. And the book cover design was done by Gustavo Sazes who is known for his album artwork for bands such as Arch Enemy, Amaranthe, Firewind, Angra, James Labrie, Stream of Passion, etc. Although I took many of the photos in the book, there were other photographers who also contributed photos, either through the artists or directly. Tim Tronckoe, Sako Tumi and Michelle Feingold were some of the biggest contributors. Definitely the proudest moment was the moment I finished that last proof and was able to upload it to the printer’s site. It was a big sigh of relief that after 4 years it was finally done!
I really like how you focused on women in the industry as well. With so many powerful and dynamic personalities working behind the scene, how did you choose to spotlight. It must have been a tough choice!
JHK: It was really who I knew personally, who was recommended to me by others, and who was available/willing that helped me choose who was included in that section of the book. There were SO many others I could have interviewed for that chapter but I wanted to keep it brief and also show a cross-section of different roles available to women to do behind the scenes.
Do you have any advice for aspiring writers and journalists who are interested in working in Metal?
JHK: I think in chapter 7 of my book there is much better advice from others than I could ever give, but the biggest thing I’ve learned over the past decade of doing music journalism is to be professional. You can be a fan after your work is done. But don’t ask for an autograph or photograph with the artist until later. And don’t act like a groupie and linger on the tour bus. Be casual, friendly, and if they want to hang out, that’s fine but don’t be a nuisance. I’ve seen so many times, both males and females, be more of a fanboy/girl than a professional journalist. Also be courteous in the photo pit. We’re all there for the same reasons (to promote metal music) so don’t hog the best spot or push people out of your way.
New York based; The Cringe might not be familiar to most people, but the band members are not unknown to the scene or media, as they have made their mark in acts such as Mr. Bungle, Sheryl Crow and Bruce Springsteen.
The band is going on tour with sleazy rockers, Steel Panther, in the UK and has no intention of stealing the hair metal-thunder from their colleagues.
OVERKILL’s highly anticipated new album, White Devil Armory, is due to be released worldwide in July. In North America it will be released by eOne Music and in Europe through Nuclear Blast Records. The album was tracked at Gear Recording and will be mixed by Greg Reely, who also worked on 2012′s “The Electric Age”.
The tracklist is as follows:
‘Where There’s Smoke…’
‘Down To The Bone’
‘King Of The Rat Bastards’
‘Another Day To Die’
‘It’s All Yours’
‘In The Name’
Denver thrashers HAVOK today announce their first headlining tour of Canada. Dates are set to commence June 5th and will see the band journey through north western Canada, making their way east with a final stop in St John’s, Newfoundland on July 4th. The tour will be the final leg of the their world tour in support of the band’s latest album, Unnatural Selection. Support on this trek of the great white north will come from North Carolina death metal titans Wretched (Victory Records).
Unnatural Selection, the band’s third full-length album for Candlelight Records, was produced by guitarist David Sanchez and mixed by Terry Date (Pantera, Overkill, Deftones). The album features original artwork from Polish illustrator Rafal Wechterowicz (Slayer, Mastodon) and was mastered by James Murphy (Testament, Death, Lazarus AD).
For a full list of dates visit the band’s official Facebook page HERE.
HAVOK, called “the finest thrash band in existence” by PopDose, released their full-length debut, Burn, in 2009. Time Is Up would follow in 2011. “HAVOK have hit their stride,” said Decibel Magazine. “HAVOK is everything that is great about thrash,” added Terrorizer. Confirmed HAVOK dates at press time are included below
6/5 Fort Collins, CO @ Aggie Theatre
6/6 Denver, CO @ Marquis Theater
6/7 Colorado Springs, CO @ Black Sheep
6/8 Grand Junction, CO @ Mesa Theater
6/9 Salt Lake City, UT @ Burt’ s Tiki Lounge
6/10 Boise, Idaho @ Shredder
6/11 Portland, OR @ Branx
6/12 Seattle, WA @ Studio Seven
6/13 Vancouver, BC @ Rickshaw Theater
6/14 Calgary, AB @ Palomino Smokehouse and Social Club
6/15 Ryley, AB @ Farmageddon Open Air
6/17 Red Deer, AB @ The Vat Pub
6/18 Saskatoon, SK @ O’Brians Event Centre
6/19 Regina, SK @ The Exchange
6/20 Brandon, MB @ North Hill Inn
6/21 Winnipeg, MB @ The Zoo Cabaret
6/22 Thunder Bay, ON @ Crock’s
6/24 Sault Ste. Marie, ON @ Canadian Nightclub
6/25 Toronto, ON @ El Mocambo
6/26 Ottawa, ON @ Maverick’s
6/27 Montreal, QC @ Petit Campus
6/28 Trois-Rivieres, QC @ Rock Cafe Le Stage
6/29 Quebec City, QC @ L’ Agitee
7/2 Halifax, NS @ Michael’s ** HAVOK ONLY **
7/4 St John’s, NL @ The Rock House ** HAVOK ONLY **
HAVOK is guitarist/vocalist David Sanchez, bassist Mike Leon, guitarist Reece Scruggs, and drummer Pete Webber. The band uses/endorses ESP Guitars, Charvel Guitars, EMG Pickups, Ernie Ball, Peavy Amplification, EVH Amplification, Pearl Drums, Trick Drums, and Sabian Cymbals.
Smokin’ Valves: A Headbanger’s Guide To 900 NWOBHM Records
Taking cue from the do-it-yourself attitude of their country’s punk movement, Britain’s up-and-coming heavy metal bands that comprised the New Wave of British Heavy Metal (NWOBHM) were not content to wait for record labels to come knocking. Instead, they took to issuing their own music, typically in the form of 7 inch singles but also 12s and full-length album, many indie, some on small labels, and some on the major labels smart enough to get on board (essentially EMI and MCA).
Martin Popoff, author of 45 books on heavy metal (and at 7900, writer of more record reviews than anybody in history across all genres), has undertaken the task of documenting virtually every record large and wee from heavy metal’s most fabled period (beginning essentially in ‘79 with a hard stop at 1983) providing catalogue information, mini reviews as only he can do, plus a gob of thumbnails of those wonderful 7” picture sleeves and LP covers.
Note: the lion’s share of the material in Smokin’ Valves: A Headbanger’s Guide To 900 NWOBHM Records combines rewritten and expanded text from Martin’s long out-of-print The New Wave Of British Heavy Metal Singles plus the relevant reviews of full-length albums from his Collector’s Guide series, specifically the ‘70s and ‘80s book. These reviews have also experienced judicious editing and rewrites.
- includes a few hundred rare 45 picture sleeve and album cover images
- every record rated out of 10
- layout designed so that albums are distinguished from 7”, 10” and 12” singles/EPs by larger, bolder typestyle
- label, year of release and catalogue number for almost every entry
- two appendices, displaying all 9’s and 10’s for singles as opposed to LPs
Final note, one thing I like about an experience like this book in the internet age, hopefully the idea is that you will read some of these glowing 8 to 10 rated reviews of hopelessly obscure singles you ain’t never going to get alerted to otherwise, and then check out if they can be heard and enjoyed on youtube (many of them can!), so you can decide for yourself, or begin some sort of whacky digital collection of this stuff to park in yer metal library. In that respect, I’m just being a DJ that instead of talking, types. Price including shipping:
US orders: $35.00 US funds
Int’l orders (air mail): $44.00 US funds
Canadian orders: $37.00 Cdn. funds
PayPal happily accepted! Direct funds to firstname.lastname@example.org or just ask if you want a proper PayPal invoice. easy enuff. Book will be signed by me to YOU unless otherwise request. Gals, take note (long story).
Or… send payment to (personal check in US funds, cash, or INTERNATIONAL money order):
P.O. Box 65208, 358 Danforth Ave.
Toronto, Ontario, Canada M4K 2Z2
Email me at email@example.com with any further questions, and see www.martinpopoff.com for descriptions, covers and ordering info for my other available 30 or so books. Nice savings on shipping can be had if you take a few things, and as you know, I’m always good for swingin’ a deal for two books or more. Just email me for a quote. If ya wanna catch up, the six Ye Olde Metals are still available.
Metallica posted official footage of “The Lords of Summer” live debut via the band’s official YouTube channel:
The band debuted a brand new song on Sunday night (March 16) during the opening show of the band’s South American tour in Bogota, Colombia. As promised, the band played a nearly all-request set, with 17 songs chosen online by fans prior to the gig and the last slot filled by the new track.
DECEPTION started out in 2012 by making the debut EP called “Break the silence”. It was released on March 9th 2013, and we were quite overwhelmed with the positive response and critics we received.
DECEPTION was formed during the process of making the “Break the silence”-EP. Peter (guitars), Markus (drums) and Fredrik (bass) started to jam some ideas at the rehearsal room and later hooked up with Daniel (singer) and Oscar (guitars).
In the writing process Peter and Fredrik found it easy to complement each others musical backgrounds and songwriting skills to create an original sound. When “Break the silence”-EP was done we still had a lot of material left. We decided to record yet another EP to really establish the DECEPTION-sound.
Our second EP, named “Altars of sin”, will be released april 5th 2014 through Big Balls Productions, and the very same night we´ll be performing live at Nöjesfabriken in our hometown. “Altars of sin” contains four songs, and we´re all eager to show our new material to the world. We´re also proud and happy to have a special guest performing on the “Altars of sin” EP. Anders Björler is known from two big Swedish pioneers in the genre of metal, “The Haunted” and “At the Gates”. Anders is playing the first of two killer solos in the song called “Our Damnation”.
In October 2014 Deception will travel overseas for a Mexico & US tour. We got the opportunity to do this tour via our management, and we are of course looking forward to it. The tour will contain approximately seven shows in twelve days covering Mexico City, Monterrey, Saltillo, Los Angeles and Anaheim. Read the rest of this entry »
Leviathan Records Worldwide has just released the new CHASTAIN video “Evil Awaits Us” from the band’s new CD “Surrender To No One.” This marks the first music video from CHASTAIN with Leather Leone on vocals since the classic “For Those Who Dare” video from 1990!
The video was filmed on 3 different continents. David T. Chastain explains, “With the band scattered around the world it took us a little more time than we would have liked but in the end it does justice to the story.” Joining David and Leather on the video are original bassist Mike Skimmerhorn and new drummer Stian Kristoffersen. There is also a special appearance by Metal internet sensation Ladyevil. David states “Ladyevil brings her beauty to go with the beast of CHASTAIN. Her transformation from innocence to evil as she moves through the supposedly haunted mansion is exactly what the lyrics foretell. I was told the ghosts were out and about during her video shoot in Brazil!”
Leather adds the final words, “I am so excited to be back out doing the things I love. Seeing myself in another CHASTAIN video was something I thought would never happen again! Thanks to all the fans who have helped make ‘Surrender To No One’ such a success and make me feel wanted again in the world of Metal.”
If you haven’t heard much about English thrashers Shrapnel – not to be confused with the dozen or so former or active metal/hard rock bands around the world who also bear that name – fear not. Because chances are you soon will – like, for instance, here! After forming on 2009, the Norwich-based quintet have flown somewhat under the radar, playing sporadic shows – though with such higher-profile bands as Sepultura, Death Angel, Chthonic, Turisas and Exodus – around England and self-releasing a pair of EPs.
With the second EP, 2010’s The Devastation To Come, however, the band hooked up with acclaimed producer Russ Russell and took a big step forward. On the strength of that, they signed on with Candlelight Records last year and recorded their proper debut full-length, The Virus Conspires, which was released in February.
Despite their obvious old-school thrash proclivities and youthful exuberance, Shrapnel boasts a mature, viciously infectious sound on the debut that is bolstered once again by Russell’s smart, brash production. The album has been earning raves since its release, and rightfully so, and bigger and better things could certainly be ahead for the band.
In an e-mail interview, guitarist Chris Martin offered the following about one of England’s most promising new metal bands.