Guitarist Jay Parmar celebrates 35 years of Legendary Guitarist George Lynch’s monster guitar playing with an impressive exhibition of electrifying and provocative guitar wizardry. Not to mention, the Axe eye-candy is to die for…
Legendary Guitarist George Lynch is best known for his work with the heavy metal band Dokken and his band Lynch Mob. Lynch is considered to be one of the most influential and famous 80’s metal guitarists. He is known for his unique playing style and sound. He is ranked #47 on “100 Greatest Guitarists of All Time” by Guitar World magazine and is also ranked #10 on “Top 10 Metal Guitarists of All Time”
As the Guitar Guru recalls, “the idea came to me one day of doing a video compilation of Mr. Scary’s music … I wanted to tie-it-in with my weekly YouTube show “Lynch Lycks”, where I teach how to play in the style of George Lynch. It’s a skill that I have acquired over the 27 years I have played and I want to share that with the many guitarists who want to learn that style. So, I listed every original studio album George has done, took a favorite clip of one song from each LP and then recorded the audio and video – so it’s a historic account of George’s 35 Years. I had an absolutely amazing time creating it and I’m super pleased with it! I had an absolutely amazing time creating it. It’s a real privilege to have had to opportunity to do this and I’m super pleased… by the same toke, I got to play pretty much every guitar that I own, especially my collection of ESPs and the guitars I build, Spirit Dance Guitars, and of course showcase the Randall Amp (I am a Randall endorse)!”
My GOAL is to get this video out to as many people as possible!!! Please enjoy the entertainment…
As well as being a solo artist, Jay has worked and recorded with a variety of bands and musicians over the years, including Eden’s Curse, Iron Knights and The Inner Road. Jay works from his studio, Sacred Sound, in East Sussex, UK, where he writes, records, engineers, produces, and teaches.
As part of the build up to the release of Faith No More’s We Care A Lot reissue (Aug. 19, Koolarrow Records), watch new, rare footage (audio and video by Chris Husband) of Faith No More performing ‘The Jungle’ live from 1986 at The i-Beam in San Francisco:
The footage and track are included on the album reissue, and the track is also now available (as well as “We Care A Lot” and “As The Worm Turns’) as instant downloads on the iTunes pre-order link: http://geni.us/WeCareALotDigital
“This was an album that started as a demo, before any label had any interest in us,” explained Faith No More bass player Bill Gould. “There were a couple of reasons we decided to release this now: first of all, it’s been 20 years since it has been commercially available. Secondly, when cleaning out my basement, I discovered the original master reels, and we all thought that resurrecting this from the original tapes would be a great way to reintroduce We Care A Lot into the world. Lastly, this has been a band effort; we are releasing this in the same way as we recorded it, deciding everything amongst ourselves and getting our hands deep into the nuts and bolts… just like we used to.”
The original 10-song album, remastered by Maor Appelbaum via the original reels Gould eluded to, is enhanced with nine bonus tracks including demo versions (taken from the original 8-track tapes) of “Greed,” “Mark Bowen,” “Arabian Disco” and “Intro,” live versions of “The Jungle” and “New Beginnings” and new mixes, via Matt Wallace, of “We Care A Lot,” “Pills for Breakfast” and “As The Worm Turns.” Liner notes from keyboard player Roddy Bottum and behind-the-scenes photos will be included with the physical release. We Care A Lot (Deluxe Band Edition) is available now for pre-order on CD (http://hyperurl.co/WeCareALotCD), digital (http://geni.us/WeCareALotDigital) and vinyl (http://hyperurl.co/WeCareALotLP).
We Care A Lot arrived in November 1985 via Maximum RocknRoll editor Ruth Schwartz’s Mordam Records. The seminal album, boasting the timeless title track, which can still be heard daily on radio stations worldwide, confounded music fans and critics alike. As Pitchfork said in a 2015 article dubbed “The Misunderstanding of Faith No More,” the unpredictable and hard-to-define band “had radically altered the parameters of popular music years before the fabled alternative revolution.” Rolling Stone called it a “raw punk album” while Select Magazine dubbed it “a lustful marriage of mutoid metal and dance floor verve.”
“When strangers ask what Faith No More is I’ve always said, ‘well, it’s kind of an art band…’ I say that mostly to distance us from the hard rock world that we’re often times lumped into. I mean, hard rock, sure, that was part of it, but our roots most definitely and pointedly stem from a specific freakout art time and place in San Francisco, a time that no longer exists. In 1982, the hippies mingled with the punks, the artists hung out with the musicians, the dance people and the punks were one and the Satanists and the sexual pioneers… all part of the same scene,” Bottum explains, colorfully setting the scene for the original inspiration for the band and We Care A Lot. “That weird SF window provided a platform from which we were free to express and cultivate a really uniquely odd sound experience. In Los Angeles, no one really cared much, but SF was always super supportive, encouraging us, directly and not, to get our collective freak on.”
“We felt like it was time to take the next step,” adds drummer Mike Bordin. “We raised as much money as we were able and booked time at Prairie Sun Studios just north of San Francisco. I can’t remember how long it took us to record the album, but not a lot, maybe a few days. The songs were sharp from having played most of them at various shows. Very stripped down, basic as could be. The place was on a farm in chicken country (Petaluma). Hard work, but a ton of fun too.”
We Care A Lot (Deluxe Band Edition) track list:
1. We Care A Lot
2. The Jungle
3. Mark Bowen
5. Why Do You Bother
7. Pills for Breakfast
8. As The Worm Turns
9. Arabian Disco
10. New Beginnings
11. We Care A Lot – 2016 Mix
12. Pills for Breakfast – 2016 Mix
13. As The Worm Turns – 2016 Mix
14. Greed – Original Demo
15. Mark Bowen – Original Demo
16. Arabian Disco – Original Demo
17. Intro – Original Demo
18. The Jungle – I-Beam, SF, 1986
19. New Beginnings – I-Beam, SF, 1986
Western Canadian ‘Conductor of Storms Tour’ presented by PureGrainAudio Debut Album ‘Conductor of Storms’ Out Aug 26th
Photo Credit – Kevin Eisenlord: L-R – Eric Wesa (Bass/Backup Vocals), Ross Collingwood (Drums), Liam Collingwood (Vocals), Gary Cordsen (Lead Guitar), Brett Gibbs (Rhythm Guitar)
Influenced by legends such as Iron Maiden, Megadeth, Accept and Metal Church, Chilliwack’s heavy metallers MEDEVIL are set to unleash their debut full length ‘Conductor of Storms’ on August 26th. The Canadian metal scene has been anticipating this release since the band placed in the top 6 during the 2015 Wacken Metal Battle Canada competition where they won over many fans with their self described ‘power thrash’ full of blistering fast riffs, strong choruses and front man Liam Collingwood’s impressive vocals (you can swear is Udo Dirkschneider from a distance).
Teaming up with Metal-Rules.com, MEDEVIL is proud to premiere their second single ‘The Angel of Rain’ streaming here:
MEDEVIL will also will be hitting the road this coming August and September for their Western Canadian tour presented by PureGrainAudio.com.
‘Conductor of Storms’ Western Canada Tour presented by PureGrainAudio: http://www.medevilmusic.com/tour-schedule Aug 25 – Vancouver, BC – The Media Club – info
Aug 26 – Victoria, BC – The Copper Owl – info
Aug 27 – Nanaimo, BC – The Cambie – info
Aug 28 – Chilliwack, BC – Main Street Night Club – info
Sept 5 – Kelowna, BC – Muninn’s Post
Sept 8 – Calgary, AB – Verns – info
Sept 9 – Edmonton, AB – DV8 – info
Thanks to Emil Westerdahl at Inner Wound Recordings for setting up the interview. Thanks to Inner Wound Recordings for the promo pictures of the band.
From Finland comes Ravenia, a symphonic/film-score metal (according to them) act that released their debut album BEYOND THE WALLS OF DEATH at the end of April 2016. When I listened to the album I thought it sounded like the soundtrack to a fantasy movie and was nothing like I’d ever heard before. That woke up my curiosity and I decided to get to know more about the band by contacting singer Armi Päivinen to ask if she’d like to conduct an interview. Besides the usual instrumental line up, the band also contains a string section which feels really unusual for a metal act. Armi and I talked about the album, the future for the band as well as their label, Inner Wound Records. If you want to have a somewhat unexpected musical experience then check out Ravenia. The review of BEYOND THE WALLS OF DEATH is also available on Metal-Rules.com.
Frontiers Music Srl is pleased to present CRY OF DAWN, a new melodic rock/AOR project featuring Göran Edman on all lead vocals. The self-titled debut album will be released on September 23rd.
Over the years, Göran Edman’s unique vocal style has been showcased in numerous genres including neoclassic metal, progressive rock, and AOR, just to name a few. His vocal stylings can be found on records by John Norum, Yngwie Malmsteen, Brazen Abbot, and Glory, among others.
CRY OF DAWN is Goran Edman’s latest musical adventure: a straight ahead AOR / melodic rock album which highlights his amazing vocal abilities on superb songs written especially for him by the likes of Michael Palace (Palace, First Signal, Kryptonite), Steve Newman, Alessandro Del Vecchio, Sören Kronkvist, Daniel Palmqvist and Robert Säll among others.
“It’s been a privilege to work with all these good songwriters within the genre of classic AOR,” tells Goran. “The conformity of the production has a good red line with a straight forward melodic flow as you would expect. Its been a true pleasure performing it. The recording of the album took place in Daniel Flores’ studio for the instrumental part while I did the vocals in my own studio. Personally I am grateful to be a part of this project and look forward to the fans listening to the album”.
The result is a true feast for the ears of all lovers of this music. Picture hints of the likes of Night Ranger, Journey, Bad English and Starship and you’ll get a sense of what is in store for you! Hear for yourself with an album sampler: https://www.youtube.com/watch?v=l85g_qMKX0M
Listen To Me
When Right Is Wrong
Tell It To My Heart
Light A Light
Can’t Go On
Hands Around My Heart
Life After Love
CRY OF DAWN
Göran Edman – Lead and backing vocals
Michael Palace – Guitars and bass
Sören Kronqvist – Keyboards
Daniel Flores – Drums and keyboards
Produced by Daniel Flores
Today marks the release of the CD version of Rhino’s new Dio new boxed set, A Decade Of Dio: 1983-1993. The set brings together Dio’s first six studio albums, each one featuring newly remastered sound, including Holy Diver (1983), The Last In Line (1984), Sacred Heart (1985), Dream Evil (1987), Lock Up The Wolves (1990) and Strange Highways (1993). Order your copy now via Amazon: CD
Pre-orders are still available for the vinyl version of A Decade Of Dio: 1983-1993, set to release on October 4, 2016. Pre-order yours now via Amazon: vinyl. Retailing at $99.98, the vinyl version comes with a bonus 7″ single. On the first side is the 1983 version of “Evil Eyes,” which was originally released as the b-side on the “Holy Diver” single. In addition, this version is different from the one featured on the 1984 album The Last In Line. The flip side features “Time To Burn,” which was the only studio track featured on the otherwise live release, Intermission (1986).
Both versions come housed in boxes featuring new artwork by Marc Sasso, who was responsible for many of the band’s iconic covers.
Ronnie James Dio’s sinister howl and wicked songcraft bewitched hard rock fans in the Seventies and Eighties during his memorable stints with Elf, Rainbow and Black Sabbath. Dio’s successful solo career led to 10 studio albums and sales of more than 10 million records around the world.
After two albums with Black Sabbath, Ronnie James Dio left in 1982 and formed Dio with fellow Sabbath band mate Vinny Appice on drums. The group’s platinum-selling debut Holy Diver arrived in 1983 and is now revered as a heavy metal masterpiece, including two songs that would become rock signatures: the title track and the epic “Rainbow In The Dark.”
The band returned the following year with The Last In Line (1984), which became the band’s second platinum seller and included the single “Mystery,” as well as “We Rock,” a song the band often used to close its shows. Sacred Heart (1985) achieved gold certification and introduced fans to the concert staple “Rock ‘n’ Roll Children.” Dio’s fourth studio album, Dream Evil (1987) included the singles “All The Fools Sailed Away” and “I Could Have Been A Dreamer.”
In the Nineties, the group released two more stellar studio albums. Lock Up The Wolves arrived in 1990 and featured the single “Hey Angel” and rocking title track. Following a brief reunion with Black Sabbath in 1992, Dio returned with Strange Highways in 1993. The album featured future fan favorites like “Jesus, Mary and The Holy Ghost,” “Evilution,” and the title track.
Although Ronnie James Dio lost his battle with stomach cancer in 2010, his towering voice and legacy live on. The Ronnie James Dio Stand Up and Shout Cancer Fund, co-founded by Wendy Dio, is a non-profit 501(c)(3) charitable fund dedicated to supporting cancer-prevention research, raising awareness and educating the public about the vital importance of early detection and prevention when dealing with this deadly disease.
A Decade Of Dio: 1983-1993 Album Listing:
Holy Diver (1983)
The Last In Line (1984)
Sacred Heart (1985)
Dream Evil (1987)
Lock Up The Wolves (1990)
Strange Highways (1993)
Sorry email #2 on this book but I’ve found a lot of you wait until there’s an easy PayPal button to pay for these things rather than ask for an invoice, so here ya go!
So yeah, I’ve got a second shipment of 75 copies of the updated and expanded 2016 edition of my Blue Öyster Cult book for signing and sale. They are expensive to import, so this campaign is brief (PS: I also have the updated Scorpions – Wind of Change, plus the hardcover Lizzy, no changes, but one book, through Johnny – you’ll get a separate email about those, but ask me know if interested):
It’s now called Agents of Fortune: The Blue Öyster Cult Story and is published out of the UK and is no longer available as Blue Öyster Cult: Secrets Revealed!, which was a 2009 update of the 2005 book.
I did a long rewrite, expansion, re-edit on this thing (plus songs in double quotes, albums italicized, little up-classing details) with new interview footage from Eric Bloom, Al Bouchard, Joe Bouchard, Donald Roeser and the always quotable Sandy Pearlman. maybe a few other citations as well, plus better writing.
Less pictures than the 2009 book and I’m not crazy about the cover, but where it really matters, the writing… well, this was my best band biog ever and now it’s even way better, with expanded examinations of many of the songs and an updating of the story, mostly with the continued writing and recording careers of Joe and Al.
Blue Öyster Cult… six gold and platinum U.S. albums… classic trax like “(Don’t Fear) The Reaper,” “Godzilla,” “Burnin’ for You,” “Astronomy” and “E.T.I.” Indeed, Donald “Buck Dharma” Roeser, Eric Bloom, Allen Lanier, Albert Bouchard and Joe Bouchard comprised one of the great stadium acts of the ‘70s and ‘80s. BOC were heavy metal enough to duke it out with Kiss, Rush, Aerosmith, Ted Nugent and Black Sabbath, yet smart, funny, ironic and jaded enough to please the tough New York critics, of which more than a couple mingled within their ranks.
Agents of Fortune is not a biography as such, but a biography of the band’s albums, a canon of work I consider one of the finest in rock, and truly superlative on the lyrical front. Indeed, in radio, print and TV interviews, I’ve consistently called the band’s lyrics the best in the business, tied with those of Captain Beefheart and Pye Dubois (Max Webster, Kim Mitchell). And what’s more, it’s been well-documented that I consider this the most action-packed, intellectual and highly interesting of the band biographies I’ve penned. The guys are just really cool, creative and have killer stories.
The book examines the complicated early days of the band, graphically demonstrating the show biz sweat that goes into making an act an act. The majority of the book however is centered around the peerless intellectual quality of the songs, a quality made entertaining by the band’s psychotropic and ghoulish humor, and by its interest in all manner of conspiracy theories, cults, monsters, vampires, UFO tales, foul play, arcane spiritualism, alchemy, love lost and love buried, science fiction and science friction.
Along the way, I talked (in some cases numerous times) with Buck, Eric, Albert and Joe, along with drummer Bobby Rondinelli, legendary producer of the band Murray Krugman and BÖC expert Bolle Gregmar. For insight into the band’s fantastic lyrical world, I went right to the source, the penners of BÖC classics. Some of the best insights into creativity I’ve ever heard – through 1400 interviews an’ counting – came from Sandy Pearlman (also the band’s manager during the golden years), Richard Meltzer, Helen Wheels, David Roter and John Shirley, along with cover artists Greg Scott and Ioannis. Helen Wheels and David Roter are since deceased—these chats with them are among their last interviews.
Books will be signed by me to you, so make clear if it’s a gift to someone else.
Price including shipping:
US orders: $35.00 US funds
Int’l orders (surface mail): $38.00 US funds
Int’l orders (air mail): $42.00 US funds
Canadian orders: $36.00 Cdn. funds
Or mail payment (personal check in US funds, cash, or INTERNATIONAL money order), to: Martin Popoff,
P.O. Box 65208, 358 Danforth Ave., Toronto, Ontario, Canada M4K 2Z2
Email me at email@example.com with any further questions, and see www.martinpopoff.com for descriptions, cover art and ordering info for my other available 30 or so books. Nice savings on shipping can be had if you take a few things, and as you know, I’m always good for swingin’ a deal for two books or more. Just email me for a quote.
Nearly 20 years ago, Led Zeppelin introduced BBC SESSIONS, an acclaimed two-disc set of live recordings selected from the band’s appearances on BBC radio between 1969 and 1971. On September 16th, the band will unveil THE COMPLETE BBC SESSIONS, an updated version of the collection that’s been newly remastered with supervision by Jimmy Page and expanded with eight unreleased BBC recordings, including three rescued from a previously “lost” session from 1969.
BBC SESSIONS was originally released in 1997 and has been certified double platinum by the RIAA. THE COMPLETE BBC SESSIONS builds on that collection with a third disc that boasts eight unreleased performances. In addition, the set includes extensive session-by-session liner notes written by Dave Lewis. For the first time ever, it provides accurate details and notes about all of the band’s BBC sessions.
Musical highlights on this new collection include the debut of a long-lost radio session that has achieved near-mythic status among fans. Originally broadcast in April 1969, the session included three songs: “I Can’t Quit You Baby,” “You Shook Me,” and the only recorded performance of “Sunshine Woman.” Also included are two unreleased versions of both “Communication Breakdown” and “What Is And What Should Never Be.”
THE COMPLETE BBC SESSIONS will be available in the following formats:
• Deluxe Edition (3CD)
Remastered original album plus a third disc of unreleased audio.
• Deluxe Edition Vinyl (5LP)
Remastered original album, plus a fifth LP of unreleased audio, on 180-gram vinyl
• Digital Download
Remastered album and unreleased audio will both be available.
• Super Deluxe Boxed Set (3CD/5LP)
– Remastered album, 2 CDs, each in a replica sleeve.
– Unreleased audio on CD in a separate card sleeve.
– Remastered album on 180-gram vinyl.
– Unreleased audio on 180-gram vinyl.
– High-def audio download card of all content at 96kHz/24 bit.
– 44-page book filled with photos of the band, the recording locations, BBC memorabilia, and session information.
– High-quality print of the original album cover, the first 30,000 of which will be individually numbered.
THE CULT have announced a wide array of summer tour dates including four upcoming stadium shows with Guns N’ Roses, as well as festivals and their own headlining concerts. The iconic band–founding singer Ian Astbury and guitarist Billy Duffy along with bassist Grant Fitzpatrick, drummer John Tempesta and keyboardist/rhythm guitarist Damon Fox–is on the road now in support of this year’s Hidden City album.
Hidden City is their 10th studio album and the final chapter of the band’s trilogy of releases which began with 2007’s Born Into This then 2012’s Choice of Weapon. The album has already produced three singles: “Hinterland,” “Dark Energy” and “Deeply Ordered Chaos.”
Of the album and its first single, ASTBURY told Billboard.com, “‘Hinterland’ is a place both real and imagined, a hidden city symbolic of a new Rome. Through the eyes of several witnesses we observe a young woman as she realizes her enlightened self in a dystopian dream world. ‘Hinterland’ is filled with symbolism, reflecting a new aeon in the shift of human consciousness as we realign with our planet’s natural rhythms.”
THE CULT continue to evolve and do things in their own style. Not tethered to the latest hit single or trend. They are a way of life, an ethos. Adventurers more than careerists. As ASTBURY eloquently puts it, “Our post-modern roots have kept the creative process vibrant, and we continue to evolve.”
DUFFY says, “Like all Cult albums–since Ian and I began writing together–we try our best to honestly reflect what we are feeling, doing and listening to. Hidden City is no exception and I’m thrilled to have had a creative part in such a critically acclaimed–but, more importantly–Cult-fan-acclaimed album. The dialogue between us all continues…”
Of the new album, Mojo said it’s “Some of the fiercest, nastiest, most powerful – and also starkly beautiful – music of their career…The album’s extraordinary howls of pain and anger, its dramatic apocalyptic visions and quiet interrogations of the meaning of life and death, align perfectly with the times.”
Check out CULT music here:
“Hinterland” video via Billboard.com here.
“G.O.A.T.” video via Nowness.com here.
“Deeply Ordered Chaos” video via Billboard.com
Viral Internet sensation STEVE’N’SEAGULLS have shared the first new track from their upcoming second album, Brothers in Farms, out September 9 via Spinefarm Records. The band, known for its Finnish “hillbillified” and folksy covers of classic metal tracks, has offered up its version of Iron Maiden’s iconic “Aces High.”
The track premiered via Metal Injection.
The song is available as an instant grat track for fans who pre-order the album
S’N’S also revealed details of the new album. Today, they’ve also shared the Brothers in Farms track listing and album cover.
For the uninitiated, Finland’s S’N’S shot to fame thanks to their bluegrass covers of metal classics, such as AC/DC’s “Thunderstruck.” Their unique take on beloved tracks garnered S’N’S fans, who cropped up all over the world, and their videos racked up millions of views.
September 21, 2015 was eventually christened STEVE’N’SEAGULLS day for the entire state of Colorado, while the band also covered The Beastie Boys’ hit “Sabotage” for The AV Club, toured the U.S., bringing their folk metal madrigrals to the masses, and appeared at the annual SXSW Festival in Austin, Texas, last Spring.
This time out, the brothers-in-farms tackle legendary tunes from Metallica, Guns N’ Roses, Nirvana, Megadeth, and more.
BROTHERS IN FARMS TRACK LISTING:
1. “Aces High”
02. “Sad But True”
04. “It’s A Long Way To The Top”
05. “You Could Be Mine”
06. “November Rain”
07. “In Bloom”
08. “Symphony Of Destruction”
09. “Fill Up The Tank”
11. “The Pretender”
12. “Self Esteem”
13. “Out In The Fields”
14. Born To Be Wild”
STEVE’N’SEAGULLS ON TOUR:
9/23 – Knitting Factory | Brooklyn, N.Y.
9/24 – Rowdy on the Roof | Cumberland, Md.
9/25 – Haymarket Whiskey Bar | Louisville, Ky.
9/26 – Cosmic Charlie’s | Lexington, Ky.
9/27 – The Hi-Fi | Indianapolis, Ind.
9/28 – Duck Room | St.Louis, Mo.
9/29 – George’s Majestic Lounge | Fayetteville, Ark.
9/30 – Oklahoma International Bluegrass Festival | Guthrie, Ola.
10/1 – The Riot Room | Kansas City, Mo.
10/2 – 7th Street Rascals Live | Moline, Ill.
10/4 – Vaudeville Mews | Des Moines, Iowa
10/5 -The Frequency | Madison, Wis.
10/6 – Rose Music Hal |, Columbia, Mo.
10/7 – O’Leaver’s Omaha | Neb.
10/8 The Armory Performing Arts Center | Brighton, Colo.
Visionary Swedish metallers SOILWORK have released the first “Inside Death Resonance” video trailer in which singer Björn “Speed” Strid talks about the band’s upcoming special collection of rarities, Death Resonance, out August 19, 2016 via Nuclear Blast. Head to this location to watch: https://youtu.be/RHd01VOynRo
The song was originally released on the Japan-only EP Beyond The Infinite, which featured more songs from the recordings sessions for the band’s globally praised double album The Living Infinite.
Commented singer Björn “Speed” Strid: “Beyond The Infinite consists of some special, quite experimental songs. They might have been cut out from the original album but have a unique charm to them. It wasn’t easy to pick the final track list for The Living Infinite. It was never obvious which songs wouldn’t make it. The writing and recording was highly experimental and playful in general, and it was through this album that we rediscovered ourselves as songwriters, with a new and improved line-up which brought – and will bring – so many interesting things to the table. Originally only released in Japan, it is with great pleasure that we finally share those special songs with you all. Enjoy!”
Watch the lyric video for “Helsinki”, created by well-known videographer Tommy Antonini (facebook.com/tommyantoninivideography), at this location:
Commented guitar player David Andersson: “Death. It’s a word that might be used too often, but it can still be interpreted in a myriad different ways. It’s not just the soma being deprived of its lifeforce; it’s also the end of infinity, the birth of new possibilities and the acceptance of inevitable change. This song was written soon after the recording of our live album in Finland, making new friends and making sure that the old ones stay with us forever, despite the fact that everything is finite.”
Pre-Order Death Resonance in as CD digipak or clear vinyl here: http://nblast.de/SoilworkDResonanceNB
Death Resonance tracklisting:
01. Helsinki (new song)
02. Death Resonance (new song)
03. The End Begins Below The Surface (The Ride Majestic Japan bonus track)
04. My Nerves, Your Everyday Tool (Beyond The Infinite Japan-only EP)
05. These Absent Eyes (Beyond The Infinite Japan-only EP)
06. Resisting The Current (Beyond The Infinite Japan-only EP)
07. When Sound Collides (Beyond The Infinite Japan-only EP)
08. Forever Lost In Vain (Beyond The Infinite Japan-only EP)
09. Sweet Demise (The Panic Broadcast Japan bonus track)
10. Sadistic Lullabye (re-recorded, The Panic Broadcast Japan bonus track)
11. Overclocked (2016 mix, Sworn A Great Divide Japan bonus track)
12. Martyr (2016 mix, Sworn A Great Divide Japan bonus track)
13. Sovereign (2016 mix, Sworn A Great Divide Japan bonus track)
14. Wherever Thorns May Grow (2016 mix, Stabbing The Drama Japan bonus track)
15. Killed By Ignition (2016 mix, Stabbing The Drama Japan bonus track)
Commented singer Björn “Speed” Strid: “The cover for Death Resonance is made by Mircea Eftemie and in many ways he managed to capture what we went through while recording The Ride Majestic: the sorrow, the close encounter with death, the aftermath and also the existential cogitation that came with it. It links those albums together, even though Death Resonance contains unreleased material from 2005 and forward. The cover almost seems like a link between life and death and not only captures where the band is right now, but also where we’ve been and what lies ahead.”
SOILWORK is currently touring in support of their current album The Ride Majestic. See list of dates below. Visit www.soilwork.org for tickets and more information.
SOILWORK 2016 International Festivals and Headliners:
8.14.2016 Rasnov, Romania – Rockstadt Extreme Fest
8.19.2016 Dinkelsbuhl, Germany – SummerBreeze Open Air
8.20.2016 Saint-Nolff, France – Motocultor Festival
SOILWORK August 2016 UK Tour with ARCH ENEMY:
Tickets available from seetickets.com
8.21.2016 Norwich, UK -Waterfront w/ ARCH ENEMY
8.22.2016 Sheffield, UK – Corporation w/ ARCH ENEMY
8.23.2016 Cardiff, UK -Tramshed w/ ARCH ENEMY
8.24.2016 Southampton, UK – Engine Rooms w/ ARCH ENEMY
8.25.2016London, UK – The Underworld (tickets) (headline – NO ARCH ENEMY)
SOILWORK in South America:
9.9.2016 Rio de Janeiro, Brazil – Treato Odisseia
9.10.2016 Sao Paulo, Brazil – Clash Club
9.11.2016 Curitiba, Brazil – Music Hall
9.13.2016 Buenos Aires, Argentina – Uniclub
9.14.2016 Montevideo, Uruguay – MM Box
9.16.2016 Santiago, Chile – Blondie
9.17.2016 Lima, Peru – The Blood
9.18.2016 Bogota, Columbia – Auditorio Lumiere
9.20.2016 Guadalupe Inn, Mexico – Lunario
KREATOR, SEPULTURA, SOILWORK, ABORTED European Tour:
Presented by: EMP, ESP, Meinl, Metal.de, Metal Hammer, Metal + Wine, Metalnews.de, Musix, Nuclear Blast, Peta, Piranha, RTN-Touring, Tätowiermagazin, Visions.
2.1.2017 Metz, France – B.A.M.
2.2.2017 Tilburg, Netherlands – 013
2.3.2017 Munich, Germany – Tonhalle
2.4.2017 Hamburg, Germany – Mehr! Theater
2.6.2017 Copenhagen, Denmark – Amager Bio
2.7.2017 Oslo, Norway – Rockefeller
2.10.2017 Helsinki, Finland – Black Box
2.11.2017 Tampere, Finland – Pakkahuone
2.12.2017 Tallinn, Estonia – Rock Cafe
2.13.2017 Vilnius, Lithuania – Siemens Arena
2.15.2017 Warsaw, Poland – Progresja
2.16.2017 Wien, Austria – Gasometer
2.17.2017 Wiesbaden, Germany – Schlachthof
2.18.2017 Berlin, Germany – Columbia-Halle
2.19.2017 Pratteln, Switzerland – Z 7
2.21.2017 Trezzo, Italy – Live Club
2.22.2017 Grenoble, France – Summum
2.23.2017 Barcelona, Spain – Razzmatazz
2.24.2017 Madrid, Spain – Riviera
2.25.2017 Toulouse, France – Bikini
2.26.2017 Paris, France – Bataclan
2.28.2017 Manchester, UK – Academy
3.1.2017 Dublin, Ireland – Vicar Street
3.2.2017 London, Uk – O2 Forum
3.3.2017 Balen, Belgium – Torhout
3.4.2017 Essen, Germany – Grugahalle
SOILWORK’s The Ride Majestic is available to order now in CD, vinyl, or digital formats.
Dark Horse Comics and thrash-punk titans Slayer have joined forces to deliver a new comic series this holiday season.
With full participation from the band and taking inspiration from Slayer’s recent Repentless music videos (filmed in support of their latest album, Repentless, on Nuclear Blast Records), disciple Jon Schnepp (Metalocalypse) will pen the three-issue comic series with interior bloodlines drawn by Guiu Vilanova (Twilight Zone, Conan the Avenger, Weird Detective). Glenn Fabry’s covers reign in blood while Antichrist Eric Powell (The Goon, Hillbilly) will illustrate the variant cover for the first issue.
“I think of the songs I write as stories,” Slayer’s Kerry King told Rolling Stone in an exclusive interview. “And if nothing else, they are certainly visual.”
As announced in May, Slayer’s live undead appearance at Comic-Con will begin on Thursday, July 21, with a special sold-out concert performance at the intimate-capacity House of Blues to a crowd of die-hard fans.
Slayer will appear within the walls of Comic-Con for two exclusive signings on Friday, July 22. Nuclear Blast America (booth #501) will host the band from 1 p.m. to 2 p.m. Dark Horse Comics (booth #2615) will host both the band and the comic’s creative team for a very limited engagement from 3 p.m. to 4 p.m. Limited edition posters will be provided. See each booth for details.
Regarding the comic, writer Jon Schnepp told Rolling Stone, “It’s definitely a lot of sensitive subjects that need to be explored and addressed. What’s the best way to explore those? With the chaos of metal.”
Slayer: Repentless #1 (of 3)is on comic stands in December 2016. Preorder at your local comic shop today.
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For more than three decades, Slayer’s onslaught has proven the band to be the supreme thrash-metal band on the planet, the band that other heavy acts are measured against and aspire to. The two-time Grammy-winners have also accumulated an abundance of certified Gold Albums along with “Best…” awards from media outlets all over the world, including Kerrang!, SPIN, Metal Hammer, Revolver, and Esquire. Throughout Slayer’s history, the band has never faltered in unleashing its extreme and focused sonic assault, and, unlike many of its contemporaries who “commercialized” their sound, Slayer has remained crushing and brutal, steadfastly refusing to cater to the mainstream. Slayer’s founding member, guitarist Jeff Hanneman passed in 2013, and Exodus guitarist Gary Holt has been filling in for him since. Paul Bostaph, who was Slayer’s drummer from ’94 – ’01, has rejoined bassist/vocalist Tom Araya and guitarist Kerry King, and is back behind the kit.
In September 2015, Slayer released Repentless, the band’s 12th studio album, the first without Hanneman and first with producer Terry Date, to widespread rave reviews and the highest chart debut of the band’s career. The band also teamed up with director BJ McDonnell for two high-concept and brutal music videos for the album’s “Repentless” (8.3-million views) and then for “You Against You.” (2.4-million views).
ABOUT DARK HORSE
For 30 years, Dark Horse Comics has proven to be a solid example of how integrity and innovation can help broaden a unique storytelling medium and establish a small, homegrown company as an industry giant. Founded in 1986 by Mike Richardson, the company is known for the progressive and creator-friendly atmosphere it provides for writers and artists. In addition to publishing comics from top talent, such as Eric Powell, Mike Mignola, Geof Darrow, Brian Wood, Gail Simone, Stan Sakai, and Guillermo del Toro, and comics legends, such as Will Eisner, Milo Manara, Kazuo Koike, Neil Gaiman, and Frank Miller, Dark Horse has developed its own successful properties, such as The Mask, Ghost, X, and Barb Wire. Its successful line of comics, manga, and products based on popular properties includes Dragon Age, Buffy the Vampire Slayer, Aliens, Conan, Tomb Raider, Halo, The Witcher, Serenity, Game of Thrones, and Avatar: The Last Airbender. Today Dark Horse Comics is the largest independent comic book publisher in the US and is recognized as one of the world’s leading entertainment publishers.
Frontiers Music Srl is excited to announce the signing of JACK RUSSELL’S GREAT WHITE to the label.
JACK RUSSELL’S GREAT WHITE represents the next phase of the iconic singer’s Rock n’ Roll legacy.
Since JACK RUSSELL’S GREAT WHITE inception in 2011, the frontman welcomed back longtime bassist and friend Tony Montana-this time as a guitar player and keyboardist-lead guitarist Robby Lochner (Rob Halford ), drummer Dicki Fliszar (Bruce Dickinson ) and Dan McNay (Montrose ) on bass. The new album on the horizon, which is JACK’s 14th studio album, boasts the bluesy hard rock stomp that made Russell an icon in the first place.
“I want to say how happy and excited I am about my band,” states JACK RUSSELL regarding the recent signing with Frontiers for the new album. “I have so much respect for Serafino, Mario, Derek and their team and am so thankful to be working with them. The band and I are off the hook about the new material. You are going to love it!”
The Grammy nominated Great White originally broke out of the Los Angeles scene in 1984 with its self-titled debut. The record was followed by the sophomore release “Shot in The Dark” and then by seismic platinum-selling outings such as 1987’s Once Bitten… and 1989’s …Twice Shy (which reached #9 on the Billboard Album chart). Moving over 8 million copies worldwide, they stood out as tried-and-true rock stalwarts into the 21st century until 2011, when Russell went on to form JACK RUSSELL’S GREAT WHITE.
In 2014 JACK RUSSELL’S GREAT WHITE gave fans a taste of new music with the release of the single “Hard Habit” which received rave reviews from fans clamoring for the “classic” early sound of GREAT WHITE. Listen to “Hard Habit” HERE: https://youtu.be/sZLGhYA8Pm4
Ultimately, the new music is for the millions of fans who stuck by Russell all these years. It’s everything they’ve been waiting for and more. Russell leaves off, “this is fun, first and foremost. I feel like I’m 27 again. I hope it sounds like Great White-but for 2016.”
Frontiers plans to release the new record in early 2017.
JACK RUSSELL’S GREAT WHITE is currently performing various concerts around the U.S., for all dates and details visit the band’s website. Upcoming dates include:
July 23 – Leon, TX
Aug. 19 – Reno, NV
Sept. 29 – Hollywood, CA
Oct. 7 – Englewood, FL
Oct 8 – New Port Richey, FL
Oct. 29 – Joliet, IL
On September 14, 2002, hard rock pioneers Deep Purple took the stage for a landmark concert at the NEC in Birmingham, England to bid farewell to founding member and keyboard legend Jon Lord.
On August 26, Eagle Rock Entertainment will deliver this very concert with the release of Live At The NEC on DVD and Digital formats [MSRP $14.99]. Previously only available as part of the Around The World Live boxed set, this film is being made available for the first time as a standalone DVD.
One of the most emotional concerts in Deep Purple’s long career, Live At The NEC is a unique experience in that it features both their keyboard players on stage – Jon Lord and Don Airey. Lord had announced his retirement earlier that year, and Airey was subsequently brought on board. Airey serves as the principal keyboardist throughout the show, culminating in a solo before the lights drop, and Jon Lord appears for a storming version of “Perfect Strangers.” The two share keyboard duties for the rest of the night, in a fitting passing-of-the-torch moment.
At 109 minutes total, Deep Purple (Ian Gillan, Roger Glover, Steve Morse, Ian Paice, Lord and Airey) kick out all the classics: “Smoke On The Water,” “Woman From Tokyo,” “Space Truckin’,” “Highway Star,” “Speed King,” “Lazy,” “Hush,” and more. In addition to this fantastic set, Live At The NEC includes bonus interviews with Ian Gillan and Roger Glover.
In addition to Live At The NEC, Eagle Rock Entertainment will also release two more concert films — Total Abandon and Bombay Calling – on digital formats on August 26.
Eagle Rock Entertainment is the world’s largest producer and distributor of music programming for TV, DVD, Blu-Ray and Digital Media. Eagle produces quality HD programs, both concerts and documentaries, directly alongside artists including Imagine Dragons, Paul McCartney, Katy Perry, The Rolling Stones, Pink Floyd, The Who, Queen, and Peter Gabriel. Eagle is a multiple Grammy® Award winner and has received numerous multi-platinum sales awards around the world. Eagle Vision is headquartered in London, and is a Universal Music Group company.
2) Woman From Tokyo
3) Mary Long
4) Ted The Mechanic
6) The Well Dressed Guitar
7) When A Blind Man Cries
8) Space Truckin’
9) Keyboard Solo
10) Perfect Strangers
11) Speed King
12) Guitar Solo
13) Smoke On The Water
15) Black Night
16) Highway Star
Brutal Assault offers a huge amount of bands in 2016. But the legendary and highly appreciated Mastodon will basically headline the Brutal Assault festival of this year. Mastodon has been supporter for Metallica several times and gained the massive success during the past few years. Besides Mastodon, the might industrial combo Ministry has undergone some tragic changes, but they can’t be ignored at all.