VIRGIN STEELE Premier New Track Online

October 27th, 2010
by EvilG
Virgin Steele - Limited Edition Digipak

Virgin Steele - Limited Edition Digipak

VIRGIN STEELE’s forthcoming metal opus, The Black Light Bacchanalia, will be released on October 22nd in Germany, Austria and Switzerland, and the rest of Europe on October 25th and on Novemeber 9th in North America.

The new track, ‘By The Hammer of Zeus (And The Wrecking Ball Of Thor)’ is now streaming at this location.

As previously reported, a strictly limited edition LP box set will be released on November 23rd in North America, view the contents below:

The limited edition LP box set will contain the following:

– 12-page book in LP format with the complete history of Virgin Steele (written by David DeFeis)

– Extra large full color poster

– Sticker

– Postcard

– Jewel case version of the album

LP 1

Side 1

‘By The Hammer Of Zeus (And The Wrecking Ball Of Thor)’

‘Pagan Heart’

Side 2

‘The Bread Of Wickedness’

‘In A Dream Of Fire’

LP 2

Side 1

‘Nepenthe (I Live Tomorrow)’

‘The Orpheus Taboo

Side 2

‘To Crown Them With Halos (Parts 1 & 2)’

‘The Black Light Bacchanalia (The Age That Is To Come)’

LP 3

Side 1

‘The Tortures Of The Damned’

‘Necropolis (He Answers Them With Death)’

Side 2

‘Eternal Regret’

‘When I’m Silent’ (Bonus Track)

All LPs come in printed inner sleeves.

The Black Light Bacchanalia will also be released as a standard CD, limited edition CD Digipak with a bonus CD and digital download. Each version will have its own unique artwork. Details on each format and the artwork can be found below:

Limited Edition Digipak:

Photobucket

CD 1

‘By The Hammer Of Zeus (And The Wrecking Ball Of Thor)’

‘Pagan Heart’

‘The Bread Of Wickedness’

‘In A Dream Of Fire’

‘Nepenthe (I Live Tomorrow)’

‘The Orpheus Taboo’

‘To Crown Them With Halos (Parts 1 & 2)’

‘The Black Light Bacchanalia (The Age That Is To Come)’

‘The Tortures Of The Damned’

‘Necropolis (He Answers Them With Death)’

‘Eternal Regret’

CD 2

‘When I’m Silent (The Wind Of Voices)’ (Bonus Track)

‘Silent Sorrow’ (Bonus Track)

‘From A Whisper To A Scream – (The Spoken Biography) – spoken by David DeFeis

Standard Jewel Case Edition:

Photobucket

‘By The Hammer Of Zeus (And The Wrecking Ball Of Thor)’

‘Pagan Heart’

‘The Bread Of Wickedness’

‘In A Dream Of Fire’

‘Nepenthe (I Live Tomorrow)’

‘The Orpheus Taboo’

‘To Crown Them With Halos (Parts 1 & 2)’

‘The Black Light Bacchanalia (The Age That Is To Come)’

‘The Tortures Of The Damned’

‘Necropolis (He Answers Them With Death)’

‘Eternal Regret’

Virgin Steele mastermind David Defeis recently penned a new blog answering some fan questions about the The Black Light Bacchanalia:

“I have been getting some inquiries about what the new album is all about, and I thought that it might be nice to answer them in a kind of Q & A type manner, so here we go:

One of the questions I am getting is… ‘What does the title, The Black Light Bacchanalia, mean?’

My answer is this… Well… it is my way of saying something like “this insane life”…. It should be thought of in the same spirit as the way Dante called his work The Divine Comedy. He was discussing life in all its multifaceted craziness, and I mean something similar with the phrase, “The Black Light Bacchanalia”. I too am speaking about life and all its attendant drama, aches, & pains, pathos, joys & sorrows. By that phrase I also mean “The Great Reversal”. Where when one culture conquers another, the deities of the conquered people become the demons of the conquerors religion. Everything is turned upside down… topsy-turvy. This is essentially what happened to Paganism & Gnosticism. The Pagans were killed off, and their worship of Bacchus/Dionysus with their bacchanalias was suppressed. But… in the glow of the Black Light things that are white are illuminated… the other colors fade into the shadows… The Pagans went underground.

Another question of late is: ‘Is this a concept album? And if so what can you tell us about the concept?’

Yes it is a concept album. It does continue the tale I began on the Visions Of Eden album, and brings those elements to their conclusion, with the death of Lilith (in ‘To Crown Them With Halos’), and also God finally lamenting all the damage he has done and the havoc he has wrought in ‘Eternal Regret’. I equate Lilith with Hypatia (the ancient Pagan astronomer/philosopher of Alexandria, who was murdered by Monks) and Joan Of Arc, and Lyzebel, (a Sumerian Queen who most people know as Jezebel), (but that name is a perversion of the original Lyzebel, which means Baal is exalted) (She too was murdered), as well as all the various Goddess figures. I continue the discussion of the death of Paganism and the eradication of the Female Goddess Principle due to the rise of the Mountain-Fire-Father God, but I go further with discussing the rise of “organized” religion and its mark upon Paganism, and the subsequent coming of the Dark Ages. However, that being said, I am really discussing today’s Dark Ages, and the rise of fundamentalism in all walks of Life, not only religion, but politics, and everywhere else. And ultimately the album is about Rebellion. Rebellion against authority, God, government, whatever…. etc….This is quite clear in songs like ‘The Orpheus Taboo’.

A question for those who heard about some of our difficulties… ‘How did the recordings go?’

Answer: They went very well for the most part, but we did have a few problems along the way. Due to the late summer storms we had a few electrical/technical mishaps! We lost various tracks that had to be re-recorded… I did panic at one point, as I had lost a fair amount of information that needed to be done again… Fortunately I do write everything down the old fashioned way, so I always have my notes to refer to… this helped! It was quite stressful, but it only made the album even more passionate and raw. I can somewhat laugh about it now, as I have gotten it all together… but… living through it was a bit unnerving.

Next question: ‘What is different about this album compared to your others?’

Answer: Using the 12 notes that are found in Western Civilization’s Music, I feel that I was able to invoke new emotions and new combinations of these notes and chords that I have not utilized before. For example tracks like ‘To Crown Them With Halos’ and ‘The Black Light Bacchanalia (The Age That Is To Come)’, contain various musical elements and moods that have never before appeared on a Virgin Steele album. That kind of mutant riffing and that kind of bizarre sequence in the bridge of the latter tune are quite different for us. It is darker than before in certain areas, and also more straight ahead in others. I think there is a nice balance between the various styles we do. I think that everyone really played their collective asses off. Frank G., gives the drum performance of his Life on these tracks. There is just so much virtuosity coming out of him these days. Josh did amazing guitar solos and fat rhythms, and Edward played with tremendous passion and great energy. I think it may be among our finest recorded performances thus far. All the feeling of our summer live shows went into these recordings. Performing gigs first and then recoding right after definitely can spice up one’s studio game!

I am also really pleased with the artwork. I chose 3 separate yet related covers for each of the 3 configurations we are releasing the album in. The covers are all from around 1400 or 1500, and have to do with the Inquisition or the occult. They are wood carvings or etchings, and I have used a few more of them inside the booklets. These are “found” images that I have located among various items in my house. I have been going organic with our covers for quite a while now. For example The House Of Atreus covers were made from a shield that hangs on a wall in my house. While I am working on the albums I look around and see if anything will leap out at me and scream “this is the sound of the album in visual form”. Again for example, with The House Of Atreus shield… when I looked at that it screamed to me “Kingdom Of The Fearless”… so I immediately took it down from the wall and had it photographed. The same with these 3 images for the new covers. I heard the moans of The Black Light Bacchanalia when I viewed them.

The other images inside the booklet are kind of media-manipulated artworks that are part paintings and part something else. These were done by my friend Julian Ilieve, and they are great, and they too capture the Spirit residing inside the sounds. All these various components were Nobly put together by one Jens Reinhold. Jens did a Glorious job bringing all these elements together.

And the last question for the moment: ‘We have heard that you said this album seems like a debut album. What do you mean by that?’

Answer: I mean that it has that kind of “we’re out to prove ourselves” fire that many debut albums have, and it is well paced and diverse yet also quite connected. It contains that kind of spontaneity and raw passion that makes it seem so fresh. It sounds like we are all very excited about what we are doing. When I first heard all the tracks back to back in one go, it reminded me of the feelings I got upon listening to the first 2 LED ZEPPELIN albums, or VAN HALEN’s debut or QUEEN 1. It just felt so alive and reckless, polished, yet wild. I hope that everyone will enjoy it…”

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