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Heart of Steel: Concert
Reviews
Like An Ever-Flowing Stream
Wacken Open Air 2003
By Michael De Los Muertos
Pictures and Commentary by ICE MAIDEN
Thursday, July 31, 2003
Our first mishap of the trip occurred precisely because we had too much
time to kill. Driving into the backstage parking area, I suggested,
"Let's look around at what's open here, and if nothing is, we'll go
back to Itzehoe and relax before the bands start tonight." Well,
nothing was open, but we didn't count on the festival security guards
prohibiting us from taking the car out of the backstage parking area
before the main gates opened! I have no idea what the rationale is behind
this silly rule, but that's what happened. We were forced to catch a cab
back to Itzehoe, and then pretty much stranded at our hotel until the
festival started several hours later. Well, not totally stranded. Ice
Maiden went on ahead with some friends she ran into from the ProgPower
festival last fall, but somehow I'd missed them all. While lamenting this
fact over a drink at the hotel bar I saw a van pull up to the front of the
hotel and none other than In Flames got out, lugging all their gear.
Despite a language barrier (I wasn't sure whether the guy spoke German or
Swedish) I managed to talk the driver of In Flames' van into giving me a
lift back to the Wacken site. After this stroke of amazing good fortune, I
found myself once again trodding the hallowed ground of metal's holiest
place.
(Ice Maiden's Commentary: I had decided to do a little reading in the
lounge of the bar. When I got up to get a drink, I heard a New York
accented, "I know you!" Turning around, I ran into Markgugs,
editor and writer extraordinaire for Royal Carnage. Damn, the world of
metal is small. I had first run into one of Markgugs' compatriots in
Atlanta the previous year at ProgPower, where, to take refuge from a
storm, we had both ended up chatting with Kai Hansen and the rest of the
Gamma Ray crew. Then, I ran into him again in New York last year at an
Amon Amarth show. And here we were, running into each other again, again
unplanned, in Germany.
Since none of the Royal Carnage crew had ventured to Wacken before, I
offered to guide them to the press area. Mostly, I wanted to see their
initial reaction to the site. Like getting to experience Disneyland anew
through the eyes of a child, watching any metalhead's reaction to seeing
the swarms of black clad true metal folk descending on this small German
town leaves one with new wonder.)

Thursday night was the Wacken pre-show, and ANNIHILATOR was the first
band of the festival that I saw. The Canadian thrashsters were much better
than I recall seeing them the last time they played Wacken, which I
believe was in 2001. They had a lot of energy and the guitars in
particular were thick and crunchy. With a pretty good shout back at their
great late-80s stuff, Annihilator set the tone well for the mayhem that
was to come the next two days.
(Ice Maiden's Commentary: When I last saw Annihilator in '01 I was
relatively unimpressed. This time I found myself banging my head and
appreciating both the guitars and vocals much more. Very good job from
Jeff Waters' baby…)



After Annihilator, I was reunited with Ice Maiden in the backstage
area, and I tasted the first sweet sudsy beers of Wacken. Tastes exactly
like last year! I suppose it's too much to ask that they'll start serving
Black Butte Porter on tap at Wacken, but one can always hope. Also that
evening, thanks to fellow Metal-Rules ace Arto Lehtinen (known as Archtur
on the message board), we began to fall in with the infamous crew of
Finnish metal reporters--most of them write for the Imperium web zine--that
would be our constant companions at Wacken. Once we hoisted the first beer
with our new friends from Finland, we were doomed. The party had begun and
wouldn't stop for three days!
Somehow I still had time to slip out to see VICTORY, the next band on
the pre-show bill. I'm not too familiar with this band, and because their
style is more straightforward hard rock than real heavy metal I was
surprised to see them playing Wacken. Nonetheless I really enjoyed their
set. It was well-played, light-hearted and good-natured, and the very
classic 80s-style hard rock took me back to the days in the mid-80s when I
was but a young tyke dipping a timid toe into the ocean of hard rock and
metal music. I doubt a lot of festivalgoers would rank Victory as an
exceptional set at Wacken because they weren't as "metal" as
everyone else, but I give them excellent marks.
I heard only a smidgen of RUNNING WILD, but definitely liked what I
heard! The world's preeminent pirate metallers were obviously riding high
on a wave of renewed interest in pirates probably caused by this summer's
release of the Pirates of the Caribbean movie, but I doubt Running Wild
would have given any less enthusiasm to their performance even if two
people were standing in the audience. I wish I had seen more of the
set--everyone I talked to said it was a real highlight.
Our party with the Finns consumed much of the rest of the evening. We
returned to Itzehoe in good spirits, only to go back to our hotel to find
another party in progress there--including members of several Wacken-bound
bands, not the least of which was Twisted Sister! Unfortunately when I
finally returned to my hotel room to crash gratefully on my bed I found
the room ominously hot, almost too hot to sleep. If last year's major
Wacken tribulation was mud, I was beginning to get a clue what this year's
would be. Suddenly a brief cool rain shower didn't seem like it would be
such a bad thing.
(Ice Maiden's Commentary: I stayed up very late on Thursday night,
chatting with the band members of Evidence One, a German rock n' roll
style band, and Jesper of In Flames. Since I had consumed a few adult
beverages, my tongue was perhaps a bit looser than is ideal, and I asked
Jesper why In Flames had started wearing the "stupid jumpsuits."
I also asked him if he felt the band had "sold out." He told me
that the band was trying to evolve, but was staying true to what they
personally believe. He felt that any band that starts selling albums is
branded a sell-out. He was a very cool guy, so I didn't feel like saying
anything about the fact that Reroute to Remain was an abomination, and
that any band that tells me to "Jump motherf#cker, jump"
inherently annoys me.)
Friday, August 1, 2003
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